Act III

Scene I

Scene, Newgate.

Lockit, Lucy.

Lockit To be sure, wench, you must have been aiding and abetting to help him to this escape.
Lucy Sir, here hath been Peachum and his daughter Polly, and to be sure they know the ways of Newgate as well as if they had been born and bred in the place all their lives. Why must all your suspicion light upon me?
Lockit Lucy, Lucy, I will have none of these shuffling answers.
Lucy Well then⁠—If I know anything of him I wish I may be burnt!
Lockit Keep your temper, Lucy, or I shall pronounce you guilty.
Lucy Keep yours, sir⁠—I do wish I may be burnt. I do⁠—And what can I say more to convince you?
Lockit Did he tip handsomly?⁠—How much did he come down with? Come, hussy, don’t cheat your father; and I shall not be angry with you⁠—Perhaps, you have made a better bargain with him than I could have done⁠—How much, my good girl?
Lucy You know, sir, I am fond of him, and would have given money to have kept him with me.
Lockit Ah Lucy! thy education might have put thee more upon thy guard; for a girl in the bar of an alehouse is always besieged.
Lucy Dear sir, mention not my education⁠—for ’twas to that I owe my ruin.
Air XL. If love’s a sweet passion, etc.
A score three staves long in three-four time, in the key of E Minor.

When young at the bar you first taught me to score,
And bid me be free of my lips, and no more;
I was kissed by the parson, the squire, and the sot,
When the guest was departed, the kiss was forgot.
But his kiss was so sweet, and so closely he pressed,
That I languished and pined till I granted the rest.

If you can forgive me, sir, I will make a fair confession, for to be sure he hath been a most barbarous villain to me.

Lockit And so you have let him escape, hussy⁠—Have you?
Lucy When a woman loves; a kind look, a tender word can persuade her to anything⁠—And I could ask no other bribe.
Lockit Thou wilt always be a vulgar slut, Lucy.⁠—If you would not be looked upon as a fool, you should never do anything but upon the foot of interest. Those that act otherwise are their own bubbles.
Lucy But love, sir, is a misfortune that may happen to the most discreet women, and in love we are all fools alike⁠—Notwithstanding all he swore, I am now fully convinced that Polly Peachum is actually his wife.⁠—Did I let him escape, (Fool that I was!) to go to her?⁠—Polly will wheedle herself into his money, and then Peachum will hang him, and cheat us both.
Lockit So I am to be ruined, because, forsooth, you must be in love!⁠—a very pretty excuse!
Lucy I could murder that impudent happy strumpet:⁠—I gave him his life, and that creature enjoys the sweets of it.⁠—Ungrateful Macheath!
Air XLI. South-Sea ballad.
A score three staves long in six-eight time, in the key of C Major.

My love is all madness and folly,
Alone I lie,
Toss, tumble, and cry,
What a happy creature is Polly!
Was e’er such a wretch as I!
With rage I redden like scarlet,
That my dear inconstant varlet,
Stark blind to my charms,
Is lost in the arms
Of that jilt, that inveigling harlot!
Stark blind to my charms,
Is lost in the arms
Of that jilt, that inveigling harlot!
This, this my resentment alarms.

Lockit

And so, after all this mischief, I must stay here to be entertained with your catterwauling, Mrs. Puss!⁠—Out of my sight, wanton strumpet! you shall fast and mortify yourself into reason, with now and then a little handsome discipline to bring you to your senses.⁠—Go. Exit Lucy.

Peachum then intends to outwit me in this affair; but I’ll be even with him.⁠—The dog is leaky in his liquor, so I’ll ply him that way, get the secret from him, and turn this affair to my own advantage.⁠—Lions, wolves, and vultures don’t live together in herds, droves or flocks.⁠—Of all animals of prey, man is the only sociable one. Every one of us preys upon his neighbour, and yet we herd together.⁠—Peachum is my companion, my friend.⁠—According to the custom of the world, indeed, he may quote thousands of precedents for cheating me⁠—And shall not I make use of the privilege of friendship to make him a return.

