Within and Without
By George MacDonald.
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To L. P. M. D.
Receive thine own; for I and it are thine.
Thou know’st its story; how for forty days—
Weary with sickness and with social haze,
(After thy hands and lips with love divine
Had somewhat soothed me, made the glory shine,
Though with a watery lustre,) more delays
Of blessedness forbid—I took my ways
Into a solitude, Invention’s mine;
There thought and wrote, afar, and yet with thee.
Those days gone past, I came, and brought a book;
My child, developed since in limb and look.
It came in shining vapours from the sea,
And in thy stead sung low sweet songs to me,
When the red life-blood labour would not brook.
What life it is, and how that all these lives do gather—
Sir Philip Sidney’s Arcadia
With outward maker’s force, or like an inward father.
Within and Without
A Dramatic Poem
Part I
Go thou into thy closet; shut thy door;
And pray to Him in secret: He will hear.
But think not thou, by one wild bound, to clear
The numberless ascensions, more and more,
Of starry stairs that must be climbed, before
Thou comest to the Father’s likeness near,
And bendest down to kiss the feet so dear
That, step by step, their mounting flights passed o’er.
Be thou content if on thy weary need
There falls a sense of showers and of the spring;
A hope that makes it possible to fling
Sickness aside, and go and do the deed;
For highest aspiration will not lead
Unto the calm beyond all questioning.
Scene I
A cell in a convent. Julian alone.
| Julian |
Evening again slow creeping like a death!
|
|
Vesper bell.
Call them that need thee; I need not thy summons;
|
|
|
Choir and organ-music.
I bless you, sweet sounds, for your visiting.
|
|
| A knock at the door. Enter Brother Robert with a light. | |
| Robert |
Head in your hands as usual! You will fret
|
| Julian |
I will not sup to-night. |
| Robert |
Not sup? You’ll never live to be a saint. |
| Julian |
A saint! The devil has me by the heel. |
| Robert |
So has he all saints; as a boy his kite,
|
| Chorus |
Always merry, and never drunk.
|
| Song. | |
|
They say the first monks were lonely men,
|
|
| Chorus |
Now always merry, etc. |
|
When the moon gets up with her big round face,
|
|
| Chorus |
For always merry, etc. |
|
And there we find, among the ale,
|
|
| Chorus |
So always merry, etc. |
|
Last night we had such a game of play
|
|
| Chorus |
Oh! always merry, and never drunk.
|
| Robert |
The song is hardly to your taste, I see!
|
| Julian |
I do not need it. |
| Robert |
Come, come! The dark is a hot-bed for fancies.
|
| Julian |
Well, brother, let them talk; it hurts not me. |
| Robert |
No; but it hurts your friend to hear them say,
|
| Julian |
Ay! What of her? |
| Robert |
I heard no more than so; and that you came
|
| Julian |
One part at least is true: I knock at God’s;
|
| Robert |
Gloomy as usual, brother!
|
| Julian |
My friend, if one should tell a homeless boy,
|
| Robert |
Pointing to the Crucifix in a recess.
See, there
|
| Julian |
Kneeling and crossing.
Alas, my friend!—revealed—but as in nature:
|
|
Seeing Robert’s bewildered look, and changing his tone—
You do not understand me.
|
|
| Robert |
Well, perhaps
|
| Julian |
Amen.—A good man; but he has not waked,
|
Scene II
The refectory. The monks at table. A buzz of conversation. Robert enters, wiping his forehead, as if he had just come in.
| Stephen |
Speaking across the table.
You see, my friend, it will not stand to logic;
|
| Monk |
’Tis most absurd, as you have clearly shown.
|
| Stephen |
Hush! speak lower, friend. |
|
Two Monks farther down the table—in a low tone. |
|
| First Monk |
Where did you find her? |
| Second Monk |
She was taken ill
|
| First Monk |
Julian, by— |
| Second Monk |
’St—no names! I had not seen him.
|
| First Monk |
That is to-morrow. |
|
Another group near the bottom of the table, in which is Robert. |
|
| First Monk |
’Tis very clear there’s something wrong with him.
|
| Second Monk |
I know quite well. I stood beside him once,
|
| Third Monk |
Pale-faced and large-eyed.
And I
|
| Second Monk |
He does not know his rubric; stands when others
|
| Fourth Monk |
Plethoric and husky.
He blew his nose
|
| Robert |
When he returns, we must complain; and beg
|
Scene III
Julian’s cell. An open chest. The lantern on a stool, its candle nearly burnt out. Julian lying on his bed, looking at the light.
| Julian |
And so all growth that is not toward God
|
|
Enter Robert cautiously. Why, how now, Robert? Rising on his elbow. |
|
| Robert |
Glancing at the chest.
I see; that’s well. Are
|
| Julian |
Why? What’s the matter? |
| Robert |
You must go this night,
|
| Julian |
Why must I go? Rises. |
| Robert |
Turning over the things in the chest.
Here, put
|
| Julian |
Ah, well! I need not ask. I know it all. |
| Robert |
No, you do not. Nor is there time to tell you.
|
| Julian has been rapidly changing his clothes. | |
| Julian |
Now I am ready, Robert. Thank you, friend.
|
| Robert |
Farewell, dear friend! Keep far away from this. Goes. |
| Julian follows him out of the cell, steps along a narrow passage to a door, which he opens slowly. He goes out, and closes the door behind him. |
Scene IV
Night. The court of a country-inn. The Abbot, while his horse is brought out.
| Abbot |
Now for a shrine to house this rich Madonna,
|
Scene V
After midnight. Julian seated under a tree by the roadside.
| Julian |
So lies my journey—on into the dark!
|
Scene VI
The Abbot’s room. The Abbot and one of the Monks
| Abbot |
Did she say “Julian?” Did she say the name? |
| Monk |
She did. |
| Abbot |
What did she call the lady? What? |
| Monk |
I could not hear. |
| Abbot |
Nor where she lived? |
| Monk |
Nor that.
|
| Abbot |
So! Send Julian. One thing I need not ask:
|
| Monk |
Yes, my lord. |
| Abbot |
Well, go and send him hither. Monk goes.
|
| Monk |
Reenter Monk in haste and terror. He’s gone, my lord! His cell is empty. |
| Abbot |
Starting up.
