Stella came back from Vienna for a month in the summer. Indeed she was already arrived, when Michael reached Cheyne Walk. He was rather anxious to insist directly to her that her disinclination to marry Prescott had nothing to do with his death. Michael did not feel it would be good for Stella at nineteen to believe to that extent in her power. One or two of her letters had betrayed an amount of self-interest that Michael considered unhealthy. With this idea in view, he was surprised when she made no allusion to the subject, and resented a little that he must be the one to lead up to it.

“Oh, don’t let’s talk of what happened nearly a year ago,” protested Stella.

“You were very much excited by it at the time,” Michael pointed out.

“Ah, but lots of things have happened since then.”

“What sort of things?”

He disapproved of the suggestion that the suicide of a lifelong friend was a drop in the ocean of incident that swayed round Stella.

“Oh, loves and deaths and jealousies and ambitions,” said she lightly. “Things do happen in Vienna. It’s much more eventful than Paris. I don’t know what made me come back to London. I’m missing so much fun.”

This implication that he and his mother were dull company for her was really rather irritating.

“You’d better go and look up some of your Bohemian friends,” he advised severely. “They’re probably all hanging about Chelsea still. It’s not likely that any of them is farther on with his art than he was two years ago. Who was that bounder you were so fond of, and that girl who painted? Clarissa Vine, wasn’t she called? What about her?”

“Poor old George,” said Stella. “I really must try and get hold of him. I haven’t seen Clarie for some time. She made a fool of herself over some man.”

The result of Michael’s sarcastic challenge was actually a tea-party in the big studio at 173 Cheyne Walk, which Stella herself described as being like turning out a lumber-room of untidy emotions.

“They’re as queer as old-fashioned clothes,” she said. “But rather touching, don’t you think, Michael? Though after all,” she added pensively, “I haven’t gone marching at a very great pace along that triumphant career of mine. I don’t know that I’ve much reason to laugh at them. Really in one way poor Clarie is in a better position than me. At least she can afford to keep the man she’s living with. As for George Ayliffe, since he gave up trying to paint the girls he was in love with, he has become ‘one of our most promising realists.’ ”

“He looks it,” said Michael sourly.

What had happened to Stella during this last year? She had lost nearly all her old air of detachment. Formerly a radiance of gloriously unpassionate energy had shielded her from any close contact with the vulgar or hectic or merely ordinary life round her. Michael had doubted once or twice the wisdom of smoking cigars and had feared that artistic license of speech and action might be carried too far, but, looking back on his earlier opinion of Stella, he realized he had only been doubtful on his own account. He had never really thought she ran the least danger of doing anything more serious in its consequence than would have been enough to involve him or his mother in a brief embarrassment. Now, though he was at a loss to explain how he was aware of the change, she had become vulnerable. With this new aspect of her suddenly presented, he began to watch Stella with a trace of anxiety. He was worried that she seemed so restless, so steadily bored in London. He mistrusted the brightening of her eyes, when she spoke of soon going back to Vienna. Then came a week when Stella was much occupied with speculations about the Austrian post, and another week when she was perturbed by what she seemed anxious to suppose its vagaries. A hint from Michael that there was something more attractive in Vienna than a new technique of the piano made her very angry; and since she had always taken him into her confidence before, he tried to persuade himself that his suspicion was absurd and to feel tremendously at ease when Stella packed up in a hurry and went back with scarcely two days’ warning of her departure to Vienna.

It was a sign of the new intimacy of relation between himself and his mother that Michael was able to approach naturally the subject of Stella’s inquietude.

“My dear boy, I’m just as much worried as you are,” Mrs. Fane assured him. “I suppose I ought to have been much more unpleasant than I can ever bear to make myself. No doubt I ought to have forbidden her quite definitely to go back⁠—or perhaps I should have insisted on going back with her. Though I don’t know what I would have done in Vienna. They make pastry there, don’t they? I daresay there are very good teashops.”

“I think it would have been better,” said Michael firmly. Mrs. Fane turned to him with a shrug of helplessness.