Air XLII. Packington’s Pound.
A score three staves long in three-four time, in the key of D Minor.

Thus gamesters united in friendship are found,
Though they know that their industry all is a cheat;
They flock to their prey at the dice-box’s sound,
And join to promote one another’s deceit.
But if by mishap
They fail of a chap,
To keep in their hands, they each other entrap.
Like pikes, lank with hunger, who miss of their ends,
They bite their companions, and prey on their friends.

Now, Peachum, you and I, like honest tradesmen, are to have a fair trial which of us two can overreach the other.

Scene II

A Gaming-House

Macheath in a fine tarnished coat, Ben Budge, Matt of the Mint.

Macheath I am sorry, gentlemen, the road was so barren of money. When my friends are in difficulties, I am always glad that my fortune can be serviceable to them. Gives them money. You see, gentlemen, I am not a mere court friend, who professes everything and will do nothing.
Air XLIII. Lillibullero.
A score three staves long in six-four time, in the key of G Major.

The modes of the court so common are grown,
That a true friend can hardly be met;
Friendship for interest is but a loan,
Which they let out for what they can get.
’Tis true, you find
Some friends so kind,
Who will give you good counsel themselves to defend.
In sorrowful ditty,
They promise, they pity,
But shift for your money, from friend to friend.

But we, gentlemen, have still honour enough to break through the corruptions of the world.⁠—And while I can serve you, you may command me.

Ben It grieves my heart that so generous a man should be involved in such difficulties, as oblige him to live with such ill company, and herd with gamesters.
Matt See the partiality of mankind!⁠—One man may steal a horse, better than another look over a hedge.⁠—Of all mechanics, of all servile handicrafts-men, a gamester is the vilest. But yet, as many of the quality are of the profession, he is admitted amongst the politest company. I wonder we are not more respected.
Macheath There will be deep play tonight at Marybone, and consequently money may be picked up upon the road. Meet me there, and I’ll give you the hint who is worth setting.
Matt The fellow with a brown coat with a narrow gold binding, I am told, is never without money.
Macheath What do you mean, Matt?⁠—Sure you will not think of meddling with him!⁠—He’s a good honest kind of a fellow, and one of us.
Ben To be sure, sir, we will put ourselves under your direction.
Macheath Have an eye upon the moneylenders.⁠—A rouleau, or two, would prove a pretty sort of an expedition. I hate extortion.
Matt Those rouleaus are very pretty things.⁠—I hate your bank bills.⁠—There is such a hazard in putting them off.
Macheath There is a certain man of distinction, who in his time hath nicked me out of a great deal of the ready. He is in my cash, Ben;⁠—I’ll point him out to you this evening, and you shall draw upon him for the debt.⁠—The company are met; I hear the dice-box in the other room. So, gentlemen, your servant. You’ll meet me at Marybone.

Scene III

Peachum’s Lock

A table with wine, brandy, pipes and tobacco.

Peachum, Lockit.

Lockit The coronation account, brother Peachum, is of so intricate a nature, that I believe it will never be settled.
Peachum It consists indeed of a great variety of articles.⁠—It was worth to our people, in fees of different kinds, above ten instalments.⁠—This is part of the account, brother, that lies open before us.
Lockit A lady’s tail of rich brocade.⁠—that, I see, is disposed of.
Peachum To Mrs. Diana Trapes, the tally-woman, and she will make a good hand on’t in shoes and slippers, to trick out young ladies, upon their going into keeping.⁠—
Lockit But I don’t see any article of the jewels.
Peachum Those are so well known that they must be sent abroad⁠—You’ll find them entered under the article of exportation.⁠—As for the snuffboxes, watches, swords, etc.⁠—I thought it best to enter them under their several heads.
Lockit Seven and twenty women’s pockets complete; with the several things therein contained; all sealed, numbered, and entered.
Peachum But, brother, it is impossible for us now to enter upon this affair⁠—We should have the whole day before us.⁠—Besides, the account of the last half year’s plate is in a book by itself, which lies at the other office.
Lockit Bring us then more liquor⁠—Today shall be for pleasure⁠—Tomorrow for business⁠—Ah, brother, those daughters of ours are two slippery hussies⁠—Keep a watchful eye upon Polly, and Macheath in a day or two shall be our own again.
Air XLIV. Down in the north country, etc.
A score two staves long in four-four time, in the key of D Major.
Lockit