What! You are crazy! Gone?
|
| Monk |
’Tis true as death, my lord. Witness, these eyes! |
| Abbot |
Heaven and hell! It shall not be, I swear!
|
Scene VII
Afternoon. The mountains. Julian.
| Julian |
Once more I tread thy courts, O God of heaven!
|
Scene VIII
A dungeon in the monastery. A ray of the moon on the floor. Robert.
| Robert |
One comfort is, he’s far away by this.
|
Part II
Hark, hark, a voice amid the quiet intense!
It is thy Duty waiting thee without.
Rise from thy knees in hope, the half of doubt;
A hand doth pull thee—it is Providence;
Open thy door straightway, and get thee hence;
Go forth into the tumult and the shout;
Work, love, with workers, lovers, all about:
Of noise alone is born the inward sense
Of silence; and from action springs alone
The inward knowledge of true love and faith.
Then, weary, go thou back with failing breath,
And in thy chamber make thy prayer and moan:
One day upon His bosom, all thine own,
Thou shall lie still, embraced in holy death.
Scene I
A room in Julian’s castle. Julian and the old Nurse.
| Julian |
Nembroni? Count Nembroni?—I remember:
|
| Nurse |
The same, my lord. He is the creditor.
|
| Julian |
Where is the lady? |
| Nurse |
Down in the town. |
| Julian |
But where? |
| Nurse |
If you turn left,
|
| Julian |
Hm! ah! I see.
|
| Nurse |
Here he is little known. His title comes
|
| Julian |
Thank you, nurse; you may go. Stay—one thing more:
|
| Nurse |
None
|
| Julian |
And can you keep it secret?—
|
Scene II
A poor cottage. An old Man and Woman sitting together.
| Man |
How’s the poor lady now? |
| Woman |
She’s poorly still.
|
| Man |
Has the count
|
| Woman |
No. And I think
|
| Man |
Remember, wife,
|
| Woman |
All very right;
|
| Man |
Possible.
|
| Woman |
How can I tell? So be,
|
| Man |
Come, come, old wife! you women are so hard
|
| Woman |
Yes, you must go, or else it is no use.
|
| Man |
Well, wife, it’s worth the going—but to see:
|
Scene III
Kitchen of a small inn. Host and Hostess.
| Host |
That’s a queer customer you’ve got upstairs!
|
| Hostess |
What is that to us?
|
| Host |
Has he been
|
| Hostess |
He has not stirred a foot
|
| Host |
What does he do? |
| Hostess |
Paces about the room, or sits at the window.
|
| Host |
He must be crazed,
|
| Hostess |
He has a wild look in his eye sometimes;
|
| Host |
Oh! he’s all right, I warrant. Is the wine come? |
Scene IV
The inn; a room upstairs. Julian at the window, half hidden by the curtain.
| Julian |
With what profusion her white fingers spend
|
Scene V
A back street. Two Servants with a carriage and pair.
| First Servant |
Heavens, what a cloud! as big as Aetna! There!
|
| Second Servant |
Such drops! That’s the first of it. I declare
|
| First Servant |
He looked as black
|
Scene VI
Julian’s room. Julian standing at the window, his face pressed against a pane. Storm and gathering darkness without.
| Julian |
Plague on the lamp! ’tis gone—no, there it flares!
|
| Hostess |
Opening the door and looking in.
If you please, sir—He hurries past.
|
Scene VII
The landing.
| Voice within |
If you scream, I must muffle you. |
| Julian |
Rushing up the stair.
He is there!
|
| Nembroni |
What the devil!—Beggar! Drawing his sword, and making a thrust at Julian, which he parries with his left arm, as, drawing his dagger, he springs within Nembroni’s guard. |
| Julian |
Taking him by the throat.
I have faced worse
|
Scene VIII
A room in the castle. Julian and the Nurse.
| Julian |
Ask me no questions now, my dear old nurse.
|
| Nurse |
Yes, my dear lord. |
| Julian |
And has she spoken yet? |
| Nurse |
After you left,
|
| Julian |
Under your care
|
| Nurse |
Alas! I feared it; blood is on her dress. |
| Julian |
That’s mine, not his. But put it in the fire.
|
| Nurse |
Leave? |
| Julian |
Yes. I am off to-night, wandering again
|
| Nurse |
How shall I best conceal her, my good lord? |
| Julian |
I have thought of that. There’s a deserted room
|
| Nurse |
Not deserted quite.
|
| Julian |
You do not know, nurse, why I loved it though:
|
| Reenter Nurse. | |
| Nurse |
My lord, her mind is wandering; she is raving;
|
| Julian |
Rising disturbed.
Go and fetch your daughter.
|
| Nurse |
O yes, my lord; she is so thin, poor child! Nurse goes. |
| Julian |
I ought to know the way to treat a fever,
|
Scene IX
The Abbot’s room in the monastery. The Abbot.
| Abbot |
’Tis useless all. No trace of him found yet.
|
| Enter Stephen. | |
|
Stephen, I have sent for you, because I am told
|
|
| Stephen |
I did, my lord. |
| Abbot |
How would you do it, Stephen? |
| Stephen |
Try one plan till it failed; then try another;
|
| Abbot |
Stephen, you’re just the man
|
Scene X
Towards morning. The Nurse’s room. Lilia in bed. Julian watching.
| Julian |
I think she sleeps. Would God it be so; then
|
| Lilia |
Half-asleep, wildly.
If Julian had been here, you dared not do it!—
|
| Julian |
Forgetting his caution, and going up to her.
I am here, my Lilia.
|
| Lilia |
Softly.
