Author: Taras Shevchenko
Date: 2022-08-13T18:12:00+00:00
Keywords: Ukrainian poetry -- Translations into English; Shevchenko; Taras; 1814-1861
Description: A collection of Taras Shevchenko’s poetry.
Publisher: Standard Ebooks

Poetry

By Taras Shevchenko.

Translated by Alexander Jardine Hunter, Ethel Voynich, Paul Selver, and Florence Randal Livesay.

Imprint

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on transcriptions from various sources and on digital scans from various sources.

The source text and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. They may still be copyrighted in other countries, so users located outside of the United States must check their local laws before using this ebook. The creators of, and contributors to, this ebook dedicate their contributions to the worldwide public domain via the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

The Night of Taras

By the road the Kobzar sat
And on his kobza played.
Around him youths and maidens
Like poppy flowers arrayed.

So the Kobzar played and sang
Of many an old old story;
Of wars with Russian, Pole and Tartar
And the ancient Cossack glory.

He sang of the wars of Taras brave,
Of battle fought in the morning early,
Of the fallen Cossack’s grass-grown grave
Till smiles and tears did mingle fairly.

“Once on a time the Hetmans ruled,
It comes not back again;
In olden days we masters were
This never comes again.
These glories of old Cossack lore
Shall be forgotten nevermore.

Ukraine, Ukraine!
Mother mine. Mother mine!
When I remember thee
How mournful should I be.

What has come of our Cossacks bold
With coats of velvet red?
What of freedom by fate foretold,
And banners the Hetmans led?

Whither is it gone?
In flames it went:
O’er hills and tombs,
The floods were sent.
The hills are wrapt
in silence grim,
On boundless sea
waves ever play;
The tombs gleam forth
with sadness dim;
O’er all the land
the foe holds sway.

Play on, oh sea,
Hills silent be:
Dance, mighty wind,
O’er all the land.
Weep, Cossack youth,
Your fate withstand.

Now who shall our adviser be?
Then out spake Naleweiko,
A Cossack bold was he,
After him Paulioha
Like falcon swift did flee.

Out spake Taras Traselo
With bitter words and true,
“That they trampled on Ukraina
For sure the Poles shall rue.”
Out spake Taras Traselo,
Out spake the eagle grey.
Rescue for the faith he wrought,
Well indeed the Poles he taught.
“Let’s make an end of our woe.
An end come now to your woe,
Arise, my gentle comrades, all
Upon the Poles with blows we’ll fall.”

Three days of war
did the land deliver.
From the Delta’s shore
to Trubail’s river.
The fields are covered
with dead, in course,
But weary now
is the Cossack force.

Now the dirty Polish ruler
Was feeling very jolly,
Gathered all his lords together,
For a time of feast and folly.
Taras did his Cossacks gather
To have a little talk together.

“Captains and comrades,
My children and brothers,
What are we now to do?
Our hated foes are feasting,
I want advice from you.”

“Let them feast away,
It’s fine for their health.

When the sun descends,
Old night her counsel lends;
The Cossacks’ll catch them,
and all of their wealth.”

The sun reclined beyond the hill
The stars shone out in silence still,
Around the Poles the Cossack host
Was gathering like a cloud;
So soon the moon stood in the sky
When roared the cannon loud.

Woke up the Polish lordlings,
To run they found no place.
Woke up the Polish lordlings,
The foe they could not face.
The sun beheld the Polish lordlings,
In heaps all o’er the place.
With red serpent on the water,
River Alta brings the word—
That black vultures after slaughter
May feast on many a Polish lord.

And now the vultures hasten
The mighty dead to waken.
Together the Cossacks gather
Praise to God to offer.

While black vultures scream,
O’er the corpses fight.
Then the Cossacks sing
A hymn to the night;
That night of famous story
Full of blood and glory.
That night that put the Poles to sleep
The while on them their foes did creep.

Beyond the stream
in open field
A burial mound
gleams darkly:
Where the Cossack blood was shed
There grows the grass full greenly.

On the tomb a raven sits:
With hunger sore he’s screaming.
Waiting near a Cossack weeps:
Of days of old he’s dreaming.

The Kobzar ceased in sadness
His hands would no longer play:
Around him youths and maidens
Were wiping the tears away.
By the path the Kobzar makes his way,
To get rid of his grief he starts to play.
And now the youngsters are dancing gay,
And then he opes his lips to say:

“Skip off, my children,
To some nice warm corner,
Of griefs enough;
I’ll no longer be mourner.

To the bar I’ll go
and find my good wife
And there we’ll have
the time of our life.
For so we’ll drink away our woes
And make no end of fun of our foes.”

Topolia

The Poplar

The wind blows through the oaks in the wood,
It dances through the fields.
Beside the high-road it uproots Topolia,
And fells her to the ground.

Why has she a slim, tall trunk?
Why are her broad leaves green?
The field around is blue,
And wide as the sea. …
When the Tchumak passes
He looks and bows his head.

Tchabàn, the shepherd, in the dawn,
His pipe plays on the hill;
He looks around.
Sorrow is in his heart—no shrub is near—
Only a poplar lone,
Lone as an orphan stands,
Fades in an alien land.

Who nurtured this slender and yielding body
To languish on the steppes?
Wait, maidens, I will tell ye!
Listen:

With a Cossack
A maiden fell in love,
Loved him, but held him not.
He departed and perished.

If she had known
That he would leave her
She would not have loved him:

If she had known
That he would die
She would not have let him go:

If she had known,
She would not have gone for water late at even,
She would not have lingered
With her sweetheart
Under the willow tree
If she had known! …

But it is dangerous
To know the future—
What misfortune will meet us,
Maidens, seek not to know,
Ask not of your fate.
The heart knows whom to love.
Let it wither, little by little,
Until it is buried,
Because
Not for long are the bright eyes
Of the black-browed girl.

Girls, O Girls!
Not for long the rosy cheeks!
Only till noon—
Then they will fade, will shrivel,
The black brows will grow pale. …
Girls! Love ye or like as your heart says.

The nightingale is trilling
In the wood, on the cranberry.
Walking in the meadow
The Cossack sings—

He sings until Tchornobriva1
Comes out of the hut,
And he asks her:
“Did your mother hurt you?”
Close together they stand, they embrace,
The nightingale sings,
And, hearing it, they depart,
Joyful at heart.
Nobody sees them, none will ask her,
“Where wast thou, what didst thou do?”
She herself knows. She loved,
But her heart was sad with foreboding,
All unspoken, untold. …
Abandoned,
Day and night she called,
Cooing like a mournful dove,
But no one heard.

The nightingale does not sing
In the wood over the water:
The black-browed girl sang of old
Under a willow tree—
Now she does not sing.
As an orphan, she hates the white world.
Without her sweetheart,
Like an alien, her mother,
Like a stranger, her father.
Without her sweetheart
The sun shines
As an enemy loves.
Without her lover
All is—a grave.
And her heart beats on.
One year passed, and another,
The Cossack did not return.

“I will not marry him, Mother!
I do not wish to ‘live like a lady,’
Lower me in a grave with those Towels!2
Better to lie in a coffin than to see his face.”

“O fortune-teller, how long will I live in this world
Without my sweetheart?
Granny-Pigeon,
My Heart, Nenka, tell me the truth,
Is my lover alive and in health?
Does he love me,
Or forget and abandon me?
Tell me, where is my lover?
Art thou ready to fly to the end of the world,
Granny-Pigeon?
Tell, if thou knowest,
For my Mother marries me to an old, rich man. …
But, O Grey One,
Never will my heart cease loving that other!
I would drown myself
But so I might lose my soul.
O my ‘Ptashka!’3
Do something—let me not go home.
It is hard, hard for me—
There, at home, the Old One waits
With the marriage brokers.
Tell me my fortune.”

“So be it, Daughter. Tarry a while,
But do my will. Long ago I, too,
Was a marriageable maiden—
I know that woe, but it has passed,
And I have learned to help.
I knew thy fortune, my dear daughter,
Two years ago. Then I prepared for thee
That zilie on the shelf.
Now take the magic herb,
And to the clear spring go.
Ere cock-crow wash thy face,
Then drink this draught. Sorrow shall pass.
Run to the grave, nor look thou back—
Some one behind may cry, but give no heed.
Run to that spot where once thou saidst farewell;
Stay there until the moon
Is crescent in mid-sky,
Then drink again.
If he come not,
Then drink once more.
After the first draught thou wilt look
The maid thou wast:
After the second, a horse will stamp its foot.
If then thy Cossack lives
Be sure he’ll come;
But after the third draught,
O daughter mine,
Ask not what shall befall!
But hearken!
Cross not thyself
Else naught of this will be.
Now go! And look upon
Thy beauty of last year!”

“To go or not to go?
No, I will not go home!”
She went and bathed herself,
And drank the zilie wine,
And she was changed;
Second and third time drank,
And drowsiness was hers.
She sang on the wide steppes:
“Float, float, O Swan,
Upon the bluish sea!
Grow tall, Topolia,
Reach higher, higher!
Slender and tall, aspire
Up to the clouds.
Ask God: Will waiting then
At all avail?
Waiting for him, my mate?

“Grow, grow tall!
Look out o’er the blue sea.
Good luck and bad luck lie
On either side.
And there, somewhere,
My lover roams the fields.
I weep, my years pass by
Waiting for him.
Say to him, O my heart, Topolia!
That people laugh at me.
Tell him that I shall die
If he do not come soon.
Mother herself
Wishes to bury me. …
Look far, Topolia, and, if he is not,
Weep with the dew at sundown,
Though none may know—
Taller and taller grow,
Higher and higher.
Float, float, O Swan,
Upon the bluish sea.”

Such a song Tchornobriva
Sang on the steppes.
O Zilie Miracle!—she is Topolia!
She did not return home;
She did not wait for him.
There slim and tall
She beckons to the clouds.
The wind blows through the oaks in the wood,
It dances through the fields.
Beside the high road it uproots Topolia,
And fells her to the ground.

Hamaleia4

“Oh breeze there is none,
Nor do the waters run
From our Ukraina’s land.
Perhaps, in council there they stand,
To march against the Turk demand.
We hear not in this foreign land.
Blow winds, blow across the sea,
Bring tidings of our land so free,
Come from Dnieper’s Delta low,
Dry our tears and chase away our woe.