What gudgeons are we men!
Ev’ry woman’s easy prey.
Though we have felt the hook, again
We bite and they betray.

The bird that hath been trapped,
When he hears his calling mate,
To her he flies, again he’s clapped
Within the wiry grate.

Peachum But what signifies catching the bird, if your daughter Lucy will set open the door of the cage?
Lockit If men were answerable for the follies and frailties of their wives and daughters, no friends could keep a good correspondence together for two days.⁠—This in unkind of you, brother; for among good friends, what they say or do goes for nothing.
Enter a Servant.
Servant Sir, here’s Mrs. Diana Trapes wants to speak with you.
Peachum Shall we admit her, brother Lockit?
Lockit By all means⁠—She’s a good customer, and a fine-spoken woman⁠—And a woman who drinks and talks so freely, will enliven the conversation.
Peachum Desire her to walk in. Exit servant.
Peachum, Lockit, Mrs. Trapes.
Peachum Dear Mrs. Dye, your servant⁠—One may know by your kiss, that your gin is excellent.
Mrs. Trapes I was always very curious in my liquors.
Lockit There is no perfumed breath like it⁠—I have been long acquainted with the flavour of those lips⁠—Han’t I, Mrs. Dye.
Mrs. Trapes Fill it up⁠—I take as large draughts of liquor, as I did of love.⁠—I hate a flincher in either.
Air XLV. A shepherd kept sheep, etc.
A score three staves long in six-four time, in the key of D Minor.

In the days of my youth I could bill like a dove, fa, la, la, etc.
Like a sparrow at all times was ready for love, fa, la, la, etc.
The life of all mortals in kissing should pass,
Lip to lip while we’re young⁠—then the lip to the glass, fa, la, etc.

But now, Mr. Peachum, to our business.⁠—If you have blacks of any kind, brought in of late; mantoes⁠—Velvet scarfs⁠—Petticoats⁠—Let it be what it will⁠—I am your chap⁠—for all my ladies are very fond of mourning.