Am I in heaven? There’s something makes me glad,
|
|
Julian gives her drink, supporting her. She looks at him again, with large wondering eyes. Ah! now I know—I was so very thirsty! He lays her down. She is comforted, and falls asleep. He extinguishes the light, and looks out of the window. |
|
| Julian |
The gray earth dawning up, cold, comfortless;
|
| Enter Nurse. | |
|
Oh, nurse, I’m glad you’re come! She is asleep.
|
|
| Nurse |
Bless her white face, she looks just like my daughter,
|
Scene XI
A hilly road. Stephen, trudging alone, pauses to look around him.
| Stephen |
Not a footprint! not a trace that a bloodhound would nose at! But Stephen shall be acknowledged good dog and true. If I had him within stick-length—mind thy head, brother Julian! Thou hast not hair enough to protect it, and thy tonsure shall not. Neither shalt thou tarry at Jericho.—It is a poor man that leaves no trail; and if thou wert poor, I would not follow thee. Sings.
Oh, many a hound is stretching out
The emperor, he doth keep a pack
The devil a hunter long hath been,
Each man is a hunter to his trade,
|
| Better hunt a flea in a woolly blanket, than a leg-bail monk in this wilderness of mountains, forests, and precipices! But the flea may be caught, and so shall the monk. I have said it. He is well spotted, with his silver crown and his uncropped ears. The rascally heretic! But his vows shall keep him, though he won’t keep his vows. The whining, blubbering idiot! Gave his plaything, and wants it back!—I wonder whereabouts I am. |
Scene XII
The Nurse’s room. Lilia sitting up in bed. Julian seated by her; an open note in his hand.
| Lilia |
Tear it up, Julian. |
| Julian |
No; I’ll treasure it
|
| Lilia |
Where have you been these long, long years away?
|
| Julian |
Since that day, Lilia, I have seen much, thought much,
|
| Lilia |
Do tell me something now. I feel quite strong;
|
| Julian |
Wait a day or two.
|
| Lilia |
And I have much to tell you, Julian. I
|
| Julian |
Don’t speak about it. Tell me afterwards.
|
| Lilia |
I will obey you, will not speak a word. |
| Enter Nurse. | |
| Nurse |
Blessings upon her! she’s near well already.
|
| Julian |
My art has helped a little, I thank God.—
|
| Lilia |
Why does he always wear that curious cap? |
| Nurse |
I don’t know. You must sleep. |
| Lilia |
Yes. I forgot. |
Scene XIII
The Steward’s room. Julian and the Steward. Papers on the table, which Julian has just finished examining.
| Julian |
Thank you much, Joseph; you have done well for me.
|
| Steward |
I did, my lord; and have conveyed the money,
|
| Julian |
Well, again.
|
| Steward |
Two bags, three hundred each; that’s all.
|
| Julian |
One thing, and I have done: lest a mischance
|
| Steward |
I knew it was a favorite with my lord;
|
| Julian |
That’s excellent.
|
| Steward |
I will, my lord. It will be safe enough. |
Scene XIV
A road near the town. A Wagoner. Stephen, in lay dress, coming up to him.
| Stephen |
Whose castle’s that upon the hill, good fellow? |
| Wagoner |
Its present owner’s of the Uglii;
|
| Stephen |
Whose is that
|
| Wagoner |
That is Count Lamballa’s. |
| Stephen |
What is his Christian name? |
| Wagoner |
Omfredo. No,
|
| Stephen |
Is he at home? |
| Wagoner |
No, not for many a day.
|
| Stephen |
He is not married, then? |
| Wagoner |
No. There’s a gossip
|
| Stephen |
Most probably. I quite agree with you.
|
| Wagoner |
At the first inn we come to;
|
| Stephen |
I must push on. Four legs can never go
|
| Wagoner |
Good morning, sir. |
| Stephen |
Aside. I take the further house. |
Scene XV
The Nurse’s room. Julian and Lilia standing near the window.
| Julian |
But do you really love me, Lilia? |
| Lilia |
Why do you make me say it so often, Julian?
|
| Julian |
To love you seems
|
| Lilia |
And yet I love to say
|
| Julian |
Come on this side, my love; ’tis a slight hurt
|
| Lilia |
Ah, my poor Julian! How—
|
| Julian |
Calmly, but drawing himself up. I killed him as I would a dog that bit you. |
| Lilia |
Turning pale, and covering her face with her hands. Oh, that was dreadful! there is blood on you! |
| Julian |
Shall I go, Lilia? |
| Lilia |
Oh no, no, no, do not.—
|
| Julian |
You shrink
|
| Lilia |
Oh no, I love you—
|
| Julian |
Drawing her close to him.
My own sweet Lilia,
|
| Enter Nurse. | |
| Nurse |
My lord, the steward waits on you below. Julian goes.
|
Scene XVI
The Steward’s room. Julian. The Steward.
| Julian |
Well, Joseph, that will do. I shall expect
|
| Steward |
Yes, my lord; afloat
|
| Julian |
A strange feeling haunts me,
|
| Steward |
I will, directly. Goes. |
| Julian |
How shall I manage it?
|
Scene XVII
The inn; the room which had been Julian’s. Stephen, Host, and Hostess. Wine on the table.
| Stephen |
Here, my good lady, let me fill your glass;
|
| Hostess |
I thank you, sir; I hope you like the wine;
|
| Host |
I’m confident
|
| Stephen |
Tasting critically, then nodding.
That is wine!
|
| Host |
Thank you, sir. |
| Stephen |
To the Hostess.
And so this man, you say, was here until
|
| Hostess |
I cannot tell;
|
| Stephen |
What was he like, fair Hostess? |
| Hostess |
Tall and dark,
|
| Stephen |
Excuse me; you were saying that the man
|
| Hostess |
Yes; even after dark
|
| Stephen |
Where is the lady? |
| Hostess |
That’s the strangest thing
|
| Stephen |
Has no search been made? |
| Host |
The closest search; a thousand pieces offered
|
| Stephen |
’Tis very odd; the oddest thing I’ve heard
|
| Hostess |
Rising.
