XII

When the spring came, Germinie said to Jupillon almost every evening: “Suppose we go as far as the beginning of the fields?”

Jupillon would put on his flannel shirt with red and black squares, and his black velvet cap; and they would start for what the people of the quarter call “the beginning of the fields.”

They would go up the Chaussée Clignancourt, and, with the flood of Parisians from the faubourg hurrying to drink a little fresh air, would walk on toward the great patch of sky that rose straight from the pavements, at the top of the ascent, between the two lines of houses, unobstructed except by an occasional omnibus. The air was growing cooler and the sun shone only upon the roofs of the houses and the chimneys. As from a great door opening into the country, there came from the end of the street and from the sky beyond, a breath of boundless space and liberty.

At the Château-Rouge they found the first tree, the first foliage. Then, at Rue du Château, the horizon opened before them in dazzling beauty. The fields stretched away in the distance, glistening vaguely in the powdery, golden haze of seven o’clock. All nature trembled in the daylight dust that the day leaves in its wake, upon the verdure it blots from sight and the houses it suffuses with pink.

Frequently they descended the footpath covered with the figures of the game of hopscotch marked out in charcoal, by long walls with an occasional overhanging branch, by lines of detached houses with gardens between. At their left rose treetops filled with light, clustering foliage pierced by the beams of the setting sun, which cast lines of fire across the bars of the iron gateways. After the gardens came hedgerows, estates for sale, unfinished buildings erected upon the line of projected streets and stretching out their jagged walls into empty space, with heaps of broken bottles at their feet; large, low, plastered houses, with windows filled with birdcages and cloths, and with the Y of the sink-pipes at every floor; and openings into enclosures that resembled barnyards, studded with little mounds on which goats were browsing.

They would stop here and there and smell the flowers, inhale the perfume of a meagre lilac growing in a narrow lane. Germinie would pluck a leaf in passing and nibble at it.

Flocks of joyous swallows flew wildly about in circles and in fantastic figures over her head. The birds called. The sky answered the cages. She heard everything about her singing, and glanced with a glad eye at the women in chemisettes at the windows, the men in their shirt sleeves in the little gardens, the mothers on the doorsteps with their little ones between their legs.

At the foot of the slope the pavement came to an end. The street was succeeded by a broad, white, chalky, dusty road, made of debris, old pieces of plaster, crumbs of lime and bricks; a sunken road, with deep ruts, polished on the edges, made by the iron tires of the huge great wheels of carts laden with hewn stone. At that point began the things that collect where Paris ends, the things that grow where grass does not grow, one of those arid landscapes that large cities create around them, the first zone of suburbs intra muros where nature is exhausted, the soil used up, the fields sown with oyster shells. Beyond was a wilderness of half-enclosed yards displaying numbers of carts and trucks with their shafts in the air against the sky, stonecutters’ sheds, factories built of boards, unfinished workmen’s houses, full of gaps and open to the light, and bearing the mason’s flag, wastes of gray and white sand, kitchen gardens marked out with cords, and, on the lower level, bogs to which the embankment of the road slopes down in oceans of small stones.

Soon they would reach the last lantern hanging on a green post. People were still coming and going about them. The road was alive and amused the eyes. They met women carrying their husband’s canes, lorettes in silk dresses leaning on the arms of their blouse-clad brothers, old women in bright-colored ginghams walking about with folded arms, enjoying a moment’s rest from labor. Workmen were drawing their children in little wagons, urchins returning with their rods from fishing at Saint-Ouen, and men and women dragging branches of flowering acacia at the ends of sticks.

Sometimes a pregnant woman would pass, holding out her arms to a yet small child, and casting the shadow of her pregnancy upon the wall.

And everyone moved tranquilly, blissfully, at a pace that told of the wish to delay, with the awkward ease and the happy indolence of those who walk for pleasure. No one was in a hurry, and against the unbroken horizon line, crossed from time to time by the white smoke of a railroad train, the groups of promenaders were like black spots, almost motionless, in the distance.