Peachum Why, look ye, Mrs. Dye⁠—you deal so hard with us, that we can afford to give the gentlemen, who venture their lives for the goods, little or nothing.
Mrs. Trapes The hard times oblige me to go very near in my dealing.⁠—To be sure, of late years I have been a great sufferer by the parliament.⁠—Three thousand pounds would hardly make me amends.⁠—The act for destroying the mint, was a severe cut upon our business⁠—’Till then, if a customer stepped out of the way⁠—we knew where to have her⁠—No doubt you know Mrs. Coaxer⁠—there’s a wench now (’till today) with a good suit of clothes of mine upon her back, and I could never set eyes upon her for three months together.⁠—Since the act too against imprisonment for small sums, my loss there too hath been very considerable, and it must be so, when a lady can borrow a handsome petticoat, or a clean gown, and I not have the least hank upon her! And, o’ my conscience, nowadays most ladies take a delight in cheating, when they can do it with safety.
Peachum Madam, you had a handsome gold watch of us ’tother day for seven guineas.⁠—Considering we must have our profit.⁠—To a gentleman upon the road, a gold watch will be scarce worth the taking.
Mrs. Trapes Consider, Mr. Peachum, that watch was remarkable, and not of very safe sale.⁠—If you have any black velvet scarfs⁠—they are a handsome winter-wear, and take with most gentlemen who deal with my customers.⁠—’Tis I that put the ladies upon a good foot. ’Tis not youth or beauty that fixes their price. The gentlemen always pay according to their dress, from half a crown to two guineas; and yet those hussies make nothing of bilking of me.⁠—Then too, allowing for accidents.⁠—I have eleven fine customers now down under the surgeon’s hands⁠—what with fees and other expenses, there are great goings-out, and no comings in, and not a farthing to pay for at least a month’s clothing.⁠—We run great risks⁠—great risks indeed.
Peachum As I remember, you said something just now of Mrs. Coaxer.
Mrs. Trapes Yes, sir.⁠—To be sure I stripped her of a suit of my own clothes about two hours ago; and have left her as she should be, in her shift, with a lover of hers at my house. She called him upstairs, as he was going to Marybone in a hackney coach.⁠—And I hope, for her own sake and mine, she will persuade the Captain to redeem her, for the Captain is very generous to the ladies.
Lockit What captain?
Mrs. Trapes He thought I did not know him⁠—An intimate acquaintance of yours, Mr. Peachum⁠—Only Captain Macheath⁠—as fine as a lord.
Peachum Tomorrow, dear Mrs. Dye, you shall set your own price upon any of the goods you like⁠—We have at least half a dozen velvet scarfs, and all at your service. Will you give me leave to make you a present of this suit of nightclothes for your own wearing?⁠—But are you sure it is Captain Macheath.
Mrs. Trapes Though he thinks I have forgot him; nobody knows him better. I have taken a great deal of the Captain’s money in my time at secondhand, for he always loved to have his ladies well dressed.
Peachum Mr. Lockit and I have a little business with the Captain;⁠—You understand me⁠—and we will satisfy you for Mrs. Coaxer’s debt.
Lockit Depend upon it⁠—we will deal like men of honour.
Mrs. Trapes I don’t enquire after your affairs⁠—so whatever happens, I wash my hands on’t⁠—It hath always been my maxim, that one friend should assist another⁠—But if you please⁠—I’ll take one of the scarfs home with me. ’Tis always good to have something in hand.

Scene IV

Newgate

Lucy Jealousy, rage, love and fear are at once tearing me to pieces, how I am weather-beaten and shattered with distresses!
Air XLVI. One evening, having lost my way, etc.
A score three staves long in six-eight time, in the key of G Major.

I’m like a skiff on the ocean tossed,
Now high, now low, with each billow born,
With her rudder broke, and her anchor lost,
Deserted and all forlorn.
While thus I lie rolling and tossing all night,
That Polly lies sporting on seas of delight!
Revenge, revenge, revenge,
Shall appease my restless spirit.

I have the ratsbane ready.⁠—I run no risk; for I can lay her death upon the gin, and so many die of that naturally that I shall never be called in question.⁠—But say, I were to be hanged.⁠—I never could be hanged for anything that would give me greater comfort, than the poisoning that slut.

Enter Filch.
Filch Madam, here’s Miss Polly come to wait upon you.
Lucy Show her in.
Enter Polly.
Polly Dear madam, your servant.⁠—I hope you will pardon my passion, when I was so happy to see you last.⁠—I was so overrun with the spleen, that I was perfectly out of myself. And really when one hath the spleen, everything is to be excused by a friend.
Air XLVII. Now Roger, I’ll tell thee because thou ’rt my son.
A score three staves long in six-four time, in the key of G Minor.

When a wife’s in her pout,
(As she’s sometimes, no doubt;)
The good husband as meek as a lamb,
Her vapours to still,
First grants her her will,
And the quieting draught is a dram. Poor man!
And the quieting draught is a dram.

—I wish all our quarrels might have so comfortable a reconciliation.