Thank you, sir,
|
| Stephen | We’ve found the badger’s hole; we’ll draw him next. He couldn’t have gone far with her and not be seen. My life on it, there are plenty of holes and corners in the old house over the way. Run off with a wench! Holy brother Julian! Contemptuous brother Julian! Stand-by-thyself brother Julian! Run away with a wench at last! Well, there’s a downfall! He’ll be for marrying her on the sly, and away!—I know the old fox!—for her conscience-sake, probably not for his! Well, one comfort is, it’s damnation and no reprieve. The ungrateful, atheistical heretic! As if the good old mother wasn’t indulgent enough to the foibles of her children! The worthy lady has winked so hard at her dutiful sons, that she’s nearly blind with winking. There’s nothing in a little affair with a girl now and then; but to marry, and knock one’s vows on the head! Therein is displayed a little ancestral fact as to a certain respectable progenitor, commonly portrayed as the knight of the cloven foot. “Keep back thy servant,” etc.—Purgatory couldn’t cleanse that; and more, ’twill never have the chance. Heaven be about us from harm! Amen. I’ll go find the new count. The Church shall have the castle and estate; Revenge, in the person of the new count, the body of Julian; and Stephen may as well have the thousand pieces as not. |
Scene XVIII
Night. The Nurse’s room. Lilia; to her Julian.
| Lilia |
How changed he is! Yet he looks very noble. |
| Enter Julian. | |
| Julian |
My Lilia, will you go to England with me? |
| Lilia |
Julian, my father! |
| Julian |
Not without his leave.
|
| Lilia |
Leave him in prison? |
| Julian |
No, Lilia; he’s at liberty and safe,
|
| Lilia |
You have done this,
|
| Julian |
I but fear
|
| Lilia |
I know why you think that; and I deserve it.
|
| Julian |
Almost well, child.
|
| Lilia |
Never mind that, if it be well again. |
| Julian |
I do not mind it; but when I remember
|
| Lilia |
My poor, poor Julian! never think of it; Putting her arms round him.
|
| Julian |
I have fought, my Lilia.
|
| Lilia |
Laying her hand on his arm.
Ah, alas, my Julian,
|
| Julian |
Not what men call guilty,
|
| Lilia |
A monk? Turningpale.
|
| Julian |
Speaking low and in pain. And so I did. |
| Lilia |
Hopefully, and looking up. Then you’ve had dispensation? |
| Julian |
God has absolved me, though the Church will not.
|
| Lilia |
Weeping bitterly.
I would … your words were true … but I do know …
|
| Julian |
In anguish.
’Tis ever so. Words are the living things!
|
| Lilia |
Not heeding him.
Besides, we dare not; you would find the dungeon
|
| Julian |
Come to England,
|
| Lilia |
Men would point, and say:
|
| Julian |
There are no monks in England. |
| Lilia |
But will that
|
| Julian |
Did I say so, my Lilia?
|
| Lilia |
No, no; I cannot, cannot, dare not do it. |
| Julian |
Lilia, you will not doubt my love; you cannot.
|
| Enter the Steward in haste, pale, breathless, and bleeding. | |
| Steward |
My lord, there’s such an uproar in the town!
|
| Julian |
Calmly. Will the gates hold them out awhile, my Joseph? |
| Steward |
A little while, my lord; but those damned torches!
|
| Julian |
Leave us, good Joseph; watch them from a window,
|
| Steward |
Entering. They’ve fired the gate, my lord! |
| Julian |
Well, put yourself in safety, my dear Joseph.
|
| Steward |
God grant it may be so. Farewell, dear lord! Is going. |
| Julian |
But add, it was in vain; the signorina
|
| Steward |
Can it be so? Goodbye, goodbye, my master! Goes. |
| Julian |
Put your arms round me once, my Lilia.
|
| Lilia |
Julian! Julian! The trampling offset and clamour of voices. The door of the room is flung open. Enter the foremost of the mob. |
| First |
I was sure I saw light here! There it is, burning still! |
| Second |
Nobody here? Praise the devil! he minds his own. Look under the bed, Gian. |
| Third |
Nothing there. |
| Fourth |
Another door! another door! He’s in a trap now, and will soon be in hell! Opening the door with difficulty. The devil had better leave him, and make up the fire at home—he’ll be cold by and by. Rushes into the inner room. Follow me, boys! The rest follow. |
| Voices from within |
I have him! I have him! Curse your claws! Why do you fix them on me, you crab? You won’t pick up the fiend-spawn so easily, I can tell you. Bring the light there, will you? One runs out for the light. A trap! a trap! and a stair, down in the wall! The hell-faggot’s gone! After him, after him, noodles! Sound of descending footsteps. Others rush in with torches and follow. |
Scene XIX
The riverside. Lilia seated in the boat; Julian handing her the bags.
| Julian |
There! One at a time!—Take care, love; it is heavy.—
|
|
In a low tone.
Slip down, my Lilia; lie at full length
|
|
|
Song.
Thou hast been blowing leaves, O wind of strife,
O wind of strife, to us a wedding wind,
Thou hast been blowing many a drifting thing
|
Part III
And weep not, though the Beautiful decay
Within thy heart, as daily in thine eyes;
Thy heart must have its autumn, its pale skies,
Leading, mayhap, to winter’s dim dismay.
Yet doubt not. Beauty doth not pass away;
Her form departs not, though her body dies.
Secure beneath the earth the snowdrop lies,
Waiting the spring’s young resurrection-day,
Through the kind nurture of the winter cold.
Nor seek thou by vain effort to revive
The summer-time, when roses were alive;
Do thou thy work—be willing to be old:
Thy sorrow is the husk that doth infold
A gorgeous June, for which thou need’st not strive.
Scene I
Time: Five years later.
Night. London. A large meanly furnished room; a single candle on the table; a child asleep in a little crib. Julian sits by the table, reading in a low voice out of a book. He looks older, and his hair is lined with grey; his eyes look clearer.
| Julian |
What is this? let me see; ’tis called The Singer:
|
|
He puts the book down; meditates awhile; then rises and walks up and down the room.