Roar in play thou sea so blue.
In yon boats are Cossacks true,
Their caps above are dimly seen.
Rescue for us this may mean.
Once more we’ll hear Ukraina’s story.
Once more the ancient Cossack glory
We’ll hear before we die.”

So in Skutari the Cossacks sang,
Their tears rolled down, their wailing rang
Bosphorus groaned at the Cossack cry.
And then he raised his waves on high.
And shivering like a great grey bull,
His waters roaring far and full
Into the Black Sea’s ribs were hurled.
The sea sent on great Bosphorus’ cry,
To where the sands of the Delta lie,
And then the waters of Dnieper pale
In turn took up the mournful tale.

The father Dnieper rears his crest,
Shakes the foam from off his breast.
With laughter now aloud he calls
To spirits of the forest walls.
“Hortessa sister river, deep,
Time it is to wake from sleep.
Brother forest, sister river,
Come our children to deliver.”
And now the Dnieper is clad with boats,
The Cossack song o’er the water floats.

“In Turkey over there,
Are wealth and riches rare.
Hey, hey, blue sea play.
Then roar upon the shore,
Bringing with you guests so gay.

“This Turkey has in her pockets
Dollars and ducats.
We don’t come pockets to pick,
Fire and sword will do the trick.
We mean to free our brothers.

“There the janissary crouches,
There are pashas on soft couches.
Hey-ho, foemen ware,
For nothing do we care,
Ours are liberty and glory.”

On they sail a-singing
The sea to the wind gives heed,
In foremost boat the helm a-guiding,
Brave Hamaleia takes the lead.

“Oh, Hamaleia, our hearts are fainting,
Behold the sea in madness raving.”
“Don’t fear,” he says, “these spurting fountains,
We’ll hide behind the water mountains.”

All slumber in the harem,
Byzantium’s paradise.
Skutari sleeps, but Bosphorus
In madness shouts, “Arise!
Awake Byzantium!” it roars and groans.
“Awake them not, Oh Bosphorus.”
Replies the sea in thunder tones.
“If thou dost I’ll fill thy ribs with sand,
Bury thee in mud, change thee to solid land.
Perhaps thou knowest not the guest
I bring to break the sultan’s rest.”

So the sea insisted,
For he loved the brave Slavonic band;
And Bosphorus desisted,
While in slumber lay the Turkish land.
The lazy Sultan in his harem slept,
But only in Skutari the weary pris’ners wept.
For something are they waiting,
To God from dungeon praying,
While the waves go roaring by.

“Oh, loved God of Ukraine’s land,
To us in prison stretch thy hand;
Slaves are we a Cossack band.
Shame it is now in truth to say,
Shame it will be at judgment day
For us from foreign tomb to rise,
And at thy court, to the world’s surprise
Show Cossack hands in chains.”
“Strike and kill,
Now the infidels will get their fill
Death to the unbelievers all.”
How they scream beyond the wall!

They’ve heard of Hamaleia’s fame,
Skutari maddens at his name.

“Strike on,” he shouts, “kill and slay
To the castle break your way.”
All the guns of Skutari roar
The foes in frenzy onward pour,
The cossacks rush with panting breath
The janissaries fall in death.

Hamaleia in Skutari
Dances through the flames in glee.
To the jail his way he makes,
Through the prison doors he breaks.
Off the feet the fetters takes.

“Fly away my birds so gray,
In the town to share the prey.”
But the falcons trembled
Nor their fears dissembled
So long they had not heard
A single christian word.

Night herself was frightened.
No flames her darkness lightened.
The old mother could not see
How the Cossacks pay their fee.

“Fear not! Look ahead,
To the Cossack banquet spread.
Dark over all, like a common day,
And this no little holiday.”

“No sneak thieves with Hamaleia,
To eat their bacon silently
Without a frying pan.”

“Let’s have a light,”
Now burning bright
To heaven flames Skutari,
With all its ruined navy.

Byzantium awakes, its eyes it opens wide
With grinding teeth hastes to its comrade’s side,
Byzantium roars and rages,
With hands to the shore it reaches,
From waters gasping strives to rise,
And then with sword in heart it dies.

With fires of hell Skutari’s burning,
Bazaars with streams of blood are churning
Broad Bosphorus pours in its waves.
Like blackbirds in a bush
The Cossacks fiercely rush.
No living soul escapes.
Untouched by fire,
They the walls down tear,
Silver and gold in their caps they bear,
And load their boats with riches rare.

Burns Skutari, ends the fray,
The warriors gather and come away,
Their pipes with burning cinders light,
And row their boats through waves flame bright.

Khustina

The Betrothal Kerchief5

On Sunday she did not dance—
She earned the money for her skeins of silk
With which she embroidered her kerchief.
And while she stitched she sang:

“My kerchief, embroidered, stitched, and scalloped!
I shall present thee and my lover shall kiss me.
O Khustina, bright with my painting.
I am unplaiting my hair,6 I walk with my lover—
(O my Fate! My Mother!)
The people will wonder in the morning
That an orphan should give this kerchief—
Fine-broidered and painted kerchief.”

So worked she at her stitching, and gazed down the road
To listen for the bellowing of the curved-horned oxen,
To see if her Tchumak comes homeward.

The Tchumak is coming from beyond Lyman,
With another’s possessions, with no luck of his own.
He drives another man’s oxen; he sings as he drives:

“O my fate, my fortune,
Why is it not like that of others?
Do I drink and dance?
Have I not got strength?
Know I not the roads of the steppes
That lead to thee?
Do I not offer thee my gifts,
(For I have gifts)—my brown eyes—
My young strength, bought by the rich?
… Perchance they have mated my sweetheart to another.
Teach me, O Fortune, how to forget,
How to drown my grief in drink and song.”

And as he journeyed over the steppes, lonesome, unhappy, he wept—
And out on the steppes, on a grave, a grey owl hooted.

The Tchumaki,7 greatly troubled, entreated:
“Bless us, Ataman, that we may reach the village,
For we would bring our comrade to the village
That there he may confess ere death; be shriven.”
They confessed; heard mass, consulted fortune-tellers.
But it availed not; so with him, unholpen,
They moved along the road. Was it his burden,
The constant burden of his anxious love
(Or victim he of some one’s evil spell?),
That so they brought him from the Don
Home on a wagon?

God he besought
At least to see his sweetheart. But not so—
He pleaded not enough. … They buried him …
And none will mourn him, buried far away;
They placed a cross upon the orphan’s grave
And journeyed on.

As the grass withers, as the leaf falls on the stream,
Is borne to distance dim,
The Cossack left this world, and took with him
All that he had.

Where is the kerchief, silken-wrought?
The merry girl-child, where?
The wind a kerchief waves
On the new cross.
A maiden in a nunnery
Unbinds her hair.

Naimechka

Or, The Servant

Prologue

On a Sunday, very early,
When fields were clad with mist
A woman’s form was bending
’Mid graves by cloud wreaths kissed.
Something to her heart she pressed,
In accents low the clouds addressed.

“Oh, you mist and raindrops fine,
Pity this ragged luck of mine.
Hide me here in grassy meadows,
Bury me beneath thy shadows.
Why must I ’mid sorrows stray?
Pray take them with my life away.
In gloomy death would be relief,
Where none might know or see my grief.
Yet not alone my life was spent,
A father and mother my sin lament.
Nor yet alone is my course to run
For in my arms is my little son.
Shall I, then, give to him christian name,
To poverty bind, with his mother’s shame?
This, brother mist, I shall not do.
I alone my fault must rue.
Thee, sweet son, shall strangers christen,
Thy mother’s eyes with teardrops glisten.
Thy very name I may not know
As on through life I lonely go.
I, by my sin, rich fortune lost,
With thee, my son, to ill fate, was tossed.
Yet curse me not,
for evils past.
My prayers to heaven
shall reach at last.
The skies above
to my tears shall bend,
Another fortune to thee I’ll send.”
Through the fields she sobbing went.
The gentle mist
its shelter lent.
Her tears were falling
the path along,
As she softly sang
the widows song:

“Oh, in the field there is a grave
Where the shining grasses wave;
There the widow walked apart,
Bitter sorrow in her heart.
Poison herbs in vain she sought,
Whereby evil spells are wrought.
Two little sons
in arms she bore
Wrapped around in
dress she wore;
Her children to the river carried,
In converse with the water tarried;
‘Oh, river Dunai, gentle river,
I my sons to thee deliver,
Thou’lt swaddle them
and wrap them,
Thy little waves
will lap them,
Thy yellow sands
will cherish them,
Thy flowing waters
nourish them.’ ”

I

All by themselves lived
an old couple fond
In a nice little grove
just by a millpond.
Like birds of a feather
Just always together,
From childhood the two of them
fed sheep together,
Got married, got wealthy,
got houses and lands,
Got a beautiful garden
just where the mill stands,
An apiary full
of beehives like boulders.
Yet no children were theirs,
and death at their shoulders.
Who will cheer their passing years?
Who will soothe their mortal fears?
Who will guard their gathered treasure.
In loyal service find his pleasure?
Who will be their faithful son
When low their sands of life do run?

Hard it is a child to rear,
In roofless house ’mid want and fear.
Yet just as hard ’mid gathered wealth,
When death creeps on with crafty stealth,
And one’s treasures good
At end of life’s wandering,
Are for strangers rude
For mocking and squandering.

II

One fine Sunday,
in the bright sunlight,
All dressed up
in blouses white,
The old folks sat
on the bench by the door;
No cloud in sky,
What could they ask more?
All peace and love
it seemed like Eden.
Yet angels above
their hearts might read in,
A hidden sorrow,
a gloomy mood
Like lurking beast
in darksome wood.
In such a heaven
Oh, do you see
Whatever could
the trouble be?
I wonder now
what ancient sorrow
Suddenly sprang
into their morrow.
Was it quarrel
of yesterday
Choked off, then
revived today,
Or yet some newly sprouted ire
Arisen to set their heaven on fire?

Perchance they’re called to go to God,
Nor longer dwell on earth’s green sod.
Then who for them on that far way
Horses and chariot shall array?

“Anastasia, wife of mine,
Soon will come our fatal day,
Who will lay our bones away?”

“God only knows.
With me always was that thought
Which gloom into my heart has brought.
Together in years and failing health,
For what have we gathered
all this wealth?”