Polly I have no excuse for my own behaviour, madam, but my misfortunes.⁠—And really, madam, I suffer too upon your account.
Lucy But, Miss Polly⁠—in the way of friendship, will you give me leave to propose a glass of cordial to you?
Polly Strong-waters are apt to give me the headache⁠—I hope, madam, you will excuse me.
Lucy Not the greatest lady in the land could have better in her closet, for her own private drinking.⁠—You seem mighty low in spirits, my dear.
Polly I am sorry, madam, my health will not allow me to accept of your offer.⁠—I should not have left you in the rude manner I did when we met last, madam, had not my papa hauled me away so unexpectedly⁠—I was indeed somewhat provoked, and perhaps might use some expressions that were disrespectful.⁠—But really, madam, the Captain treated me with so much contempt and cruelty, that I deserved your pity, rather than your resentment.
Lucy But since his escape, no doubt all matters are made up again.⁠—Ah Polly! Polly! ’tis I am the unhappy wife; and he loves you as if you were only his mistress.
Polly Sure, madam, you cannot think me so happy as to be the object of your jealousy.⁠—A man is always afraid of a woman who loves him too well⁠—so that I must expect to be neglected and avoided.
Lucy Then our cases, my dear Polly, are exactly alike. Both of us indeed have been too fond.
Air XLVIII. O Bessy Bell.
A score three staves long in six-eight time, in the key of G Major.
Polly

A curse attend that woman’s love,
Who always would be pleasing.

Polly

The pertness of the billing dove,
Like tickling, is but teazing.

Polly

What then in love can woman do:

Polly

If we grow fond they shun us.

Polly

And when we fly them, they pursue:

Polly

But leave us when they’ve won us.

Lucy Love is so very whimsical in both sexes, that it is impossible to be lasting.⁠—But my heart is particular, and contradicts my own observation.
Polly But really, Mistress Lucy, by his last behaviour, I think I ought to envy you.⁠—When I was forced from him, he did not show the least tenderness.⁠—But perhaps, he hath a heart not capable of it.
Air XLIX. Would fate to me Belinda give.
A score three staves long in three-four time, in the key of G Major.

Among the men, coquettes we find,
Who court by turns all womankind;
And we grant all their hearts desired,
When they are flattered, and admired.

The coquettes of both sexes are self-lovers, and that is a love no other whatever can dispossess. I hear, my dear Lucy, our husband is one of those.

Lucy Away with these melancholy reflections⁠—indeed, my dear Polly, we are both of us a cup too low⁠—Let me prevail upon you to accept of my offer.
Air L. Come, sweet lass.
A score two staves long in four-four time, in the key of E Major.

Come, sweet lass,
Let’s banish sorrow
’Till tomorrow;
Come, sweet lass,
Let’s take a chirping glass.
Wine can clear
The vapours of despair
And make us light as air;
Then drink, and banish care.

I can’t bear, child, to see you in such low spirits.⁠—And I must persuade you to what I know will do you good. Aside. I shall now soon be even with the hypocritical strumpet. Exit.

Polly All this wheedling of Lucy cannot be for nothing.⁠—At this time too! when I know she hates me!⁠—The dissembling of a woman is always the forerunner of mischief.⁠—By pouring strong-waters down my throat, she thinks to pump some secrets out of me⁠—I’ll be upon my guard, and won’t taste a drop of her liquor, I’m resolved.
Reenter Lucy, with strong-waters.
Lucy Come, Miss Polly.
Polly Indeed, child, you have given yourself trouble to no purpose.⁠—You must, my dear, excuse me.
Lucy Really, Miss Polly, you are as squeamishly affected about taking a cup of strong-waters as a lady before company. I vow, Polly, I shall take it monstrously ill if you refuse me.⁠—Brandy and men (though women love them ever so well) are always taken by us with some reluctance⁠—unless ’tis in private.
Polly I protest, madam, it goes against me.⁠—What do I see! Macheath again in custody!⁠—Now every glimm’ring of happiness is lost.
Drops the glass of liquor on the ground.
Lucy Since things are thus, I’m glad the wench hath escaped: for by this event, ’tis plain, she was not happy enough to deserve to be poisoned.
Enter Lockit, Macheath, Peachum.
Lockit Set your heart to rest, Captain.⁠—You have neither the chance of love or money for another escape⁠—for you are ordered to be called down upon your trial immediately.
Peachum Away, hussies!⁠—This is not a time for a man to be hampered with his wives.⁠—You see, the gentleman is in chains already.
Lucy O husband, husband, my heart longed to see thee; but to see thee thus distracts me?
Polly Will not my dear husband look upon his Polly? Why hadst thou not flown to me for protection? with me thou hadst been safe.
Air LI. The last time I went o’er the moor.
A score three staves long in four-four time, in the key of C Major.
Polly