And so five years have poured their silent streams,
My child woke crying from her sleep;
And as beside my child I stood,
|
Scene II
Rooms in Lord Seaford’s house. A large company; dancers; gentlemen looking on.
| First Gentleman |
Henry, what dark-haired queen is that? She moves
|
| Second Gentleman |
You seem inspired; nor can I wonder at it;
|
| First Gentleman |
You have seen her, then, before: what is her name? |
| Second Gentleman |
I saw her once; but could not learn her name. |
| Third Gentleman |
She is the wife of an Italian count,
|
| Second Gentleman |
How do they live? |
| Third Gentleman |
Poorly, I should suppose;
|
| Second Gentleman |
If she sings as she looks or as she dances,
|
| Third Gentleman |
If Count Lamballa followed Lady Seaford
|
Scene III
Julian’s room. Lily asleep.
| Julian |
I wish she would come home. When the child wakes,
|
| Lily |
Starting up in her crib. Oh, take me! take me! |
| Julian |
Going up to her with a smile. What is the matter with my little child? |
| Lily |
I don’t know, father; I was very frightened. |
| Julian |
’Twas nothing but a dream. Look—I am with you. |
| Lily |
I am wake now; I know you’re there; but then
|
| Julian |
Lie down now, darling. Go to sleep again. |
| Lily |
Beseechingly.
Not yet. Don’t tell me go to sleep again;
|
| Julian |
She’s not at home, my child;
|
| Lily |
But if she walk
|
| Julian |
She will not walk—but what would catch her, sweet? |
| Lily |
I don’t know. Tell me a story till she comes. |
| Julian |
Taking her, and sitting with her on his knees by the fire.
Come then, my little Lily, I will tell you
|
| Lily |
Oh! didn’t he?—If he had, he wouldn’t have gone! |
| Julian |
Away he went, far far away he went,
|
| Lily |
Perhaps it was London. |
| Julian |
Perhaps it was, my child. And there he spent
|
| Lily |
How very naughty of him! |
| Julian |
Yes, my child.
|
| Lily |
Swine! Oh! |
| Julian |
Yes, swine: ’twas all that he could do;
|
| Lily |
Sobbing. Like that poor beggar I saw yesterday? |
| Julian |
Yes, my dear child. |
| Lily |
And was he dirty too? |
| Julian |
Yes, very dirty; he had been so long
|
| Lily |
Is it all true though, father? |
| Julian |
Yes, my darling; all true, and truer far
|
| Lily |
What was his father like? |
| Julian |
A tall, grand, stately man. |
| Lily |
Like you, dear father? |
| Julian |
Like me, only much grander. |
| Lily |
I love you
|
| Julian |
Well, all dirty as he was,
|
| Lily |
Oh, how dear!
|
| Julian |
There is your mother. |
| Lily |
I am glad, so glad! |
| Enter Lilia, looking pale. | |
| Lilia |
You naughty child, why are you not in bed? |
| Lily |
Pouting.
I am not naughty. I am afraid to go,
|
| Lilia |
What a strange child it is! There! Kissing her. go to bed. Lays her down. |
| Julian |
Gazing on the child.
As thou art in thy dreams without thy mother,
|
Scene IV
Lilia in bed. The room lighted from a gas-lamp in the street; the bright shadow of the window on the wall and ceiling.
| Lilia |
Oh, it is dreary, dreary! All the time
|
Scene V
Lord Seaford, alternately writing at a table and composing at his pianoforte.
|
Song.
Eyes of beauty, eyes of light,
Be not proud, O glorious orbs!
One moment, be less perfect, sweet;
For now I have no soul; a sea
O angel! take my hand in thine;
But I should faint with too much bliss
O beauteous devil, tempt me, tempt me on,
And if the meanings of untold desires
O what is God to me? He sits apart
With too much life, I fall before thee dead.
|
Scene VI
Julian’s room next morning; no fire. Julian stands at the window, looking into a London fog.
| Julian |
And there are mountains on the earth, far-off;
|
| Lilia |
Shines out indeed! Yet ’tis not bad for England.
|
| Julian |
’Tis the same sun that shines in Italy. |
| Lilia |
But never more will shine upon us there!
|
| Julian |
Ah! my dear Lilia, do not, do not think
|
| Lilia |
Julian, I cannot feel as you. I wish
|
| Julian |
God will hear you, child,
|
| Lilia |
It is plain to see He tries to love me, but is weary of me. She weeps. |
| Enter Lily. | |
| Lily |
Mother, have you been naughty? Mother, dear! Pulling her hand from her face. |
Scene VII
Julian’s room. Noon. Lilia at work; Lily playing in a closet.
| Lily |
Running up to her mother. Sing me a little song; please, mother dear. Lilia, looking off her work, and thinking with fixed eyes for a few moments, sings. |
|
Song.
Once I was a child,
When I ran about,
Mother’s eyes were deep,
Father was so tall!
Mother is asleep;
Father, though so strong,
Now nor bird, nor bee,
|
|
| Lily |
O mother, mother! there’s the old box I had
|
Scene VIII
A merchants countinghouse. Julian preparing to go home.
| Julian |
I would not give these days of common toil,
|
Scene IX
Lilia preparing to go out. Lily.
| Lily |
Don’t go to-night again. |
| Lilia |
Why, child, your father
|
| Lily |
Oh, but I shall though! and he looks so sad
|
| Lilia |
Aside.
He cannot look much sadder
|
| Lily |
Will you go, mother? Then I’ll go and cry
|
| Lilia |
Ready.
There’s such a pretty book! Sit on the stool,
|
| Lily |
Putting the book down, and going to the window. I wish he would come home. I wish he would. |
|
Enter Julian.
Oh, there he is! Running up to him.
|
|
| Julian |
Taking her in his arms.
I am very glad to have my little girl;
|
| Lily |
I do, do love you. Shall I tell you something?
|
| Julian |
Thank you, my child; a very pretty dream.
|
| Lily |
O yes, I will.—Perhaps I cannot find one. He lays her down to sleep; then sits musing. |
| Julian |
What shall I do to give it life again?
|
| Lily |
I cannot go to sleep. Please, father, sing
|
|
Song.
Little white Lily
Little white Lily
Little white Lily
Little white Lily
Little white Lily
|
|
| Julian |
She is asleep, the darling! Easily
|
Scene X
Julian’s room. Christmas Day; early morn. Julian.
| Julian |
The light comes feebly, slowly, to the world
|
Scene XI
Lilia teaching Lady Gertrude. Enter Lord Seaford. Lilia rises. He places her a chair, and seats himself at the instrument; plays a low, half-melancholy, half-defiant prelude, and sings.
|
Song.