“Hold a minute,
Hearest thou? Something cries
Beyond the gate—’tis like a child.
Let’s run! See’st ought?
I thought something was there.”
Together they sprang
And to the gate running;
Then stopped in silence wondering.

Before the stile
a swaddled child,
Not bound tightly,
just wrapped lightly,
For it was
in summer mild,
And the mother
with fond caress
Had covered it
with her own last dress.
In wondering prayer
stood our fond old pair.
The little thing
just seemed to plead.
In little arms
stretched out you’ld read
Its prayer—
in silence all.
No crying—just a little breath its call.
“See, ’Stasia!
What did I tell thee?
Here is fortune and fate for us;
No longer dwell we in loneliness.
Take it
and dress it.
Look at it!
Bless it!
Quick, bear it inside,
To the village I’ll ride.
Its ours to baptize,
God-parents we need for our prize.”
In this world
things strangely run.
There’s a fellow
that curses his son,
Chases him away from home,
Into lonely lands to roam,
While other poor creatures,
With sorrowful features,
With sweat of their toiling
Must much money earn;
The wage of their moiling
Candles to burn.
Prayers to repeat,
The saints to entreat;
For children are none.
This world is no fun
The way things run.

III

Their joys do now such numbers reach
God fathers and mothers
’Mid lots of others
Behold they have gathered
Three pairs of each.
At even they christen him,
And Mark is the name of him.

So Mark grows,
And so it goes.

For the dear old folk it is no joke,
For they don’t know where to go,
Where to set him, when to pet him.
But the year goes and still Mark grows.
Yet they care for him, you’d scarce tell how,
Just as he were a good milk-cow.

And now a woman young and bright,
With eyebrows dark and skin so white,
Comes into this blessed place,
For servant’s task she asks with grace.

“What, what—
say we’ll take her ’Stasia.”

“We’ll take her, Trophimus.
We are old and little wearies us;
He’s almost grown within a year,
But yet he’ll need more care, I fear.”

“Truly he’ll need care,
And now, praise God, I’ve done my share.
My knees are failing, so now
You poor thing, tell us your wage,
It is by the year or how?”

“What ever you like to give.”

“No, no, it’s needful to know,
It’s needful, my daughter,
to count one’s wage.
This you must learn, count what you earn.
This is the proverb—
Who counts not his money
Hasn’t got any.
But, child, how will this do?
You don’t know us,
We don’t know you.
You’ll stay with us a few days,
Get acquainted with our ways;
We’ll see you day by day,
Bye and bye we’ll talk of pay.
Is it so, daughter?”

“Very good, uncle.”

“We invite you into the house.”

And so they to agreement came.
The young woman seemed always the same,
Cheerful and happy as she’d married a lord
Who’d buy up villages just at her word.
She in the house and out doth work
From morning light to evening’s mirk.

And yet the child is her special care;
Whatever befalls, she’s the mother there.
Nor Monday nor Sunday this mother misses
To give its bath and its white dresses.
She plays and sings, makes wagons and things,
And on a holiday, plays with it all the day.

Wondering, the old folks gaze,
But to God they give the praise.

So the servant never rests,
But the night her spirit tests.
In her chamber then, I ween,
Many a tear she sheds unseen.
Yet none knows nor sees it all
But the little Mark so small.

Nor knows he why in hours of night
His tossings break her slumbers light.
So from her couch she quickly leaps,
The coverings o’er his limbs she keeps.
With sign of cross the child she blesses,
Her gentle care her love confesses.

Each morning Mark spreads out his hands
To the Servant as she stands;
Accepts, unknowing, a mother’s care.
Only to grow is his affair.

IV

Meantime many a year has rolled,
Many waters to the sea have flowed,
Trouble to the home has come,
Many a tear down the cheek has run.
Poor old ’Stasia in earth they laid.
Hardly old Trophim’ from death they saved.
The cursed trouble roared so loud,
And then it went to sleep, I trow.
From the dark woods where she frightened lay
Peace came back in the home to stay.

The little Mark is farmer now.
With ox-teams great in the fall must go
To far Crimea to barter there
Skins for salt and goods more rare.

The Servant and Trophimus
in counsel wise
Plans for his marriage
now devise.

Dared she her thoughts utter
For the Czar’s daughter
She’d send in a trice.
But the most she could say
While thinking this way
Was, “Ask Mark’s advice.”

“My daughter, we’ll ask him,
And then we’ll affiance him.”
So they gave him sage advice,
And they made decision nice.

Soon his grave friends about him stand.
He sends them to woo, a stately band.
Back they come with towels on shoulder
Ere the day is many hours older.
The sacred bread they have exchanged,
The bargain now is all arranged.
They’ve found a maiden in noble dress,
A princess true, you well may guess.
Such a queen is in this affiance
As with a general might make alliance.
“Hail, and well done,” the old man says,
“And now let’s have no more delays.
When the marriage, where the priest,
What about the wedding feast?
Who shall take the mother’s place?
How we’ll miss my ’Stasia’s face.”
The tears along his cheeks do fall,
Yet a word does the Servant’s heart appall.

Hastily rushing from the room,
In chamber near she falls in swoon.
The house is silent, the light is dim,
The sorrowing Servant thinks of him
And whispers: “Mother, mother, mother.”

V

All the week at the wedding cake
Young women in crowds both mix and bake.
The old man is in wondrous glee,
With all the young women dances he.
At sweeping the yard
He labors hard.
All passers-by on foot and horseback
He hales to the court where is no lack
Of good home-brew.
All comers he asks to the marriage
And yet ’tis true
He runs around so
You’d not guess from his carriage
Though his joy is such a wonderful gift,
His old legs are ’most too heavy to lift.

Everywhere is disorder and laughter
Within the house and in the yard.
From store-room keg upon keg follows after,
Workers’ voices everywhere heard.
They bake, they boil,
At sweeping toil,
Tables and floors they wash them all.

And where is the Servant
who cares not for wage?
To Kiev she is gone
on pilgrimage.

Yes, Anna went. The old man pled,
Mark almost wept for her to stay,
As mother sit, to see him wed.
Her call of duty elsewhere lay.

“No, Mark, such honor must I not take
To sit while you your homage make
To parents dear.
My mind is clear.
A servant must not thy mother be
Lest wealthy guests may laugh at thee.
Now may God’s mercy with thee stay,
To the saints at Kiev I go to pray.
But yet again shall I return
Unto your house, if you do not spurn
My strength and toil.”

With pure heart
she blessed her Mark
And weeping, passed
beyond the gate.

Then the wedding blossomed out;
Work for musicians and the joyous rout
Of dancing feet;
While mead so sweet
Of fermented honey with spices dashed
Over the benches and tables splashed,
Meanwhile the Servant limps along
Hastening on the weary road to Kiev.
To the city come, she does not rest,
Hires to a woman of the town;
For wages carries water.
You see she money, money needs
For prayers to Holy Barbara.
She water carries, never tarries,
And mighty store of pennies saves,
Then in the Lavra’s awesome caves
She seeks the blessed wealth she craves.

From St. John she buys a magic cap,
For Mark she bears it;
And when he wears it,
For never a headache need he give e’er a rap.
And then St. Barbara gives her a ring,
To her new daughter back to bring.

’Fore all the saints
she makes prostrations,
Then home returns
having paid her oblations.

She has come back.
Fair Kate with Mark makes haste to meet her,
Far beyond the gate they greet her,
Then into the house they bring her,
Draw her to the table there
Quickly spread with choicest fare.
Her news of Kiev they now request,
While Kate arranges her couch for rest.

“Why do they love me,
Why this respect?
Dear God above me,
Do they suspect?
Nay, that’s not so,
’Tis just goodness, I know.”

And still the Servant her secret kept,
Yet from the hurt of her penance wept.

VI

Three times have the waters frozen
Thrice thawed at the touch of spring
Three times did the Servant
From Kiev her store of blessings bring.
And each time gentle Katherine,
As daughter, set her on her way,
A fourth time led her by the mounds
Where many dear departed lay.
Then prayed to God for her safe return,
For whom in absence her heart would yearn.

It was the Sunday of the Virgin,
Old Trophimus sat in garments white,
On the bench, in wide straw hat,
All amid the sunshine bright.
Before him with a little dog
His frolicsome grandson played,
The while his little granddaughter
Was in her mother’s garb arrayed.
Smiling he welcomed her as matron;
For so at “visitors” they played.

“But what did you do with the visitor’s cake?
Did somebody steal it in the wood,
Or perhaps you’ve simply forgotten to bake?”
For so they talked in lightsome mood.

But see—Who comes?
’Tis their Anna at the door!
Run old and young! Who’ll come before?
But Anna waits not their welcome wordy.

“Is Mark at home, or still on journey?”

“He’s off on journey long enough,”
Says the old man in accents gruff.

With pain the Servant sadly saith,
“Home have I come with failing breath;
Nor ’mid strangers would I wait for death.
May I but live my Mark to see,
For something grievously weighs on me.”

From little bag the children’s gifts
She takes. There’s crosses and amulets.
For Irene is of beads a string,
And pictures too, and for Karpon
A nightingale to sweetly sing,
Toy horses and a wagon.
A fourth time she brings a ring
From St. Barbara to Katherine.
Next the old man’s gift she handles,
It’s just three holy waxen candles.

For Mark and herself
she nothing brought;
For want of money
she nothing bought.

For want of strength
more funds to earn,
Half a bun was her wealth
on her return.
As to how to divide it
Let the babes decide it.

VII

She enters now the house so sweet,
And daughter Katherine bathes her feet.
Then sets her down to dine in state,
But my Anna nor drank nor ate.

“Katherine!
When is our Sunday?”

“After tomorrow’s the day.”
“Prayers for the dead soon will we need
Such as St. Nicholas may heed.
Then we must an offering pay,
For Mark tarries on the way.
Perchance somewhere,
from our vision hid,
Sickness has ta’en him
which God forbid.”
The tears dropped down
from the sad old eyes,
So wearily did she
from the table rise.

“Katherine,
My race is run,
All my earthly tasks are done.
My powers no longer I command
Nor on my feet have strength to stand.
And yet, my Kate, how can I die
While in this dear warm home I lie?”

The sickness harder grows amain,
For her the sacred host’s appointed,
She’s been with holy oils anointed,
Yet nought relieves her pain.
Old Trophim’ in courtyard walks a-ring
Moving like a stricken thing.
Katherine, for the suff’rers sake
Doth never rest for her eyelids take.
And even the owls upon the roof
Of coming evil tell the proof.