“My dear boy, you know how very unpleasant Stella can be when she is crossed. Really very unpleasant indeed. Girls are so much more difficult to manage than boys. And they begin by being so easy. But after eighteen every month brings a new problem. Their clothes, you know. And of course their behavior.”

“It’s quite obvious what’s the matter,” said Michael. “Funny thing. I’ve never concerned myself very much with Stella’s love-affairs before, but this time she seemed less capable of looking after herself.”

“Would you like to go out to Vienna?” she suggested.

“Oh, no, really, I must go away and work. Besides I shouldn’t do any good. Nor would you,” Michael added abruptly.

“I wish Dick Prescott were alive,” his mother sighed. “Really, you know, Michael, I was shocked at Stella’s callousness over that business.”

“Well, my dear mother, be fair. It wasn’t anything to do with Stella, and she has no conventional affections. That’s one comfort⁠—you do know where you are with her. Now, let’s leave Stella alone and talk about your plans. You’re sure you don’t mind my burying myself in the country? I must work. I’m going down into Oxfordshire with Guy Hazlewood.”

Michael had met Guy the other evening in the lobby of a theater. He had come back from Macedonia with the intention of settling somewhere in the country. He was going to devote himself to poetry, although he exacted Michael’s pledge not to say a word of this plan for fear that people would accuse him of an affected withdrawal. He was sensitive to the strenuous creed of his old college, to that atmosphere of faint contempt which surrounded a man who was not on the way toward administering mankind or acres. He had not yet chosen his retreat. That would be revealed in a flash, if his prayer were to be granted. Meanwhile why should not Michael accompany him to some Cotswold village? They would ride out from Oxford on bicycles and when they had found the ideal inn, they would stay there through August and September, prospecting the country round. Michael was flattered by Guy’s desire for his companionship. Of all the men he had known, he used to admire Guy the most. Two months with him would be a pleasure he would not care to forego, and it was easy enough to convince himself that he would be powerless to influence Stella in any direction and that anyway, whether he could or could not, it would be more serviceable for her character to win or lose her own battles.

Michael and Guy left Oxford in the mellow time of an afternoon in earliest August and rode lazily along the Cheltenham road. At nightfall, just as the stripling moon sank behind a spinney of firs that crowned the farthest visible dip of that rolling way ahead across the wold, they turned down into Wychford. The wide street of the town sloped very rapidly to a valley of intertwining streams whence the air met them still warm with the stored heat of the day, yet humid and languorous after the dry upland. On either side, as they dipped luxuriously down with their brakes gently whirring, mostly they were aware of many white hollyhocks against the gray houses that were already bloomed with dusk and often tremulous with the voyaging shadows of candlelight. At the Stag Inn they found a great vaulted parlor, a delicate roast of lamb, a salad very fragrant with mint and thyme, cream and gooseberries and ale.

“This is particularly good ale,” said Guy.

“Wonderful ale,” Michael echoed.

Once again they filled their pewter mugs.

“It seems to me exceptionally rich and tawny,” said Guy.

“And it has a very individual tang,” said Michael. “Another quart, I think, don’t you?”

“Two, almost,” Guy suggested, and Michael agreed at once.

“I vote we stay here,” said Guy.

“I’ll wire them to send along my books tomorrow,” decided Michael.

After supper they went on down the street and came to the low parapet of a bridge in one of whose triangular bays they stood, leaning over to count in the stream below the blurred and jigging stars. Behind them in the darkness was the melodious roar of falling water, and close at hand the dusty smell of ivy. Farther exploration might have broken the spell of mystery; so in silence they pored upon the gloom, until the rhythmic calm and contemplation were destroyed by a belated wagon passing over the bridge behind them. They went back to the Stag and that night in four-posters slept soundly.