Look on the magic mirror;
The youth looked on the mirror,
He went to the magician
He saw her in her glory,
She held the youth enchanted,
|
Part IV
And should the twilight darken into night,
And sorrow grow to anguish, be thou strong;
Thou art in God, and nothing can go wrong
Which a fresh life-pulse cannot set aright.
That thou dost know the darkness, proves the light.
Weep if thou wilt, but weep not all too long;
Or weep and work, for work will lead to song.
But search thy heart, if, hid from all thy sight,
There lies no cause for beauty’s slow decay;
If for completeness and diviner youth,
And not for very love, thou seek’st the truth;
If thou hast learned to give thyself away
For love’s own self, not for thyself, I say:
Were God’s love less, the world were lost, in sooth!
Scene I
Summer. Julian’s room. Julian is reading out of a book of poems.
|
|
|
He closes the book, and is silent for some moments.
Ah me, O Poet! did thy love last out
|
Scene II
Lilia’s room. Lilia.
| Lilia |
He grows more moody still, more self-withdrawn.
|
Scene III
Lord Seaford’s garden. Lilia; Lord Seaford.
| Lord Seaford |
How the white roses cluster on the trellis!
|
| Lilia |
Pardon me.
|
| Lord Seaford |
Ah, no! I spoke of lovely, beauteous things:
|
| Lilia |
Agitated.
Rise, rise, my lord; this cannot be, indeed.
|
| Lord Seaford |
Rising.
Forgive me, madam. Let me cast myself
|
| Lilia |
Think nothing more of it, my lord, I pray.
|
Scene IV
Julian’s room. The dusk of evening. Julian standing with his arms folded, and his eyes fixed on the floor.
| Julian |
I see her as I saw her then. She sat
|
|
The Father’s Hymn for the Mother to Sing
My child is lying on my knees;
And she is well, yea, bathed in bliss,
I mean her well so earnestly.
I also am a child, and I
For all behind the starry sky,
If true to her, though troubled sore,
If I am low and sinful, bring
Hast thou not wisdom to enwrap
Lo! Lord, I sit in thy wide space,
|
Scene V
Lord Seaford’s house; Lady Gertrude’s room. Lady Gertrude lying on a couch; Lilia seated beside her, with the girl’s hand in both hers.
| Lady Gertrude |
How kind of you to come! And you will stay
|
| Lilia |
I am very glad to come. Indeed, I felt
|
| Lady Gertrude |
How kind of you! Do call me sweet names now;
|
| Lilia |
I must not let you talk too much, dear child. |
| Lady Gertrude |
Well, as I cannot have my music-lesson,
|
| Lilia |
What was it, child? |
| Lady Gertrude |
It was
|
| Lilia |
Oh! I remember. I would rather sing
|
| Lady Gertrude |
No, no, I want that one.
|
| Lilia |
Well, I’ll sing it. |
|
Song.
Death and a lady rode in the wind,
The lady sat a wild-eyed steed;
All the night through, the headlong race
Her steed’s wide knees began to shake,
When, Lo! a fleet bay horse beside,
He never lifted his hand to Death,
He looked her weary eyes through and through,
And away through the mist of the morning gray,
|
|
| Lord Seaford |
Who has entered during the song.
Delightful! Why, my little pining Gertrude,
|
| Lilia |
I am but too happy
|
Scene VI
A rainy day. Lord Seaford walking up and down his room, murmuring to himself.
|
Oh, my love is like a wind of death,
Oh, my love is a flower with a purple glow,
Oh, my love is like the poison sweet
Oh, my love she’s like a white, white rose!
|
Scene VII
Julian reading in his room.
He closes the book and kneels. |
Scene VIII
Lord Seaford’s room. Lilia and Lord Seaford. Her hand lies in his.
| Lilia |
It may be true. I am bewildered, though.
|
| Lord Seaford |
Let me answer:—
|
| Lilia |
Starting up. Let me go, my lord! |
| Lord Seaford |
Retaining her hand. Why, sweetest! what is this? |
| Lilia |
Vehemently, and disengaging her hand. Let me go. My husband! Oh, my white child! She hurries to the door, but falls. |
| Lord Seaford |
Raising her. I thought you trusted me, yes, loved me, Lilia! |
| Lilia |
Peace! that name is his! Speak it again—I rave.
|
| Lord Seaford |
Stop, madam! I will. He opens the door. She leaves the window, and walks slowly out. He hears the house-door open and shut, flings himself on the couch, and hides his face. |
| Enter Lady Gertrude. | |
| Lady Gertrude |
Dear father, are you ill? I knocked
|
| Lord Seaford |
I did not hear you, child.
|
| Lady Gertrude |
Where is the countess? |
| Lord Seaford |
She is gone. She had
|
| Lady Gertrude |
This is sudden!
|
| Lord Seaford |
It will oblige me, child. Do what you can.
|
Scene IX
Evening. Hampstead Heath. Lilia seated.
| Lilia |
The first pale star! braving the rear of Day!
|
Scene X
Julian’s room. Julian reading. A letter is brought in. He reads it, turns deadly pale, and leans his arms and head on the table, almost fainting. This lasts some time; then starting up, he paces through the room, his shoulders slightly shrugged, his arms rigid by his sides, and his hands clenched hard, as if a net of pain were drawn tight around his frame. At length he breathes deep, draws himself up, and walks erect, his chest swelling, but his teeth set.
| Julian |
Me! My wife! Insect, didst thou say my wife? Hurriedly turning the letter on the table to see the address.
|
| Lily |
Oh! Beginning to weep.
|
| Julian |
Will you go with me,
|
| Lily |
O yes, I will. Clasping him round the neck.
|
| Julian |
Yes, my own darling. Come, we’ll get your bonnet. |
| Lily |
Oh! you’ve been crying, father. You’re so white! Putting her finger to his cheek. |
Scene XI
A table in a clubroom. Several Gentlemen seated round it. To them enter another.
| First Gentleman |
Why, Bernard, you look heated! what’s the matter? |
| Bernard |
Hot work, as looked at; cool enough, as done. |
| Second Gentleman |
A good antithesis, as usual, Bernard,
|
| Bernard |
Most unexpectedly I found myself
|
| All |
What was it? Tell us then. Here, take this seat. He sits at the table, and pours out a glass of wine. |
| Bernard |
I went to call on Seaford, and was told
|
| Third Gentleman |
Did no one stop him? |
| Bernard |
Stop him? I’d as soon
|
| First Gentleman |
Have you learned anything of what it meant? |
| Bernard |
Of course he had suspicions of his wife:
|
Scene XII
A by-street. Julian walking home very weary. The child in his arms, her head lying on his shoulder. An Organ-boy with a monkey, sitting on a doorstep. He sings in a low voice.
| Julian |
Look at the monkey, Lily. |
| Lily |
No, dear father;
|
| Julian |
Hear the poor boy sing. They listen. He sings. |
|
Song.