The suff’rer now, each day, each hour,
Whispers the question, with waning power
“Daughter Katherine, is Mark yet here?
So struggle I with doubt and fear,
Did I but know I’d see him for sure
Through all my pain I might endure.”

VIII

Now Mark comes on with the caravan
Singing blithely as he can.
To the inns he makes no speed,
Quietly lets the oxen feed.
Mark brings home for Katherine
Precious cloth of substance rich;
For father dear, a girdle sewn
Of silk so red.
For Servant Anne
a gold cloth bonnet
To deck her head,
And kerchief, too
with white lace on it.
For the children are shoes
with figs and grapes.
There’s gifts for all,
there’s none escapes.
For all he brings
red wine, so fine,
From great old city
of Constantine.
There’s buckets three
in each barrel put on.
And caviar
from the river Don.
Such gifts he has
in his wagon there,
Nor knows the sorrow
his loved ones bear.
On comes Mark,
knows not of worry;
But he’s come
Give God the glory!
The gate he opens,
Praising God.

“Hear’st thou, Katherine?
Run to meet him!
Already he’s come,
Haste to greet him!
Quickly bring him in to me.
Glory to Thee, my Saviour dear,
All the strength has come from Thee.”

And she “Our Father” softly said
Just as if in dream she read.
The old man the team unyokes,
Lays away the carven yokes.
Kate at her husband strangely looks.

“Where’s Anna, Katherine?
I’ve been careless!
She’s not dead?”

“No, not dead,
But very sick and calls for thee.”

On the threshold Mark appears,
Standing there as torn by fears.
But Anna whispers, “Be not afraid,
Glory to God, Who my fears allayed.

Go forth, Katherine,
though I love you well,
I’ve something to ask him,
something to tell.”

From the place
fair Katherine went;
While Mark his head
o’er the Servant bent.
“Mark, look at me,
Look at me well!
A secret now I have to tell.
On this faded form
set no longer store,
No servant, I, nor Anna more,
I am—”
Came silence dumb,
Nor yet guessed Mark
What was to come.

Yet once again her eyelids raised
Into his eyes she deeply gazed
’Mid gathering tears.

“I from thee forgiveness pray;
I’ve penance offered day by day
All my life to serve another.
Forgive me, son, of me,
For I—am thy mother.”

She ceased to speak.
A sudden faintness
Mark did take:
It seemed the earth
itself did shake.
He roused—
and to his mother crept,
But the mother
forever slept.

Caucasus8

Beyond the hills are mightier hills,
Cloud mountains o’er them rise,
Red, red have flowed their streams and rills,
They’re sown with human woes and sighs.

There long ago in days of old
Olympus’ Czar, the angry Jove,
His wrath did pour on a hero bold,
On brave Prometheus, he who strove
The fire of heaven to seize for men.

On mountain side, in vulture’s den
He suffered what no mortal pen
May well indite. The savage beak
Of his hearts’ blood doth daily reek.
Yet the torn heart again revives,
To triumph o’er its tortures strives.

Our souls yield not to grievous ills,
To freedom march our stubborn wills.
Though waves of trouble o’er us roll
The waves move not the steadfast soul.
Our living spirit is not in chains,
The word of God in glory reigns.

’Tis not for us to challenge Thee,
Though life rolls on in toil and tears;
Though we Thy purpose cannot see
We cling to hope ’mid doubts and fears.
Our cause lies sunk in drunken sleep
When will it awaken, Lord?
Oppressors gloat and patriots weep,
When wilt strength to us afford?

So weary, then art Thou, Oh God,
Can’st life to us no longer give?
Thy Truth we trust beneath the rod,
Believing in Thy strength we live.
Our cause shall rise,
Our freedom rise
Though tyrants rage:
To Thee alone,
All nations bow
Through age on age
And yet meantime
the streams do flow
And ever tinged with blood
they go.

Beyond the hills are mightier hills,
Cloud mountains o’er them rise.
Red, red have flowed their streams and rills,
They’re sown with human woes and sighs.

Look at us in tender heartedness,
All in hunger dire and nakedness,
Forging freedom in unhappiness,
Toiling ever without blessedness.

The bones of soldiers bleaching lie,
In blood and tears must many die.

In faith, there’s widows’ tears, I think,
To all the Czars to give to drink.
Then there’s tears of many a maiden
Falling so soft in the lonely night.
Hot tears of mothers, sorrow-laden,
Dry tears of fathers, in grievous plight.
Not rivers, but a sea has flowed,
A burning sea.
To all the Czars who in triumph rode,
With their hounds and gamekeepers,
Their dogs and their beaters,
May glory be!

To you be glory, hills of blue,
All clad in monstrous chains of frost.
Glory to you, ye heroes true,
With God your labors are not lost.
Fear not to fight, you’ll win at length,
For you, God’s ruth,
For you is freedom, for you is strength,
And Holy Truth.

To the Circassians

“Our bread and home,” in your own tongue,
In Tartar words you dare to say.
Nobody gave it you, your world is young,
So far no one has ta’en it away.
Nobody yet has led you in fetters,
But we have wisdom in such matters.

In God’s good word we daily read,
But from dungeons where the pris’ners moan,
To Caesar’s high-exalted throne
’Tis gilt without, while the soul’s in need.

To us for wisdom should you come,
We’ll teach you all the tricks of trade.
Good Christians we, with church and Icon;
All goods, even God, our own we’ve made.

But that house of yours
Still hurts our eyes;
If we didn’t give it,
Why should you have it?
These ways of yours
cause much surprise.
We never granted
The corn you planted.
The sunlight, you
Should pay for, too.
Oh, quite uneducated you!

Good Christians we, no pagans needy,
Sound in the faith, not a bit greedy.
If you in peace from us would learn
Store of wisdom you would earn.

With us what great illumination,
A cont’nent ’neath our domination;
Siberia great, for illustration.
There’s jails and folks ’yond computation.

From Moldavia to Finlandia
Many tongues but nothing said,
Except for blessings on your head.

A holy monk here reads the Bible,
Tells the story, ’tis no libel,
Of king who stole his neighbour’s wife,
And then the neighbour he robbed of life.
The king now dwells in paradise.
Such folks ’mong us to heaven rise.

Oh, you creatures unenlightened,
Be ye not of our dogmas frightened!
Our gentle art of “grab” we’ll teach;
A coin to the church and heaven you’ll reach.
Whatever is there we can’t do?
The stars we count and crops we sow;
The foreigner curse,
Then fill our purse,
The people selling,
’Tis truth I’m telling.

No niggers we sell, I’m not making jokes,
Just common ord’nary Christian folks.
No Spaniards we, may God forbid!
Nor Jews that stolen goods have hid.
So don’t you think you’d like to be
Such law-abiding folks as we?

To the Rich and Great

Is it by the apostle’s law
That ye your brother love?
Hypocrites and chatterers,
Ye’re cursed of God above.

Not for your brother’s soul you care.
It’s only for his skin.
The skin from off his back you’d tear,
Some trifling prize to win.

There’s furs for your daughter,
Slippers for your wife,
And things that you don’t utter
About your private life.

To the Master

Oh, wherefore wert Thou crucified,
Thou Christ, the Son of God?
That the word of Truth be glorified?
Or that we good folks should ’scape the rod
Of avenging wrath, by faith confest?
Meanwhile of Thee we make a jest,
Mocking Thy love in our conduct’s test.

Cathedrals and chapels with Icons grand!
’Mid smoke of incense lavers stand.
There before Thy pictured Presence
Crowds unwearied make obeisance;
For spoil, for war, for slaughter seek
Their brother’s blood to shed they pray,
And then before Thy form so meek
The loot of burning towns they lay.

Again Addressing the Circassians

The sun on us has shone so bright,
We wish to you to give the light.
That sun of truth we seek to show
To children blind, all in a row.
Wonders all to see we’ll let you
If in our hands we only get you.
Of building jails we’ll show the trick,
How pris’ners ’gainst their fetters kick.
There’s knotted whips for stubborn backs,
For saucy nations painful racks.
In change for your mountains grand and old,
With this instruction we you greet.
These are the last things, already we hold
The plains and seas beneath our feet.

To Jacques de Balmont

So they drove thee along, my dearest friend,
For Ukraina did’st thou shed
That good heart’s blood of thine so red.
Our country’s hangman, shame to think,
Muscovite poison gave thee to drink.
Oh, friend of mine, unforgotten friend,
Ukraine to thee doth welcome send.
Let thy spirit fly with Cossacks bold.
Along the shores of Dnieper old.
O’er ancient tombs hold watch and guard
And weep with us in labors hard.

Till I return to meet thee,
My songs I send to greet thee.
Such songs they are of bitter woe.
Yet ever, always, these I sow.

Thoughts and songs forever sowing,
To the care of winds bestowing.
Gentle winds of Ukraine
Shall bear them like the dew
To that dear land of mine
To greet my friends so true.

To the Dead9

And the Living, and the Unborn, Countrymen of Mine, in Ukraine, or Out of It, My Epistle of Friendship

I

’Twas dawn, ’tis evening light,
So passes Day divine.
Again the weary folk
And all things earthly
Take their rest.
I alone, remorseful
For my country’s woes,
Weep day and night,
By the thronged cross-roads,
Unheeded by all.
They see not, they know not;
Deaf ears, they hear not.
They trade old fetters for new
And barter righteousness,
Make nothing of their God.
They harness the people
With heavy yokes.
Evil they plough,
With evil they sow.
What crops will spring?
What harvest will you see?

Arouse ye, unnatural ones.
Children of Herod!
Look on this calm Eden,
Your own Ukraine,
Bestow on her tender love,
Mighty in her ruins.
Break your fetters,
Join in brotherhood,
Seek not in foreign lands
Things that are not.
Nor yet in Heaven,
Nor in stranger’s fields,
But in your own house
Lies your righteousness,
Your strength and your liberty.

In the world is but one Ukraine,
Dnieper—there is only one.
But you must off to foreign lands
To look for something grand and good.
Wealth of goodness and liberty,
Fraternity and so forth, you found.
And back you brought to Ukraine
From places far away
A wondrous force
of lofty sounding words,
And nothing more.
Shout aloud
That God created you for this,
To bow the knee to lies,
To bend and bend again
Your spineless backs
And skin again
Your brothers—
These ignorant buckwheat farmers.