Next morning Michael and Guy went after breakfast to visit the bridge on which they had stood in the starlight. It managed curiously to sustain the romantic associations with which they had endowed it on the night before. A mighty sycamore, whose roots in their contest with the floods had long grappled in desperate convolutions with the shelving bank of the stream below, overshadowed the farther end: here also at right angles was a line of gabled cottages crumbling into ruin and much overgrown with creepers. They may have been old almshouses, but there was no sign of habitation, and they seemed abandoned to chattering sparrows whose draggled nests were everywhere visible in the ivy. Beyond on the other side of the bridge the stream gurgled toward a sluice that was now silent; and beyond this, gray buildings deep embowered in elms and sycamores surrounded what was evidently a mill pool. They walked on to where the bridge became a road that in contrast with the massed trees all round them shone dazzlingly in the sunshine. A high gray wall bounded the easterly side; on the west the road was bordered by a low quickset hedge that allowed a view of a wide valley through which the river, having gathered once more its vagrant streams and brooks, flowed in prodigal curves of silver as far as the eye could follow. The hills that rose to right and left of the valley in bald curves were at this season colorless beside the vivider green of the water-meadows at their base, which was generally indeterminate on account of plantations whence at long intervals the smoke of hidden mills and cottages ascended. When the road had traversed the width of the valley, it trifurcated. One branch followed westward the gentle undulations of the valley; a second ran straight up the hill, disappearing over a stark skyline almost marine in its hint of space beyond. The main branch climbed the hill diagonally to the right and conveyed a sense of adventure with a milestone which said fifty miles to an undecipherable town.

Michael and Guy took this widest road for a while, but they soon paused by a gate to look back at Wychford. The sun shone high, and the beams slanting transversely through the smoke of the chimneys in tier upon tier gave the clustered gray roofs a superficial translucence like that of an uncut gem. The little town built against the hill nowhere straggled, and in its fortified economy and simplicity of line it might have been cut on wood by a medieval engraver. Higher up along the hill’s ridge went rocketing east and west the windswept highway from Oxford over the wold to Gloucestershire. They traced its course by the telegraph-poles whose inclinations had so long been governed by the wind that the mechanic trunks were as much a natural feature of the landscape as the trees, themselves not much less lean and sparse. It was a view of such extension that roads more remote were faint scars on the hills, and the streams of the valley narrowed ultimately to thin blades of steel. The traffic of generations might be thought to have converged upon this town, so much did it produce the effect of waiting upon that hillside, so little sense did it have of seeming to obtrude its presence upon the surroundings.

Gradually the glances of Guy and Michael came back from the fading horizons of this wide country to concentrate first upon the town and then upon the spire that with glittering weathervane rose lightly as smoke from the gray fabric of its church, until finally they must have rested simultaneously upon a long low house washed by one stream and by another imprisoned within a small green island.

“It’s to let,” said Michael.

“I know,” said Guy.

The unspoken thought that went sailing off upon the painted board was only expressed by the eagerness with which they stared at the proffered house.

“I might be able to take it,” said Guy at last.

Michael looked at him in admiration. Such a project conceived in his company did very definitely mark an altogether new stage and, as it seemed to him, a somewhat advanced stage in his relationship with the world.

They discovered the entrance immediately behind the almshouses in the smell of whose ivy they had lingered on the bridge last night. They passed through a wooden gateway in a high gray wall and, walking down a stained gravel path between a number of gnarled fruit trees trimmed as espaliers to conform with an antique mode of insuring fertility, they came at last round an overgrown corner close against the house. Seen from the hillside, it had quickly refined itself to be for them at least the intention of that great view, of that wide country of etched-in detail. The just background had been given, the only background that would have enabled them to esteem all that was offered here in this form of stone well-ordered, gray, indigenous, the sober crown of the valley.

Guy from the moment he saw it had determined to take this house: his inquiries about the rent and the drains, his discussion of the terms of the agreement, of the dampness within, of the size of the garden were the merest conventions of the house-hunter, empty questions whose answers really had very slight bearing on the matter in hand. Here he said to Michael he would retire: here he would live and write poetry: here life would be escorted to the tread of great verse: here an eremite of art he would show forth the austerity of his vocation.