Behind Montmartre, they came to those great moats, as it were, those sloping squares, where narrow, gray, much-trodden paths cross and recross. A few blades of shriveled, yellow grass grew thereabout, softened by the rays of the setting sun, which they could see, all ablaze, between the houses. And Germinie loved to watch the wool-combers at work there, the quarry horses at pasture in the bare fields, the madder-red trousers of the soldiers who were playing at bowls, the children flying kites that made black spots in the clear air. Passing all these, they turned to cross the bridge over the railroad by the wretched settlement of ragpickers, the stonemasons’ quarter at the foot of Clignancourt hill. They would walk quickly by those houses built of materials stolen from demolished buildings, and exuding the horrors they conceal; the wretched structures, half cabin, half burrow, caused Germinie a vague feeling of terror: it seemed to her as if all the crimes of Night were lurking there.

But at the fortifications her pleasure returned. She would go with Jupillon and sit upon the slope of the embankment. Beside her were families innumerable, workmen lying flat upon their faces, small annuitants gazing at the horizon through spyglasses, philosophers of want, bent double, with their hands upon their knees, the greasy coats characteristic of old men, and black hats worn as red as their red beards. The air was full of rich harmonies. Below her, in the moat, a musical society was playing at each corner. Before her eyes was a multicolored crowd, white blouses, children in blue aprons running around, a game of riding at the ring in progress, wineshops, cake shops, fried fish stalls, and shooting galleries half hidden in clumps of verdure, from which arose staves bearing the tricolor; and farther away, in a bluish haze, a line of tree tops marked the location of a road. To the right she could see Saint-Denis and the towering basilica; at her left, above a line of houses that were becoming indistinct, the sun was setting over Saint-Ouen in a disk of cherry-colored flame, and projecting upon the gray horizon shafts of light like red pillars that seemed to support it tremblingly. Often a child’s balloon would pass swiftly across the dazzling expanse of sky.

They would go down, pass through the gate, walk along by the Lorraine sausage shops, the dealers in honeycomb, the board cabarets, the verdureless, still unpainted arbors, where a noisy multitude of men and women and children were eating fried potatoes, mussels and prawns, until they reached the first field, the first living grass: on the edge of the grass there was a handcart laden with gingerbread and peppermint lozenges, and a woman selling hot cocoa on a table in the furrow. A strange country, where everything was mingled⁠—the smoke from the frying-pan and the evening vapor, the noise of quoits on the head of a cask and the silence shed from the sky, the city barrier and the idyllic rural scene, the odor of manure and the fresh smell of green wheat, the great human Fair and Nature! Germinie enjoyed it, however; and, urging Jupillon to go farther, walking on the very edge of the road, she would constantly step in among the grain to enjoy the fresh, cool sensation of the stalks against her stockings. When they returned she always wanted to go upon the slope once more. The sun had by that time disappeared and the sky was gray below, pink in the centre and blue above. The horizon grew dark; from green the trees became a dark brown and melted into the sky; the zinc roofs of the wineshops looked as if the moon were shining upon them, fires began to appear in the darkness, the crowd became gray, and the white linen took on a bluish tinge. Little by little everything would fade away, be blotted out, lose its form and color in a dying remnant of colorless daylight, and through the increasing darkness the voices of a class whose life begins at night, and the voice of the wine beginning to sing, would arise, mingled with the din of the rattles. Upon the slope the tops of the tall grass waved to and fro in the gentle breeze. Germinie would make up her mind to go. She would wend her way homeward, filled with the influence of the falling night, abandoning herself to the uncertain vision of things half-seen, passing the dark houses, and finding that everything along her road had turned paler, as it were⁠—wearied by the long walk over rough roads, and content to be weary and slow and half-fainting, and with a feeling of peace at her heart.

At the first lighted lanterns on Rue du Château, she would fall from her dream to the pavement.