Try again
to ripen crops of truth and light
In Germany
or some other foreign place.
If one should add
all our present misery
To the wealth
Our fathers stole
Orphaned, indeed, would Dnieper be
with all his holy hills.
Faugh! if it should happen
that you would never come back,
Or get snuffed out
just where you were spawned
No children would weep
nor mothers lament,
Nor in God’s house be heard
the story of your shame.
The sun would not shine
on the stench of your filth
O’er the clean, broad, free land,
Nor would the people know
what eagles you were
Nor turn their heads to gaze.

Arouse ye, be men!
For evil days come.
Quickly a people enchained
Shall tear off their fetters;
Judgment will come,
Dnieper and the hills will speak.
A hundred rivers
flow to the sea
with your children’s blood,
Nor will there be any to help.
Smoke clouds hide the sun
Through the ages
Your sons shall curse you.

Wash yourselves—
The divine likeness in you
defile not with slime.
Befool not your children
that they were born to the world
to be lordlings.
The eyes of men untaught
see deep, deep
into your soul.
Poor things they may be,
yet they know the ass
in the lion’s skin.
And they will judge you,
the foolish will pronounce the doom
of the wise.

II

Did you but study as you should,
You would possess your own wisdom;
And you might creep up to heaven.

But it is we—
Oh, no, not we;
It is I—no, no, not I.
I’ve seen it all, I know it.
There’s neither heaven nor hell,
Not even God—
Just I and the short, fat German,
Nothing more.

Grand, my brother.
You ask me something,
“I don’t know,
Ask the German,
He’ll tell you.”
That’s the way you learn
in foreign lands.
The German says—
“You are Mongols.
Mongols, Mongols;
Naked children
of the golden Tamerlane.”
The German says—
“You are Slavs,
Slavs, Slavs;
Ugly offspring
of famous ancestors.”
You read the writings
of the great Slavophils,
Push in among them,
Get on so well
That you know all the tongues
of the Slavonic peoples
Except your own—God help it.
“Oh, as for that
Sometime we’ll speak
our own language
When the German
shows us how,
Our history too,
he will explain,
Then we’ll be alright!”
It came about finely
on the German advice.
They learned to speak so well
That even the mighty German
could not understand them,
Not to speak of common folks.
Oh what a noise and racket!
“There’s Harmony, and Force
And Music—and everything.
And as for History
The Epic of a free people!
What’s all this about the poor Romans,
Brutus, etcetera, and the Devil knows what?
Have we not our Brutuses
and our Cocles
Glorious and never to be forgotten?
Why freedom grew up with us
Bathed in the Dnieper
Rested her head on our hills,
The far-flung Steppes
are her garments.”
Alas! ’twas in blood she bathed
Pillowed her head on burial mounds
On bodies of Cossack freemen,
Corpses despoiled.
But look ye well
Read again of that glory!
Read it, word by word,
Miss not a jot nor tittle,
Grasp it all:
Then ask yourselves—
Who are we? Whose sons?
Of what fathers?
By whom and why enchained?
Then you shall see
Who your glorious Brutuses are.
Slaves, door-mats!
mud of Moscow
scum of Warsaw
are your lords;
Glorious heroes they are.
Why are you so proud
Sons of unhappy Ukraine.
That you go so well under the yoke?
Even better you go
than your fathers went.
Don’t brag so much,
they just skin you,
They rendered out your fathers’ bones
Perhaps you are proud
that your brotherhood
has defended the faith.
You cooked your dough-nuts
o’er the fires
of burning Turkish towns,
of Sinope and Trebizond.
True for you
And you ate them
And now they pain you,
And on your own fields
the wily German
plants potatoes.
You buy them from him,
eat them for the good of your health
and praise Cossackery.
But with whose blood
was the land sprinkled
that grew the potatoes?
Oh, that’s a trifle;
so long as it’s good for the garden.
Very proud you are
that we once destroyed Poland.
Very true indeed:
Poland fell,
but fell on top of us.
So your fathers shed their blood
for Moscow and for Warsaw,
And left to you, their sons
their fetters and their glory.

III

To the very limit
has our country come,
Her own children
crucify her
worse than the Poles.
How like beer
they draw off
her righteous blood.
They would, you see
enlighten the maternal eyes
with everlasting fires;
Lead on the poor blind cripple
after the spirit of the age,
German fashion!
Fine, go ahead,
show us the way!
Let the old mother learn
how to look after such children
Show away!
For this instruction,
Don’t worry—
Good motherly reward will be.
The illusion fades
from your greedy eyes
Glory shall you see,
such glory as fits
the sons of deceitful sires.

To study then, my brothers,
Think and read,
Learn from the foreigner
Despise not your own.
Who forgets his mother
Him God will punish.
Foreigners will despise him
Nor admit him to their homes;
His children shall as strangers be
Nor shall he find happiness on earth.
I weep when I remember
the deeds of our fathers,
deeds I can not forget.
Heavy on my heart they lie;
Half my life I’d give
could I forget them.
Such is our glory
the glory of Ukraine.
So read then
that ye may see
Not in dream
but in vision
All the wrongs that lie
beneath yon mighty tombs.
Ask then of the martyrs
by whom, when and for what
were they crucified.
Embrace then
brothers mine—
The least of your brethren.
That your mother may smile again,
Smile through her tears.
Give blessings to your children
with hard toiler’s hands;
With free lips kiss them
when they are washed and clad.
Forget the shameful past
And the true glory shall live again,
the glory of the Ukraine.
And clear light of day
not twilight gloom
Shall gently shine.
Love one another, my brothers,
I pray you—I plead.

Lyric10

From Day to Day, from Night to Night

From day to day, from night to night
My summer passes; autumn creeps
Nearer; before mine eyes the light
Fades out; my soul is blind and sleeps.
Everything sleeps; and I ponder:
Do I yet live, or do I wander,
A dead thing, through my term of years,
A void of laughter as of tears?

Come to me, my fate! Where art thou?
Oh, I have no fate.
God, if Thou dost scorn to love me,
Grant me but Thy hate!

Only let my heart not wither
Slowly, day by day,
Useless as a fallen tree-trunk
Rotting by the way.
Let me live, and live in spirit
Loving all mankind;
Or, if not, then let my curses
Strike the sunlight blind.
Wretched is the fettered captive,
Dying, and a slave;
But more wretched he that, living,
Sleeps, as in a grave,
Till he falls asleep for ever,
Leaving not a sign
That there faded into darkness
Something once divine.

Come to me, my fate! Where art thou?
Oh, I have no fate.
God, if Thou dost scorn to love me,
Grant me but Thy hate!

A Poem of Exile

I count in prison the days and nights
And then forget the count.
How heavily, Oh Lord,
Do these days pass!
And the years flow after them,
Quietly they flow,
Bearing with them
Good and ill.
Everything do they gather
Never do they return.
You need not plead,
Your prayers unanswered fall.
Mid oozy swamps
among the weeds
Year after weary year
has sadly flowed.
Much of something have they taken
From dark store-house of my heart;
Borne it quietly to the sea,
As quietly the sea swallowed it.
Not gold and silver
Did they take from me,
But good years of mine
Freighted with loneliness,
Sorrows written on the heart
With unseen pen.
And a fourth year passes
So gently, so slowly,
The fourth book
of my imprisonment
I start to stitch up,
Embroidering it with tears
Of homesickness
in a foreign land.
Yet such woe
tells itself not in words.
Never, never
in the wide world.
In far away captivity
There are no words
Not even tears,
Just nothingness;
Not even God above thee,
Nothing is there to see,
None with whom to speak,
Not even desire for life.
Yet thou must live!
I must! I must!
But for what?
That I may not lose my soul?
My soul is not worth
such suffering!
Then why must I live on
in the world,
Drag these fetters
in my jail?
Because, perchance,
my own Ukraine
I shall see again.
Again I shall pour out
my words of sorrow
To the green groves
and rich meadows.
No family have I of my own
in all Ukraine,
Yet the people there
are different from these foreigners
I would walk again
among the bright villages
On the Dnieper’s banks
and sing my thoughts
gentle and sad.
Grant me,
Oh God of mercy
That I may live
to see again
Those green meadows,
those ancestral tombs.
If Thou wilt not grant this,
Yet bear my tears
To my Ukraine.
Because, God,
I die for her.
It may be that I shall lie
more lightly in foreign soil
When sometimes in Ukraine
they speak of my memory.
Carry my tears then
Oh God of loving kindness,
Or at least
send hope into my soul.
I can think no more
with my poor head,
For coldness of death
comes on me
When I think that they may
bury me in foreign soil
And bury my thoughts with me
And none tell about me
in the Ukraine.

And yet it may be
that gently through the years
My tear-embroidered songs
shall fly sometime
And fall
as dew upon the ground
On the tender heart of youth,
And youth shall nod assent.
And weep for me
Making mention of me in its prayers.
Well, as it will be
so it will be.
Perhaps ’twill swim
Perhaps ’twill wade
Yet even if they crucify me for it
I’ll still write my verses.

Memories of an Exile

Memories of mine,
Memories of home,
Sole wealth of mine,
Where’er I roam.
When sorrows lower
In evil hour
And griefs o’ertake me
You’ll not forsake me
From the land of my early loves
You will fly like grey-winged doves
From broad Dnieper’s shore
O’er the steppes to soar.
Here the Kirghiz Tartars
Dwell naked in poverty.
They’re wretched as martyrs
Yet this is their liberty;
To God they may pray
And none say them nay.
Will you but fly to meet me,
With gentle words
I’ll greet ye.
Of my heart
ye children dear
O’er past loves
we’ll shed a tear.

Hymn of Exile

The sun goes down beyond the hill,
The shadows darken, birds are still;
From fields no more come toiler’s voices
In blissful rest the world rejoices.
With lifted heart I, gazing stand,
Seek shady grove in Ukraine’s land.
Uplifted thus, ’mid memories fond
My heart finds rest, o’er the hills beyond.
On fields and woods the darkness falls
From heaven blue a bright star calls,
The tears fall down. Oh, evening star!
Hast thou appeared in Ukraine far?
In that fair land do sweet eyes seek thee
Dear eyes that once were wont to greet me?
Have eyes forgotten their tryst to keep?
Oh then, in slumber let them sleep
No longer o’er my fate to weep.