Hither, dear husband, turn your eyes.

Lucy

Bestow one glance to cheer me.

Polly

Think with that look, thy Polly dies.

Lucy

O shun me not⁠—but hear me.

Polly

’Tis Polly sues.

Lucy

’Tis Lucy speaks.

Polly

Is thus true love requited?

Lucy

My heart is bursting.

Polly

Mine too breaks.

Lucy

Must I

Polly

Must I be slighted?

Macheath What would you have me say, ladies?⁠—You see this affair will soon be at an end, without my disobliging either of you.
Peachum But the settling this point, Captain, might prevent a lawsuit between your two widows.
Air LII. Tom Tinker’s my true love.
A score two staves long in three-four time, in the key of G Major.
Macheath

Which way shall I turn me⁠—How can I decide?
Wives, the day of our death, are as fond as a bride.
One wife is too much for most husbands to hear,
But two at a time there’s no mortal can bear.
This way, and that way, and which way I will,
What would comfort the one, t’ other wife would take ill.

Polly But if his own misfortunes have made him insensible to mine⁠—A father sure will be more compassionate⁠—Dear, dear sir, sink the material evidence, and bring him off at his trial⁠—Polly upon her knees begs it of you.
Air LIII. I am a poor shepherd undone.
A score three staves long in six-eight time, in the key of D Minor.

When my hero in court appears,
And stands arraigned for his life;
Then think of poor Polly’s tears;
For ah! poor Polly’s his wife.
Like the sailor he holds up his hand,
Distressed on the dashing wave.
To die a dry death at land,
Is as bad as a watery grave.
And alas, poor Polly!
Alack, and well-a-day!
Before I was in love,
Oh! every month was May.

Lucy If Peachum’s heart is hardened; sure you, sir, will have more compassion on a daughter.⁠—I know the evidence is in your power.⁠—How then can you be a tyrant to me? Kneeling.
Air LIV. Ianthe the lovely, etc.
A score three staves long in four-four time, in the key of D Minor.

When he holds up his hand arraigned for his life,
O think of your daughter, and think I’m his wife!
What are cannons, or bombs, or clashing of swords?
For death is more certain by witnesses words.
Then nail up their lips; that dread thunder allay;
And each month of my life will hereafter be May.

Lockit Macheath’s time is come, Lucy.⁠—We know our own affairs, therefore let us have no more whimpering or whining.
Air LV. A cobbler there was, etc.
A score two staves long in six-eight time, in the key of G Minor.

Ourselves, like the great, to secure a retreat,
When matters require it, must give up our gang:
And good reason why,
Or, instead of the fry,
Ev’n Peachum and I.
Like poor petty rascals, might hang, hang;
Like poor petty rascals, might hang.

Peachum Set your heart at rest, Polly.⁠—Your husband is to die today.⁠—Therefore if you are not already provided, ’tis high time to look about for another. There’s comfort for you, you slut.
Lockit We are ready, sir, to conduct you to the Old Bailey.
Air LVI. Bonny Dundee.
A score three staves long in six-four time, in the key of G Minor.
Macheath

The charge is prepared; the lawyers are met,
The judges all ranged (a terrible show!)
I go, undismayed.⁠—For death is a debt,
A debt on demand.⁠—So take what I owe.
Then farewell, my love⁠—Dear charmers, adieu.
Contented I die⁠—’Tis the better for you.
Here ends all disputes the rest of our lives,
For this way at once I please all my wives.

