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Table of Contents

  1. Titlepage
  2. Imprint
  3. Preface to Saint Joan
    1. Joan the Original and Presumptuous
    2. Joan and Socrates
    3. Contrast with Napoleon
    4. Was Joan Innocent or Guilty?
    5. Joan’s Good Looks
    6. Joan’s Social Position
    7. Joan’s Voices and Visions
    8. The Evolutionary Appetite
    9. The Mere Iconography Does Not Matter
    10. The Modern Education Which Joan Escaped
    11. Failures of the Voices
    12. Joan a Galtonic Visualizer
    13. Joan’s Manliness and Militarism
    14. Was Joan Suicidal
    15. Joan Summed Up
    16. Joan’s Immaturity and Ignorance
    17. The Maid in Literature
    18. Protestant Misunderstandings of the Middle Ages
    19. Comparative Fairness of Joan’s Trial
    20. Joan Not Tried as a Political Offender
    21. The Church Uncompromised by Its Amends
    22. Cruelty, Modern and Medieval
    23. Catholic Anti-Clericalism
    24. Catholicism Not Yet Catholic Enough
    25. The Law of Change Is the Law of God
    26. Credulity, Modern and Medieval
    27. Toleration, Modern and Medieval
    28. Variability of Toleration
    29. The Conflict Between Genius and Discipline
    30. Joan as Theocrat
    31. Unbroken Success Essential in Theocracy
    32. Modern Distortions of Joan’s History
    33. History Always Out of Date
    34. The Real Joan Not Marvellous Enough for Us
    35. The Stage Limits of Historical Representation
    36. A Void in the Elizabethan Drama
    37. Tragedy Not Melodrama
    38. The Inevitable Flatteries of Tragedy
    39. Some Well-Meant Proposals for the Improvement of the Play
    40. The Epilogue
    41. To the Critics, Lest They Should Feel Ignored
  4. Dramatis Personae
  5. Saint Joan
    1. Scene I
    2. Scene II
    3. Scene III
    4. Scene IV
    5. Scene V
    6. Scene VI
    7. Epilogue
  6. Colophon
  7. Uncopyright

Landmarks

  1. Saint Joan