On the Eleventh Psalm

Merciful God, how few
Good folk remain on earth.
Behold, each one in heart
Is setting snares for another.
But with fine words,
And lips honey-sweet
They kiss—and wait
To see how soon
Their brother to his grave
Will find his way.

But Thou who art Lord alone
Shuttest up the evil lips,
That great-speaking tongue
That says:—
“No trifling thing are we,
How glorious shall we show
In intellect and speech.
Who is that Lord
that will forbid
Our thoughts and words?”

Yea, the Lord shall say to Thee
“I shall arise, this day
On their behalf—
People of mine in chains,
The poor and humble ones
These will I glorify.
Little, dumb and slaves are they,
Yet on guard about them
Will I set my Word.”

Like trampled grass
Shall perish your thoughts
And words alike.

Like silver, hammered, beaten,
Seven times melted o’er the fire,
Are thy words, Oh Lord.
Scatter these holy words of Thine,
O’er all the earth,
That Thy children
little and poor
May believe in miracles on earth.

Prayer

To Tsars and Kings

To Tsars and kings
who tax the world,
Send dollars and ducats,
And fetters well-forged.

To toiling heads and toiling hands,
Laboring on these stolen lands
Endurance and strength.

To me, my God, on this sad earth,
Give me but love,
the heart’s paradise
And nothing more.

Prayer

My Prayer for the Tsars

My prayer for the Tsars,
These traffickers in blood,
That Thou on them would’st put
Fetters of iron, in dungeons deep.

My prayer for the peoples
toiling long,
Do Thou to them
on their ravaged lands,
Send down Thy strength
most merciful One.
And for the pure in heart
Grant angel guards beside them,
To keep them pure.

And for myself, Oh Lord,
I ask nought else
But truth on earth to love,
And one true friend
to love me.

Prayer

For Those That Have Done Wrong to Me

For those that have done wrong to me,
No longer do I fetters ask,
Nor dungeons deep.

For hands that faithful toil for good
Send Thy instructions’ gracious aid,
And Holy strength.

For tender ones,
the pure in heart
Do Thou, Oh God,
their virtue save
With angel’s guard.

For all Thy children on this earth
May they Thy wisdom
know alike,
In brother love.

Prayer

To Those of the Ever-Greedy Eyes

To those of the ever-greedy eyes,
Gods of earth, the Tsars,
Are the ploughs and the ships,
And all good things of earth
For these little gods.

To toiling hands,
To toiling brains
Is given to plough the barren field,
To think, to sow, and take no rest
And reap the fields anon.
Such the reward of toiling hands.

For the true-hearted lowly ones,
Peace-loving saints,
Oh, Creator of heaven and earth,
Give long life on earth,
And paradise beyond.

All good things of earth
Are for these gods, the Tsars,
Ploughs and ships,
All wealth of earth
For us—good lack!
Is left to love our brothers.

Mighty Wind

Mighty wind, mighty wind!
With the sea thou speakest;
Waken it, play with it,
Question the blue sea.
It knows where my lover is,
Far away it bore him.
It will tell, the sea will tell,
What it has done with him.

If it has drowned my darling,
Beat on the blue sea.
I go to seek my loved one,
And to drown my woe.
If I find him, I’ll cling to him,
On his heart I’ll faint.
Then waves bear me with him
Where’er the winds do blow.

If my lover is beyond the sea,
Mighty wind, thou knowest
Where he goes, what he does,
With him thou speakest.
If he weeps, then I shall weep,
If not, I sing.
If my dark-haired one has perished,
I shall perish, too.

Then bear my soul away
Where my loved one is,
Plant me as a red viburnum
On his tomb.
Better that an orphan lie
In a stranger’s field,
Over him his sweetheart
Will bud and bloom.

As a blossom of viburnum
Over him I’ll bloom,
That foreign sun may burn him not,
Nor strangers trample on his tomb.
At even I’ll grieve,
In the morning I’ll weep.
The sun comes up,
My tears I’ll dry,
And no one sees.

Mighty wind, mighty wind!
With the sea thou speakest.
Waken it, play on it,
Question the blue sea.

Hymn of the Nuns11

Strike lightning above this house,
This house of God where we are dying,
Where we think lightly of Thee, God,
And, thinking lightly, sing
Hallelujah.

Were it not for Thee,
we had loved men;
Had courted and married,
Brought up children,
Taught them and sung
Hallelujah.

Thou hast cheated us,
poor wretches!
And we, defrauded and unlucky,
Ourselves have fooled Thee,
And howled and sung: Hallelujah.

With barber’s shears hast put us in this nunnery,
And we—young women still—
We dance and sing,
And singing say: Hallelujah.

To the Goddess of Fame

Hail, thou barmaid slovenly,
Stagg’ring like fish-wife drunkenly;
Where the dickens dost thou stay,
With thy stock of haloes, pray?
Was it on credit thou gavest one
To the thief of Versailles, that Corsican?
Perhaps now thou’rt whispering in some fellow’s ear;
And all because of boredom or beer.

Come then awhile with me to lodge,
Fondly, together, trouble we’ll dodge.
With a smack and a kiss
This dreary weather,
Let’s make a bargain
to live together.
Thou’rt a painted queen
with manners free,
Yet in thy company
I’d gladly be.

What though thou holdest
thy nose in air,
Dancest in barrooms
with kings at a fair;
And most with that chap
they call the Tsar;
Still that’s no bother,
thy stock’s still at par.

Come, my dear, make haste to me,
Let me have a look at thee;
Bestow on me a little smile,
’Neath thy bright wings
I’d rest a while.

Iconoclasm

Bright light, peaceful light,
Free light, light unbound!
What is this, brother light?
In thy warm home thou’rt found
By censers smoked,
By priests’ robes choked,
Fettered and fooled
And by Icons ruled.
Yield thee not in the fight,
Waken up, brother light!
Shed thy pure rays
On mankind’s ways.
All priestly robes in rags we’ll tear
And light our pipes from censers rare,
With Icons now the flames will roar,
With holy brooms we’ll sweep the floor.

My Testament

When I die, remember, lay me
Lowly in the silent tomb,
Where the prairie stretches free,
Sweet Ukraine, my cherished home.

There, ’mid meadows’ grassy sward,
Dnieper’s waters pouring
May be seen and may be heard,
Mighty in their roaring.

When from Ukraine waters bear
Rolling to the sea so far
Foeman’s blood, no longer there
Stay I where my ashes are.

Grass and hills I’ll leave and fly.
Unto throne of God I’ll go,
There in heaven to pray on high,
But, till then, no God I know.

Standing then about my grave,
Make ye haste, your fetters tear!
Sprinkled with the foeman’s blood
Then shall rise your freedom fair.

Then shall spring a kinship great,
This a family new and free.
Sometimes in your glorious state,
Gently, kindly, speak of me.

The Water Fairy

Me my mother bore
’Mid lofty palace walls,
Me at midnight hour
In Dnieper’s flood she bathed;
And bathing, she murmured
Over little me:

“Swim, swim, little maid,
Adown the Dnieper water,
You’ll swim out a fairy
Next midnight, my daughter.
I go to dance with him,
My faithless lover;
You’ll come and lure him
Into the river.
No more shall he laugh at me,
At my tears out-flowing,
But o’er him the Dnieper
Its blue water is rolling.
Swim out, my only one,
He will come to dance with thee.
Waves, waves, little waves,
Greet ye the water fairy.”

Sadly she cried and ran away,
As I floated down the stream.
But sister fairies met me,
I grew as in a dream.
A week, and I dance at midnight,
And watch from the water pools.
What does my sinful mother?
Lives she still in shameful pleasure,
With him, the faithless lord?
Thus the fairy whispered,
Then like diving bird she dropped
Back in the stream,
And the willows bowed above her.

The mother comes to walk by the river side.
’Tis weary in the palace,
And the lord is not at home.
She comes to the bank, thinks of her little one
Whom she plunged in with muttered charms.
What matters it? She would go back to the palace,
But no, hers is another fate.
She noticed not how the river maidens hastened
Till they caught her, and tickled her ’mid laughter.
Joyfully they caught her, and played and tickled her,
And put her in a basket net
(Unto her death).
And then they roared and laughed;
But one little fairy did not laugh.

Lyric12

Only Friend, Clear Evening Twilight

Only friend, clear evening twilight,
Come and talk to me!
Cross the hills to share my prison
Very secretly.
Tell me how the sun in splendour
Sets behind the hill;
How the Dnieper lasses carry
Pitchers down to fill;
How the broad-leaved sycamore
Flings his branches wide;
How the willow kneels to pray
By the river-side;
How her green boughs kiss the water
Trailing, half asleep,
And unchristened ghosts of babies
Swing from them and weep;
How lost souls at lonely cross-roads
Cower, wild and dumb,
When the owl shrieks from the alder
Of the wrath to come;
How the magic flowers open
At the moonbeam’s touch. …
But of men, what would you tell me—
Me, who know so much?
Far too much! And you know nothing;
Why, you understand
Nothing of what men are doing
Now, in my dear land.
But I know, and I will tell you,
Tell you, without end. …
When you speak with God tomorrow,
Look you tell Him, friend.

The Reaper13

Through the fields the reaper goes
Piling sheaves on sheaves in rows;
Hills, not sheaves, are these.
Where he passes howls the earth,
Howl the echoing seas.

All the night the reaper reaps,
Never stays his hands nor sleeps,
Reaping endlessly;
Whets his blade and passes on. …
Hush, and let him be.

Hush, he cares not how men writhe
With naked hands against the scythe.
Wouldst thou hide in field or town?
Where thou art, there he will come;
He will reap thee down.

Serf and landlord, great and small;
Friendless wandering singer—all,
All shall swell the sheaves that grow
To mountains; even the Tsar shall go.14

And me too the scythe shall find
Cowering alone behind
Bars of iron; swift and blind,
Strike, and pass, and leave me, stark
And forgotten in the dark.

Lyric15

I Care Not, Shall I See My Dear

I care not, shall I see my dear
Own land before I die, or no,
Nor who forgets me, buried here
In desert wastes of alien snow;
Though all forget me—better so.

