Part I
Go thou into thy closet; shut thy door;
And pray to Him in secret: He will hear.
But think not thou, by one wild bound, to clear
The numberless ascensions, more and more,
Of starry stairs that must be climbed, before
Thou comest to the Father’s likeness near,
And bendest down to kiss the feet so dear
That, step by step, their mounting flights passed o’er.
Be thou content if on thy weary need
There falls a sense of showers and of the spring;
A hope that makes it possible to fling
Sickness aside, and go and do the deed;
For highest aspiration will not lead
Unto the calm beyond all questioning.
Scene I
A cell in a convent. Julian alone.
| Julian |
Evening again slow creeping like a death!
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Vesper bell.
Call them that need thee; I need not thy summons;
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Choir and organ-music.
I bless you, sweet sounds, for your visiting.
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| A knock at the door. Enter Brother Robert with a light. | |
| Robert |
Head in your hands as usual! You will fret
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| Julian |
I will not sup to-night. |
| Robert |
Not sup? You’ll never live to be a saint. |
| Julian |
A saint! The devil has me by the heel. |
| Robert |
So has he all saints; as a boy his kite,
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| Chorus |
Always merry, and never drunk.
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| Song. | |
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They say the first monks were lonely men,
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| Chorus |
Now always merry, etc. |
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When the moon gets up with her big round face,
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| Chorus |
For always merry, etc. |
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And there we find, among the ale,
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| Chorus |
So always merry, etc. |
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Last night we had such a game of play
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| Chorus |
Oh! always merry, and never drunk.
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| Robert |
The song is hardly to your taste, I see!
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| Julian |
I do not need it. |
| Robert |
Come, come! The dark is a hot-bed for fancies.
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| Julian |
Well, brother, let them talk; it hurts not me. |
| Robert |
No; but it hurts your friend to hear them say,
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| Julian |
Ay! What of her? |
| Robert |
I heard no more than so; and that you came
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| Julian |
One part at least is true: I knock at God’s;
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| Robert |
Gloomy as usual, brother!
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| Julian |
My friend, if one should tell a homeless boy,
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| Robert |
Pointing to the Crucifix in a recess.
See, there
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| Julian |
Kneeling and crossing.
Alas, my friend!—revealed—but as in nature:
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Seeing Robert’s bewildered look, and changing his tone—
You do not understand me.
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| Robert |
Well, perhaps
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| Julian |
Amen.—A good man; but he has not waked,
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Scene II
The refectory. The monks at table. A buzz of conversation. Robert enters, wiping his forehead, as if he had just come in.
| Stephen |
Speaking across the table.
You see, my friend, it will not stand to logic;
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| Monk |
’Tis most absurd, as you have clearly shown.
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| Stephen |
Hush! speak lower, friend. |
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Two Monks farther down the table—in a low tone. |
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| First Monk |
Where did you find her? |
| Second Monk |
She was taken ill
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| First Monk |
Julian, by— |
| Second Monk |
’St—no names! I had not seen him.
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| First Monk |
That is to-morrow. |
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Another group near the bottom of the table, in which is Robert. |
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| First Monk |
’Tis very clear there’s something wrong with him.
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| Second Monk |
I know quite well. I stood beside him once,
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| Third Monk |
Pale-faced and large-eyed.
And I
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| Second Monk |
He does not know his rubric; stands when others
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| Fourth Monk |
Plethoric and husky.
He blew his nose
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| Robert |
When he returns, we must complain; and beg
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Scene III
Julian’s cell. An open chest. The lantern on a stool, its candle nearly burnt out. Julian lying on his bed, looking at the light.
| Julian |
And so all growth that is not toward God
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Enter Robert cautiously. Why, how now, Robert? Rising on his elbow. |
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| Robert |
Glancing at the chest.
I see; that’s well. Are
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| Julian |
Why? What’s the matter? |
| Robert |
You must go this night,
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| Julian |
Why must I go? Rises. |
| Robert |
Turning over the things in the chest.
Here, put
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| Julian |
Ah, well! I need not ask. I know it all. |
| Robert |
No, you do not. Nor is there time to tell you.
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| Julian has been rapidly changing his clothes. | |
| Julian |
Now I am ready, Robert. Thank you, friend.
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| Robert |
Farewell, dear friend! Keep far away from this. Goes. |
| Julian follows him out of the cell, steps along a narrow passage to a door, which he opens slowly. He goes out, and closes the door behind him. |
Scene IV
Night. The court of a country-inn. The Abbot, while his horse is brought out.
| Abbot |
Now for a shrine to house this rich Madonna,
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Scene V
After midnight. Julian seated under a tree by the roadside.
| Julian |
So lies my journey—on into the dark!
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Scene VI
The Abbot’s room. The Abbot and one of the Monks
| Abbot |
Did she say “Julian?” Did she say the name? |
| Monk |
She did. |
| Abbot |
What did she call the lady? What? |
| Monk |
I could not hear. |
| Abbot |
Nor where she lived? |
| Monk |
Nor that.
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| Abbot |
So! Send Julian. One thing I need not ask:
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| Monk |
Yes, my lord. |
| Abbot |
Well, go and send him hither. Monk goes.
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| Monk |
Reenter Monk in haste and terror. He’s gone, my lord! His cell is empty. |
| Abbot |
Starting up.
What! You are crazy! Gone?
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| Monk |
’Tis true as death, my lord. Witness, these eyes! |
| Abbot |
Heaven and hell! It shall not be, I swear!
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Scene VII
Afternoon. The mountains. Julian.
| Julian |
Once more I tread thy courts, O God of heaven!
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Scene VIII
A dungeon in the monastery. A ray of the moon on the floor. Robert.
| Robert |
One comfort is, he’s far away by this.
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