Now, gentlemen, I am ready to attend you.

Exeunt Macheath, Lockit, and Peachum.

Enter Filch.

Polly Follow them, Filch, to the court. And when the trial is over, bring me a particular account of his behaviour, and of everything that happened⁠—You’ll find me here with Miss Lucy. Exit Filch. But why is all this music?
Lucy The prisoners, whose trials are put off ’till next session, are diverting themselves.
Polly Sure there is nothing so charming as music! I’m fond of it to distraction!⁠—But alas!⁠—now, all mirth seems an insult upon my affliction.⁠—Let us retire, my dear Lucy, and indulge our sorrows.⁠—The noisy crew, you see, are coming upon us.

Exeunt.

A dance of prisoners in chains, etc.

Scene V

The Condemned Hold

Macheath In a melancholy posture.
Air LVII. Happy groves.
A score one stave long in four-four time, in the key of A Minor.

O cruel, cruel, cruel case!
Must I suffer this disgrace?

Air LVIII. Of all the girls that are so smart.
A score one stave long in three-four time, in the key of C Major.

Of all the friends in time of grief,
When threatening death looks grimmer,
Not one so sure can bring relief,
As this best friend, a brimmer.

Drinks.

Air LIX. Britons strike home.
A score one stave long in three-four time, in the key of D Minor.

Since I must swing⁠—I scorn, I scorn to wince or whine.

Rises.

Air LX. Chevy Chase.
A score one stave long in six-eight time, in the key of E Minor.

But now again my spirits sink;
I’ll raise them high with wine.

Drinks a glass of wine.

Air LXI. To old Sir Simon the King.
A score two staves long in nine-four time, in the key of C Major.

But valour the stronger grows,
The stronger liquor we’er drinking;
And how can we feel our woes,
When we’ve lost the trouble of thinking?

Drinks.

Air LXII. Joy to great Caesar.
A score one stave long in three-four time, in the key of D Major.

If thus⁠—A man can die
Much bolder with brandy.

Pours out a bumper of brandy.

Air LXIII. There was an old woman.
A score two staves long in six-four time, in the key of D Major.

So I drink off this bumper.⁠—And now I can stand the test,
And my comrades shall see, that I die as brave as the best.

Drinks.

Air LXIV. Did you ever hear of a gallant sailor.
A score one stave long in three-two time, in the key of C Major.

But can I leave my pretty hussies,
Without one tear, or tender sigh?

Air LXV. Why are mine eyes still flowing.
A score one stave long in three-four time, in the key of C Major.

Their eyes, their lips, their busses
Recall my love⁠—Ah must I die!

Air LXVI. Green sleeves.
A score three staves long in six-four time, in the key of G Minor.

Since laws were made for ev’ry degree,
To curb vice in others, as well as me,
I wonder we han’t better company,
Upon Tyburn Tree!
But gold from law can take out the sting;
And if rich men like us were to swing,
’Twou’d thin the land, such numbers to string
Upon Tyburn Tree!

Jailor Some friends of yours, Captain, desire to be admitted⁠—I leave you together.
Enter Ben Budge, Matt of the Mint.
Macheath For my having broke prison, you see, gentlemen, I am ordered immediate execution.⁠—The sheriff’s officers, I believe, are now at the door.⁠—That Jemmy Twitcher should peach me, I own surprised me!⁠—’Tis a plain proof that the world is all alike, and that even our gang can no more trust one another than other people. Therefore, I beg you, gentlemen, look well to yourselves, for in all probability you may live some months longer.
Matt We are heartily sorry, Captain, for your misfortune.⁠—But ’tis what we must all come to.
Macheath Peachum and Lockit, you know, are infamous scoundrels. Their lives are as much in your power, as yours are in theirs.⁠—Remember your dying friend!⁠—’Tis my last request.⁠—Bring those villains to the gallows before you, and I am satisfied.
Matt We’ll do’t.
Jailor Miss Polly and Miss Lucy intreat a word with you.
Macheath Gentlemen, adieu.