A slave from my first bitter years,
Most surely I shall die a slave
Ungraced of any kinsmen’s tears;
And carry with me to my grave
Everything; and leave no trace,
No little mark to keep my place
In the dear lost Ukraina
Which is not ours, though our land.
And none shall ever understand;
No father to his son shall say:
—Kneel down, and fold your hands, and pray;
He died for our Ukraina.

I care no longer if the child
Shall pray for me, or pass me by.
One only thing I cannot bear:
To know my land, that was beguiled
Into a death-trap with a lie,
Trampled and ruined and defiled …
Ah, but I care, dear God; I care!

A Dream16

Oh my lofty hills—
Yet not so lofty
But beautiful ye are.
Sky-blue in the distance;
Older than old Pereyaslav,
Or the tombs of Vebla,
Like those clouds that rest
Beyond the Dnieper.

I walk with quiet step,
And watch the wonders peeping out.
Out of the clouds march silently
Scarped cliff and bush and solitary tree;
White cottages creep forth
Like children in white garments,
Playing in the valley’s gloom.
And far below our gray old Cossack,
The Dnieper, sings musically
Amid the woods.
And then beyond the Dnieper on the hillside,
The little Cossack church
Stands like a chapel,
With its leaning cross.

Long it stands there, gazing, waiting,
For the Cossacks from the Delta;
To the Dnieper prattles,
Telling all its woe
From its green-stained windows,
Like eyes of the dead,
It peeps as from the tomb.
Dost thou look for restoration?
Expect not such glory.
Robbed are thy people.
For what care the wicked lords
For the ancient Cossack fame?

And Traktemir above the hill
Scatters its wretched houses
Like a drunken beggar’s bags.
And there is old Manaster
Once a Cossack town.
Is that the one that used to be?
All, all is gone, as a playground for the kings
The land of the Zaporogues and the village
All, all the greedy ones have taken.
And you hills, you permitted it!
May no one look on you more
Cursed ones!—No! No!
Not you I curse,
But our quarreling generals,
And the inhuman Poles.

Forgive me, my lofty ones,
Lofty ones and blue,
Finest in the world, and holiest,
Forgive me, I pray God.
For so I love my poor Ukraina,
I might blaspheme the holy God,
And for her lose my soul.
On a curve of lofty Traktemir
A lonely cottage like an orphan stands,
Ready to plunge from off the height
To loved Dnieper, far below.
From that house Ukraina is seen,
And all the land of the Hetmans.
Beside the house an old gray father sits.
Beyond the river the sun goes down
As he sits, and looks, and sadly thinks.
“Alas, Alas!” the old man cries,
“Fools, that lost this land of God,
The Hetmans’ land.”
His brow with thought is clouded,
Something bitter he would have said
But did not.

“Much have I wandered in the world,
In peasant’s coat and garb of lord.
How is it beyond the Ural,
Among the Kirghiz, Tartars?
Good God, even there it is better
Than in our Ukraina.
Perhaps because the Kirghiz
Are not Christians.
Much evil hast thou done, Oh Christ,
Hast changed the people God had made.
Our Cossacks lost their foolish heads
For truth, and the Christian faith.
Much blood they shed, their own and others.
And were they better for it?
Bah! No! They were ten times worse.
Apart from knife and auto-da-fe
They have chained up the people,
And they kill them.
Oh gentlemen, Christian gentlemen!”

My grey old man, with sorrow beaten,
Ceased, and bent his brave old head.
The evening sun gilded the woods,
The river and fields were covered with gold.
Mazeppa’s cathedral in whiteness shines;
Great Bogdan’s tomb is gleaming,
The willows bend o’er the road to Kiev,
And hide the Three Brothers’ ancient graves.
Trubail and Alta, mid the reeds
Approach, unite in sisterly embrace.
Everything, everything gladdens the eyes,
But the heart is sad and will not see.
The glowing sun has bade farewell
To the dark land.
The round moon rises with her sister star,
Out they step from behind the clouds.
The clouds rejoiced
But the old man gazed,
And his tears rolled down.
“I pray Thee, merciful God,
Mighty Lord, Heavenly Judge,
Suffer me not to perish;
Grant me strength to overcome my woe.
To live out my life on these sacred hills:
To glorify Thee and rejoice in Thy beauty,
And at last, though beaten by the people’s sins.
To be buried on these lofty hills,
And to abide on them.”

He dried his tears,
Hot tears, though not the tears of youth;
And thought on the blessed years of long ago
Where was this?
What, how, and when?
Was it truth, or was it dream?
On what seas have I been sailing?
The green wood in the twilight,
The maiden with eyebrows dark,
The moon at rest among the stars,
The nightingale on the viburnum,
Whether in silence or in song
Praising the Holy God.
And all, all is in Ukraina.
The old man smiled—
Well, it may be—you can’t avoid the truth
So it was—they wooed,
They parted, they did not marry.
She left him to live alone,
To live out his life.

The old man was sad again,
Wandered long about the house,
Then prayed to God,
Went in the house to sleep,
And the moon was swathed in clouds.

Thus in a foreign land
I dreamed my dream,
As if born again to the world
In freedom once more.
Grant me, Oh God, some time,
In old age, perchance,
To stand again on these stolen hills,
In a little cottage,
To bring my heart eaten out with sorrow
To rest at last, on the hills above the Dnieper.

Kalina

The Cranberry

“My Daughter!
Why dost thou visit the grave-hill?
Why weepest thou; where goest thou?
Like a grey dove at night thou moanest.”

“It is nothing, my Mother, nothing. …”
And she went to the hill again,
While, weeping, the mother waited.

That is not Herb-o’-Dreams17
Blooming at night on the grave;
A betrothed maiden Kalina plants,
Waters it with her tears,
Beseeching Heaven:

“O God, send rain at night,
Abundant dew,
So that Kalina
May bud forth.
Perhaps my lover
From the other world
Will come.
Lo, there I’ll make a nest
And I myself
Shall fly to it,
And we shall sing together
On the bough.
Yea, we shall weep and sing
And murmur low—
Together we shall in the dawning wing
Our flight to other worlds.”

And the Kalina grew,
Spreading forth branches green. …
Three years she visited the grave—
The fourth year dawned.

That is not Herb-o’-Dreams
That blooms at night.
It is a weeping girl
Who to Kalina speaks:

“O my Kalina, broad and tall,
Watered before the sunset. …
—Nay, but broad tear-rivers
Drenched thy roots.
And to these rivers coward-talk,
Whisp’ring, would give ill-fame.
My girl companions look askance at me
And they neglect Kalina.
Deck now my head,
Wash it with dew.
Cover me from the sun
With thy broad branches
Shielding.
Then they will find me, bury me.
Mocking at me;
And thy broad branches
Children will tear off.”

At sundown in Kalina’s leaves
A bird was singing.
Under the bush a young girl lies,
She sleeps, she sleeps, nor will arise.
Tired, the youthful one. She rests for ever.

The Sun rose over the hill;
Rose the folk joyfully
From happy slumbers.
But all, all the long night through
A mother slept not.
Weeping, she could see
The vacant place at table,
Lone in the dusk,
And she wept bitterly.

The Monk18

At Kiev, in the low countrie,
Things happened once that you’ll never see.
For evermore, ’twas done;
Nevermore, ’twill come.
Yet I, my brother,
Will with hope foregather,
That this again I’ll see,
Though grief it brings to me.

To Kiev in the low countrie
Came our brotherhood so free.
Nor slave nor lord have they,
But all in noble garb so gay
Came splashing forth in mood full glad
With velvet coats the streets are clad.
They swagger in silken garments pride
And they for no one turn aside.

In Kiev, in the low countrie,
All the cossacks dance in glee,
Just like water in pails and tubs
Wine pours out ’mid great hubbubs.
Wine cellars and bars
with all the barmaids
The cossacks have bought
with their wines and meads.
With their heels they stamp
And dancing tramp,
While the music roars
And joyously soars.

The people gaze
with gladsome eyes,
While scholars of the cloister schools
All in silence bred by rules,
Look on with wondering surprise.
Unhappy scholars! Were they free,
They would cossacks dancing be.
Who is this by musicians surrounded
To whom the people give fame unbounded?
In trousers of velvet red,
With a coat that sweeps the road
A cossack comes. Let’s weep o’er his years
For what they’ve done is cause for tears.
But there’s life in the old man yet I trust,
For with dancing kicks
he spurns the dust.
In his short time left with men to mingle
The cossack sings,
this tipsy jingle.

“On the road is a crab, crab, crab.
Let us catch it grab, grab, grab.
Girls are sewing jab, jab, jab.
Let’s dance on trouble,
Dance on it double
Then on we’ll bubble
Already this trouble
We’ve danced on double
So let’s dance on trouble.
Dance on it double,
Then on we’ll bubble.”

To the Cloister of our Saviour
Old gray-hair dancing goes.
After him his joyous crowd
And all the folk of Kiev so proud.
Dances he up to the doors—
“Hoo-hoo! Hoo-hoo!” he roars.
Ye holy monks give greeting
A comrade from the prairie meeting.

Opens the sacred door,
The Cossack enters in.
Again the portal closes
To open no more for him.
What a man was there
this old gray-hair,
Who said to the world farewell?
’Twas Semon Palee,
a cossack free
Whom trouble could not quell.

Oh in the East the sun climbs high
And sets again in the western sky.
In narrow cell in monkish gown
Tramps an old man up and down,
Then climbs the highest turret there
To feast his eyes on Kiev so fair.
And sitting on the parapet
He yields a while to fond regret.
Anon he goes to the woodland spring,
The belfry near, where sweet bells ring.
The cooling draught to his mind recalls
How hard was life without the walls.
Again the monk his cell floor paces
’Mid the silent walls his life retraces.
The sacred book he holds in hand
And loudly reads,
The old man’s mind to Cossack land
Swiftly speeds.
Now holy words do fade away,
The monkish cell turns Cossack den,
The glorious brotherhood lives again.
The gray old captain, like an owl
Peers beneath the monkish cowl.
Music, dances, the city’s calls,
Rattling fetters, Moscow’s walls,
O’er woods and snows
his eyes can see
The banks of distant Yenisee.
Upon his soul deep gloom has crept
And thus the monk in sadness wept.

Down, Down! Bow thy head;
On thy fleshly cravings tread.
In the sacred writings read
Read, read, to the bell give heed,
Thy heart too long has ruled thee,
All thy life it’s fooled thee.
Thy heart to exile led thee,
Now let it silent be.
As all things pass away,
So thou shalt pass away.
Thus may’st thou know thy lot,
Mankind remembers not.