Wenn ich höre dich mir nah’,
Nun die Sonne liebend scheint,
So mich völlig lieb du hast,
|
|
| Lily |
It sounds so curious. What is he saying, father? |
| Julian |
My boy, you are not German? |
| Boy |
No; my mother
|
| Julian |
My mother was a German, my poor boy;
|
| Boy |
My mother sings it in her grave; and I
|
Scene XIII
Lilia’s room. Julian enters with the child; undresses her, and puts her to bed.
| Lily |
Father does all things for his little Lily. |
| Julian |
My own dear Lily! Go to sleep, my pet. Sitting by her.
“Wenn ich seh’ und höre dich,
|
|
Falling on his knees.
I come to thee, and, lying on thy breast,
|
Scene XIV
Crowd about the Italian Opera-House. Julian. Lily in his arms. Three Students.
| First Student |
Edward, you see that long, lank, thread-bare man?
|
| Second Student |
I scarcely noticed him;
|
| Third Student |
You see angels always,
|
| First Student |
And mine. |
| Second Student |
And mine. Third Student offers the money to Julian. |
| Julian |
Very quietly. No, thank you, sir. |
| Lily |
Oh! there is mother! Stretching-her hands toward a lady stepping out of a carriage. |
| Julian |
No, no; hush, my child! The lady looks round, and Lily clings to her father. Women talking. |
| First Woman |
I’m sure he’s stolen the child. She can’t be his. |
| Second Woman |
There’s a suspicious look about him. |
| Third Woman |
True;
|
Scene XV
Julian seated in his room, his eyes fixed on the floor. Lily playing in a corner.
| Julian |
Though I am lonely, yet this little child—
|
| Lily |
Throwing down the dagger-hilt and running up to him. Father, what is a poetry? |
| Julian |
A beautiful thing—of the most beautiful
|
| Lily |
As beautiful as mother? |
| Julian |
No, my dear child; but very beautiful. |
| Lily |
Do let me see a poetry. |
| Julian |
Opening a book. There, love! |
| Lily |
Disappointedly.
I don’t think that’s so very pretty, father.
|
| Julian |
Putting the book down, and taking her on his knee.
You do not understand it yet, my child.
|
| Lily |
Looking pleased.
Oh! that’s much prettier, father. Very pretty.
|
| Julian |
There’s something in it very beautiful,
|
| Lily |
Yes, dear father. Kissing him, then looking at the book.
|
| Julian |
Musing.
True, there’s not much in me to love, and yet
|
| Julian |
Bursting into tears.
Father, I am thy child. Forgive me this:
|
Scene XVI
Julian walking with Lily through one of the squares.
| Lily |
Wish we could find her somewhere. ’Tis so sad
|
| Julian |
No, no, my love; we’ll find her by and by. |
| Bernard and another Gentleman talking together. | |
| Bernard |
Have you seen Seaford lately? |
| Gentleman |
No. In fact,
|
| Bernard |
Forgot her!
|
| Lily |
Mother was Italy, father—was she not? |
| Julian |
Hush, hush, my child! you must not say a word. |
| Gentleman |
Oh, yes; no doubt!
|
| Bernard |
Something quite different, I assure you, Harry.
|
| Gentleman |
Better please two than one, he thought—and wisely.
|
| Lily |
Whispering.
Why don’t you ask them whether it was mother?
|
| Gentleman |
Look what a lovely child! |
| Bernard |
Harry! Good heavens!
|
Scene XVII
Julian’s room. Julian. Lily asleep.
| Julian |
I thank thee. Thou hast comforted me, thou,
|
| Lily |
In her sleep. Lily means me—don’t throw it over the wall. |
| Julian |
Going to her.
She is so flushed! I fear the child is ill.
|
Scene XVIII
Portsmouth. A bedroom. Lord Seaford. Lady Gertrude.
| Lord Seaford |
’Tis for your sake, my Gertrude, I am sorry.
|
| Lady Gertrude |
And leave you ill? No, you are not so cruel.
|
| Lord Seaford |
It was so sudden!
|
| Lady Gertrude |
Goodbye then, father, for a little while. Goes. |
| Lord Seaford |
I never knew what illness was before.
|
Scene XIX
A country churchyard. Julian seated on a tombstone. Lily gathering flowers and grass among the grass.
| Julian |
O soft place of the earth! down-pillowed couch,
|
| Lily |
Why do they make so many hillocks, father?
|
| Julian |
So they would. |
| Lily |
What are they for, then? |
| Julian |
Aside.
I wish I had not brought her;
|
|
Aloud. ’Tis where they lay them when the story’s done. |
|
| Lily |
What! lay the boys and girls? |
| Julian |
Yes, my own child—To keep them warm till it begin again. |
| Lily |
Is it dark down there? Clinging to Julian, and pointing down. |
| Julian |
Yes, it is dark; but pleasant—oh, so sweet!
|
| Lily |
Did the church grow out of there, with the long stalk
|
| Julian |
It did, my darling.—There’s a door down there
|
Scene XX
Portsmouth. Lord Seaford, partially recovered. Enter Lady Gertrude and Bernard.
| Lady Gertrude |
I have found an old friend, father. Here he is! |
| Lord Seaford |
Bernard! Who would have thought to see you here! |
| Bernard |
I came on Lady Gertrude in the street.
|
| Bernard |
Where is the countess? |
| Lord Seaford |
Countess! What do you mean? I do not know. |
| Bernard |
The Italian lady. |
| Lord Seaford |
Countess Lamballa, do you mean? You frighten me! |
| Bernard |
I am glad indeed to know your ignorance;
|
| Lord Seaford |
Starting up and ringing the bell.