Meanwhile, Michael’s books arrived, and at Guy’s exhortation he worked in the orchard of Plashers Mead⁠—so the small property of some twenty acres was called. Guy was busy all day with decorators and carpenters and masons. The old landlord had immediately surrendered his house to so enterprising a tenant; an agreement for three years had been signed; and Guy was going to make all ready in summer that this very autumn with what furniture he had he might inhabit his own house set among these singing streams.

Michael found it a little hard to pay the keenest attention to Anson’s or to Dicey’s entertainment of his curiosity about the Constitution, too much did the idea of Guy’s emancipation alluringly rustle as it were in the treetops, too much did the thought of Guy’s unvexed life draw Michael away from his books. And even if he could blot out Guy’s prospect, it was impossible not to follow in fancy the goldfinches to their thistle-fields remote and sunny, the goldfinches with their flighted song.

Summer passed, and Michael did not find that the amount of information he had absorbed quite outweighed a powerful impression, that was shaping in his mind, of having wasted a good deal of time in staring at trees and the funnels of light between them, in listening to the wind and the stream, to the reapers and the progress of time.

One evening in mid-September he and Guy went after supper to see how some newly painted room looked by candlelight. They sat on a couple of borrowed windsor chairs in the whitewashed room that Guy had chosen for his own. Two candles stuck on the mantelpiece burned with motionless spearheads of gold, and showed to their great satisfaction that by candlelight as well as by day the green shelves freshly painted were exactly the green they had expected. When they blew out the candles, they realized, such a plenitude of silver light was left behind, that the full moon of harvest was shining straight in through the easterly bow window which overhung the stream.

“By gad, what a glorious night!” sighed Guy, staring out at the orchard. “We’ll take a walk, shall we?”

They went through the orchard where the pears and pippins were lustered by the sheen and glister of the moon. They walked on over grass that sobbed in the dewfall beneath their footsteps. They faded from the world into a web of mist when trees rose suddenly like giants before them and in the depths of whose white glooms on either side they could hear the ceaseless munching of bullocks at nocturnal pasturage. Then in a moment they had left the mist behind them and stood in the heart of the valley, watching for a while the willows jet black against the moon, and the gleaming water at their base.

“I wish you were going to be up next term,” said Michael. “I really can hardly bear to think of you here. You are a lucky devil.”

“Why don’t you come and join me?” Guy suggested,

“I wish I could. Perhaps I will after next year. And yet what should I do? I’ve dreamed enough. I must decide what I’m going to try to do, at any rate. You see, I’m not a poet. Guy, you ought to start a sort of lay monastery⁠—a house for people to retreat into for the purpose of meditation upon their careers.”

“As a matter of fact, it would be a jolly good thing if some people did do that.”

“I don’t know,” said Michael. “I should get caught in the web of the meditation. I should hear the world as just now we heard those bullocks. Guy, Wychford is a place of dreams. You’ll find that. You’ll live on and on at Plashers Mead until everything about you turns into the sort of radiant unreality we’ve seen tonight.”

The church-clock with raucous whizz and clangor sounded ten strokes.

“And time,” Michael went on, “will come to mean no more than a brief disturbance of sound. Really I’m under the enchantment already. I’m beginning to wonder if life really does hold a single problem that could not be dissolved at once by this powerful moonshine.”

Next day Michael said he must go back to London tomorrow since he feared that if he dallied he would never go back. Guy could not dissuade him from his resolve.

“I don’t want to spoil my picture of you in this valley,” Michael explained. “You know, I feel inclined to put Plashers Mead into the farthest recesses of my heart, so that whatever happens when I go down next year, it will be so securely hidden that I shall have the mere thought of it for a refuge.”

“And more than the thought of it, you silly ass,” Guy drawled.

They drove together to the railway station five miles away. In the sleepy September heat the slow train puffed in. Hot people with bunches of dahlias were bobbing to one another in nearly all the compartments. Michael sighed.