Though groans the old man’s sadness tell.
Upon his book he quickly fell,
And tramped and tramped about his cell.
He sits again in mood forlorn
Wonders why he e’er was born.
One thing alone he fain would tell.
He loves his Ukraina well.
For Matins now
the great bell booms.
The aged monk
his cowl resumes.
For Ukraina now to pray
My good old Palee limps away.

Drowsy the Waves

Drowsy the waves and dim the sky,
Across the shore and far away,
Like drunken things the rushes sway
Without a wind. O God on high,
Is it decreed that longer yet
Within this lockless prison set,
Beside this sea that profits naught,
I am to languish? Answering not,
Like to a living thing, the grain
Sways mute and yellowing on the plain;
No tidings will it let me hear,
And none besides to give me ear.

See Fires Ablaze

See fires ablaze, hear music sound—
The music weeps and nestles round.
E’en as a diamond, precious, fair,
The eyes of youth are bright, how bright!
Gladness and hope have set their light
In joyous eyes. They know not care,
Those youthful eyes—no sin is there.
And all are filled with mirth and glee,
And all are dancing. I alone
Gaze, as there were a curse on me.
I weep, I weep to all unknown.
Why do I weep? Perchance to mourn,
How without hap, as tempest-borne,
The days of all my youth have flown.

To the Makers of Sentimental Idyls

Did you but know, fine dandy,
The people’s life of misery
You would not use such pretty phrases,
Nor give to God such empty praises.
At our tears you’re laughing,
And our sorrows chaffing,
Slave’s cot in a shady spot—
You call it heaven! Rot!
I lived once in such a shanty,
Of childhood’s tears I shed a plenty,
In bitter sorrows we were wise,
Home that you call paradise.

No paradise I call thee,
Little cottage in the wood,
With the water pure beside thee
Close by the village rude!
There my mother bore me,
Singing she tended me;
My child’s heart drank in her pain.

Cottage in the shady dell,
Heaven outside, inside hell;
But slavery there,
with labor weary,
Nor time for prayer
in life so dreary.

My mother good to her early grave
Was hurled by sorrows wave on wave.

The father weeping o’er his young,
(little and naked were we),
Sank ’neath the weight of fated wrong
And died in slavery.
The children, we, of home bereft
Like little mice ’mong neighbors crept.

Water drawer was I at school,
My brothers toiled ’neath landlord’s rule.

For my sisters an evil fate must be,
Though little doves they seemed to me;
Into life as serfs they’re born,
And die they must in that lot forlorn.

I shudder yet, where’er I roam,
When I think of life in that village home.

Evil-doers, Oh God, are we,
An earthly heaven we had from Thee,
Turned it into hell have we,
And a second heaven is now our plea.

Gently we live with our brothers now,
With their lives our fields we plough;
Fields that with their tears are wet,
And yet—
What do we know?
yet it seems as if Thou!
(For without Thy will
Should we suffer ill?)
Dost Thou, Oh Father in heaven holy
Laugh at us the poor and lowly?
Advise with them of noble birth
How so cleverly to rule the earth?

For see the woods their branches waving,
And there beyond, the white pool gleaming
And willows o’er the water bending,
Garden of Eden it is in sooth,
But of its deeds enquire the truth.

This wondrous earth should tell a story
Of endless joy, and praise, and glory
To Thee, Oh God, unique and holy.
Unhallowed spot,
Whence praise comes not!
A world of tears where curses rise,
To heaven above the hopeless skies.

The Bondwoman’s Dream

The slave with sickle
reaped the wheat,
Then wearily limped
among the stooks;
But not to rest,
Her little son she sought
Who wakened crying
in cool nest
among the sheaves.
His swaddled limbs unwrapped
she nourished him,
Then, dandling him a moment
fell asleep.
In dreams she saw
her little son,
Her Johnny, grown to man,
handsome and rich.
No lonely bachelor
but a married man
In freedom it seemed,
no longer the landlord’s
but his own man.
And in their own joyous field
his wife and he
reaped their own wheat,
Their children brought their food.
The poor thing
laughed in her sleep,
Woke up—
a dream indeed it was.
She looked at Johnny,
picked him up and swaddled him,
And back to her allotted task;
Sixty stooks her stint.
Perhaps the last of the sixty it was:
God grant it.
And God grant
this dream of thine
may be fulfilled.

Winter19

Thy youth is over; time has brought
Winter upon thee; hope is grown
Chill as the north wind; thou art old.
Sit thou in thy dark house alone;
With no man converse shalt thou hold,
With no man shalt take counsel; nought.
Nought art thou, nought be thy desire.
Sit still alone by thy dead fire
Till hope shall mock thee, fool, again,
Blinding thine eyes with frosty gleams,
Vexing thy soul with dreams, with dreams
Like snowflakes in the empty plain.
Sit thou alone, alone and dumb;
Cry not for Spring, it will not come.
It will not enter at thy door,
Nor make thy garden green once more,
Nor cheer with hope thy withered age,
Nor loose thy spirit from her cage …
Sit still, sit still! Thy life is spent;
Nought art thou, be with nought content.

Endnotes

1. Tchornobriva: black-browed girl.

2. Rushniky: long towels prepared by a mother for her daughter’s dowry: in case of death used to lower the coffin.

3. Ptashka: little bird.

4. “Hamaleia” is an historical romance. The poet represents one of the excursions of the Zaporozhian Cossacks under the leadership of Hamaleia on Skutari, the Turkish city on the Bosphorus. The Cossacks saved western Europe from the Tartar and Turkish invasions, by fighting the invaders in the land of the barbarian. The poem describes one of these excursions where the Cossacks animated by the desire of revenging themselves on the Turks and freeing their brothers who were lying as captives in Turkish prisons, undertake a perilous trip in small wooden boats over the stormy Black Sea to Skutari, open the prisons, burn the city, and return home with rich spoils and their freed brethren. —Hunter

5. When a girl becomes engaged she binds on the head of her lover a handkerchief embroidered in gay colours by her own hands.

6. Unplaiting the hair: custom of a bride-to-be.

7. Tchumaki: road merchants, traders in other lands.

8. To Jacques de Balmont—French friend of the Ukrainians who perished in the Circassian war.

The Czars used the Ukrainians as tools in their ambitious projects. A hundred thousand of them perished in the marshes, digging the foundations of Petrograd. As many more died in the attempt to subdue the Circassians—tribes inhabiting the Caucasus mountains—to the imperial will of the Russian autocrat.

The memory of these sufferings was the inspiration of this bitter poem.

The text is taken from the prophecy of Jeremiah 9:1.

“Oh, that my head were waters, and mine eyes a fountain of tears, that I might weep day and night for the slain of the daughter of my people.” —Hunter

9. This is the national poem of the Ukrainians, recited at all their gatherings. I have given the thought and something of the feeling. The music of the original I could not give. It begins like a Highland dirge with wailing amphibrachs, and there are other measures in it not used in our language. Perhaps some future student may be moved to put this poem in such English form as will give the true impression of the original.

The motive of the poem is, in part, to awaken the conscience of the young educated Ukrainians who, for the sake of gain were allowing themselves to be used as tools by foreign oppressors. —Hunter

10. Written shortly before his arrest.

11. Shevchenko had heard a story of nuns in a convent conveying messages to one another interspersed in the words of the religious service. The messages were to the effect that company was coming that night and there would be music and dancing. Hence this sardonically humorous poem. —Hunter

12. Written the first year in the disciplinary brigade.

13. Written in the disciplinary brigade, first or second year.

14. Change of metre as in original.

15. So far as is known, the last thing written in the disciplinary brigade third year. There are no verses and few letters for the next seven years.

16. This poem was written in 1847 in Siberia. Taken away suddenly from Ukraine, Shevchenko could not forget his mother land. His beloved Ukraine was very far from him, and he longed for her even in his dreams. He describes in the poem a dream which he had about the beauties of the Ukraine, which he had just left and which he never hoped to see again. The old man of whom he speaks represents the poet himself, who knew the miseries of his native land and who desired to spend the last hours of his life there. —Hunter

17. “The Dream Herb” (a species of anemone) is in the Ukraine considered as something weird and uncanny. It is called Son-travà, literally Dream-grass, and has a flower like a little bell. Maidens pluck it to place under their pillows in early spring, that they may dream of their lovers. But by the rest of the world it is regarded with awe and superstitious fears. —Livesay

18. It happened sometimes, when a cossack warrior found his energies failing and his joints growing stiff from much campaigning, he would bethink him of his sins and deeds of blood.

These things weighing on his mind, he would decide to spend the remainder of his life in a monastery, but before taking this irrevocable step, he would hold a time of high revel with his old comrades. This poem pictures such an event. —Hunter

19. Written in exile in Russia about a month before his death.

Colophon

Poetry
was compiled from poems published between 1838 and 1860 by
Taras Shevchenko.
They were translated from Ukrainian between 1911 and 1922 by
Alexander Jardine Hunter, Ethel Voynich, Paul Selver, and Florence Randal Livesay.

This ebook was produced for
Standard Ebooks
by
Weijia Cheng,
and is based on transcriptions from
various sources
and on digital scans from
various sources.

The cover page is adapted from
Portait of T. G. Shevchenko,
a painting completed in 1888 by
Ilya Repin.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

This edition was released on
March 10, 2024, 7:16 p.m.
and is based on
revision 40f9c05.
The first edition of this ebook was released on
August 13, 2022, 6:12 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/taras-shevchenko/poetry/alexander-jardine-hunter_ethel-voynich_paul-selver_florence-randal-livesay.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you that you can’t do something. Unlike them, this Uncopyright page exists to tell you that the writing and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. The United States public domain represents our collective cultural heritage, and items in it are free for anyone in the United States to do almost anything at all with, without having to get permission.

Copyright laws are different all over the world, and the source text or artwork in this ebook may still be copyrighted in other countries. If you’re not located in the United States, you must check your local laws before using this ebook. Standard Ebooks makes no representations regarding the copyright status of the source text or artwork in this ebook in any country other than the United States.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright. That means that nobody can claim a new copyright on an item that is in the public domain for, among other things, work like digitization, markup, or typography. Regardless, the contributors to this ebook release their contributions under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the source text or artwork. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.