O God! what am I? My love burns like hate,
|
| Bernard |
What the deuce ails you, Seaford? Are you raving? |
| Enter Waiter. | |
| Lord Seaford |
Post-chaise for London—four horses—instantly. He sinks exhausted in his chair. |
Scene XXI
Lily in bed. Julian seated by her.
| Lily |
O father, take me on your knee, and nurse me.
|
| Julian |
You shall not go, my darling; I will keep you. |
| Lily |
O will you keep me always, father dear?
|
| Julian |
Yes, darling; love does hurt. It is too good
|
| Lily |
Yes—no; for I should leave you then. Oh, my head!
Oh the hurt, the hurt, and the hurt of love!
But sun would not shine, nor waters go,
Thou knowest, O Saviour, its hurt and its sorrows;
Hurt as it may, love on, love forever;
|
| Julian |
A voice comes from the vacant, wide sea-vault:
|
| Lily |
Oh, father! put your arms close round about me.
|
Scene XXII
A cottage-room. Lilia folding a letter.
| Lilia |
Now I have told him all; no word kept back
|
Scene XXIII
Lily lying dead. Julian bending over her.
| Julian |
The light of setting suns be on thee, child!
|
| Enter a Jew. | |
| Jew |
What is your pleasure with me? Here I am, sir. |
| Julian |
Walk into the next room; then look at this,
|
|
Reenter Jew. Well, how much? Name your sum. Be liberal. |
|
| Jew |
Let me see this room, too. The things are all
|
| Julian |
Say what you will—only make haste and go. |
| Jew |
Say twenty pounds? |
| Julian |
Well, fetch the money at once,
|
Scene XXIV
The country-churchyard. Julian standing by Lily’s new-filled grave. He looks very worn and ill.
| Julian |
Now I can leave thee safely to thy sleep;
|
Scene XXV
The empty room, formerly Lilia’s.
| Enter Julian. | |
| Julian |
How am I here? Alas! I do not know.
Wind, wind, thou blowest many a drifting thing
What are you, man? O brother, bury me—
|
| Lord Seaford |
Stooping over him. I am Seaford, Count. |
| Julian |
Seaford! What Seaford? Recollecting.
|
| Lord Seaford |
Had I seen him, she had been safe for me. Goes. |
| Julian lies motionless. Insensibility passes into sleep. He wakes calm, in the sultry dusk of a summer evening. | |
| Julian |
Still, still alive! I thought that I was dead.
|
| Lord Seaford |
It is a letter from your wife, I think. |
| Julian |
Feebly.
A letter from my Lilia! Bury it with me—
|
| Lord Seaford |
Bending over him. Your wife is innocent. I know she is. Julian gazes at him blankly. A light begins to grow in his eyes. It grows till his face is transfigured. It vanishes. He dies. |
Part V
And do not fear to hope. Can poet’s brain
More than the Father’s heart rich good invent?
Each time we smell the autumn’s dying scent,
We know the primrose time will come again;
Not more we hope, nor less would soothe our pain.
Be bounteous in thy faith, for not mis-spent
Is confidence unto the Father lent:
Thy need is sown and rooted for his rain.
His thoughts are as thine own; nor are his ways
Other than thine, but by pure opulence
Of beauty infinite and love immense.
Work on. One day, beyond all thoughts of praise,
A sunny joy will crown thee with its rays;
Nor other than thy need, thy recompense.
A dream.
Scene I
“A world not realized.” Lily. To her Julian.
| Lily |
O father, come with me! I have found her—mother! |
Scene II
A room in a cottage. Lilia on her knees before a crucifix. Her back only is seen, for the Poet dares not look on her face. On a chair beside her lies a book, open at Chapter VIII. Behind her stands an Angel, bending forward, as if to protect her with his wings partly expanded. Appear Julian, with Lily in his arms. Lily looks with love on the angel, and a kind of longing fear on her mother.
| Julian |
Angel, thy part is done; leave her to me. |
| Angel |
Sorrowful man, to thee I must give place;
|
| Julian |
A heart that knows what thou canst never know,
|
| Lilia |
O Jesus, hear me! Let me speak to thee.
|
| Julian |
Lilia, thy purity
|
| Lilia |
Pardon will not do:
|
| Julian |
Not thou, but I am guilty, Lilia.
|
| Lilia |
O Julian, my husband, is it strange,
|
| Lily |
O mother, there are blue skies here, and flowers,
|
| Lilia |
Can it be that they are dead? Is it possible?
|
| Julian |
Singing.
Come to us: above the storm
|
| Lily |
Singing.
Mother, darling, do not weep—
|
| Julian |
Singing.
There is sunshine everywhere
|
| Lily |
Singing.
We’re so happy all the day,
|
| Julian |
My maiden! for true wife is always maiden
|
| Lilia |
What gentle hopes keep passing to and fro!
|
Scene III
Julian on the summit of a mountain-peak. The stars are brilliant around a crescent moon, hanging halfway between the mountain and the zenith. Below lies a sea of vapour. Beyond rises a loftier pinnacle, across which is stretched a bar of cloud. Lily lies on the cloud, looking earnestly into the mist below.
| Julian |
Gazing upward.
And thou wast with me all the time, my God,
|
| Lily |
Come faster, mother dear; father is waiting. |
| Lilia |
Have patience with me, darling. By and by,
|
| Julian |
I may not help her. She must climb and come. He reaches his hand, and the three are clasped in an infinite embrace.
|
Colophon
Within and Without
was published in by
George MacDonald.
This ebook was produced for
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C. B. Bowman,
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The cover page is adapted from
The Sunlight,
a painting completed circa by
Ture Nikolaus Cederström.
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League Spartan and Sorts Mill Goudy
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