Exeunt Ben Budge and Matt.

Enter Lucy and Polly.

Macheath My dear Lucy⁠—My dear Polly⁠—Whatsoever hath passed between us is now at an end⁠—If you are fond of marrying again, the best advice I can give you, is to ship yourselves off for the West Indies, where you’ll have a fair chance of getting a husband apiece, or by good luck, two or three, as you like best.
Polly How can I support this sight!
Lucy There is nothing moves one so much as a great man in distress.
Air LXVII. All you that must take a leap, etc.
A score four staves long in three-two time, in the key of F Major.
Lucy

Would I might be hanged!

Polly

And I would so too!

Lucy

To be hanged with you.

Polly

My dear, with you.

Macheath

O leave me to thought! I fear! I doubt!
I tremble! I droop!⁠—See, my courage is out.

Turns up the empty bottle.

Polly

No token of love?

Macheath

See, my courage is out.

Turns up the empty pot.

Lucy

No token of love?

Polly

Adieu.

Lucy

Farewell.

Macheath

But hark! I hear the toll of the bell.

Chorus

Tol de rol lol, etc.

Jailor Four women more, Captain, with a child apiece! See, here they come.
Enter women and children.
Macheath What⁠—four wives more!⁠—This is too much⁠—Here⁠—tell the sheriff’s officers I am ready. Exit Macheath guarded.
To them, enter Player and Beggar.
Player But, honest friend, I hope you don’t intend that Macheath shall be really executed.
Beggar Most certainly, sir.⁠—To make the piece perfect, I was for doing strict poetical justice.⁠—Macheath is to be hanged; and for the other personages of the drama, the audience must have supposed they were all either hanged or transported.
Player Why then, friend, this is a downright deep tragedy. The catastrophe is manifestly wrong, for an opera must end happily.
Beggar Your objection, sir, is very just, and is easily removed. For you must allow, that in this kind of drama, ’tis no matter how absurdly things are brought about⁠—So⁠—you rabble there⁠—run and cry, A reprieve!⁠—let the prisoner be brought back to his wives in triumph.
Player All this we must do, to comply with the taste of the town.
Beggar Through the whole piece you may observe such a similitude of manners in high and low life, that it is difficult to determine whether (in the fashionable vices) the fine gentlemen imitate the gentlemen of the road, or the gentlemen of the road the fine gentlemen.⁠—Had the play remained, as I at first intended, it would have carried a most excellent moral. ’Twould have shown that the lower sort of people have their vices in a degree as well as the rich: And that they are punished for them.
To them, Macheath with Rabble, etc.
Macheath So, it seems, I am not left to my choice, but must have a wife at last.⁠—Look ye, my dears, we will have no controversy now. Let us give this day to mirth, and I am sure she who thinks herself my wife will testify her joy by a dance.
All Come, a dance⁠—a dance.
Macheath Ladies, I hope you will give me leave to present a partner to each of you. And (if I may without offence) for this time, I take Polly for mine.⁠—And for life, you slut⁠—for we were really married.⁠—As for the rest.⁠—But at present keep your own secret. To Polly.

A Dance

Air LXVIII. Lumps of pudding, etc.
A score eight staves long in six-four time, in the key of G Minor.

Thus I stand like the Turk, with his doxies around;
From all sides their glances his passion confound;
For black, brown, and fair, his inconstancy burns,
And the different beauties subdue him by turns:
Each calls forth her charms to provoke his desires:
Though willing to all, with but one he retires.
But think of this maxim, and put off your sorrow,
The wretch of today, may be happy tomorrow.

Chorus

But think of this maxim, etc.