“Don’t go,” said Guy. “It’s much too hot.”

Michael shook his head.

“I must.”

Just then a porter came up to tell Guy there were three packing-cases awaiting his disposal in the luggage-office.

“Some of my books,” he shouted, as the train was puffing out. Michael watched from the window Guy and the porter, the only figures among the wine-dark dahlias of the platform.

“What fun unpacking them,” he thought, and leaned back regretfully to survey the placid country gliding past.

Yet even after that secluded and sublunary town where Guy in retrospect seemed to be moving as remotely as a knight in an old tale, London, or rather the London which shows itself in the neighborhood of great railway termini, impressed Michael with nearly as sharp a romantic strangeness, so dreadfully immemorial appeared the pale children, leaning over scabrous walls to salute the passing train. Always, as one entered London, one beheld these children haunting the backs of houses whose frontal existence as a mapped-out street was scarcely credible. To Michael they were goblins that lived only in this gulley of fetid sunlight through which the trains endlessly clanged. Riding through London in a hansom a few minutes later, the people of the city became unreal to him, and only those goblin-children remained in his mind as the natural inhabitants. He drove on through the quiet streets and emerged in that space of celestial silver which was called Chelsea; but the savage roar of the train, as it had swept through those gibbering legions of children, was still in Michael’s ears when the hansom pulled up before the sedate house in Cheyne Walk.

The parlormaid showed no surprise at his unexpected arrival, and informed him casually with no more indication of human interest than would have been given by a clock striking its mechanical message of time that Miss Stella was in the studio. That he should have been unaware of his sister’s arrival seemed suddenly to Michael a too intimate revelation of his personality to the parlormaid, and he actually found himself taking the trouble to deceive this machine by an affectation of prior knowledge. He was indeed caught up and imprisoned by the coils of infinitely small complications that are created by the social stirrings of city life. The pale children seen from the train sank below the level of ordinary existence, no longer conspicuous in his memory, no longer even faintly disturbing. As for Plashers Mead and the webs of the moon, they were become the adventure of a pleasant dream. He was in fact back in town.

Michael went quickly to the studio and found Stella not playing as he hoped, but sitting listless. Then he realized how much at the very moment the parlormaid told him of Stella’s return he had feared such a return was the prelude to disaster. Almost he had it on his lips to ask abruptly what was the matter. It cost him an effort to greet her with just that amount of fraternal cordiality which would not dishonor by its demonstrativeness this studio of theirs. He was so unreasonably glad to see her back from Vienna that a gesture of weakness on her side would have made him kiss her.

“Hullo, I didn’t expect to see you,” was, however, all he said.

“Nor did I you,” was what she answered.

Presently she began to give him an elaborate account of the journey from Austria, and Michael knew that exactly in proportion to its true insignificance was the care she bestowed upon its dreariness and dust.

Michael began to wish it were not exactly a quarter-of-an-hour before lunch. Such a period was too essentially consecrated to orderly ideas and London smoothness for it to admit the intrusion of anything more disturbing than the sound of a gong. What could have brought Stella back from Vienna?

“Did you come this morning?” he asked.

“Oh, no. Last night. Why?” she demanded. “Do I look as crumpled as all that?”

For Stella to imply so directly that something had happened which she had expected to change materially even her outward appearance was perhaps a sign he would soon be granted her confidence. He rather wished she would be quick with it. If he were left too long to form his own explanations, he would be handicapped at the crucial moment. Useless indeed he were imagining all this, he thought in supplement, as the lunch-gong restored by its clamor the atmosphere of measured life where nothing really happens.

After lunch Stella went up to her room: the effect of the journey, she turned round to say, still called for sleep. Michael did not see her again before dinner. She came down then, looking very much older than he had ever seen her, whether because she was dressed in oyster-gray satin or was in fact much older, Michael did not know. She grumbled at him for not putting on a dinner jacket.

“Don’t look so horrified at the notion,” she cried petulantly. “Can’t you realize that after a year with long-haired students I want a change?”

After dinner Michael asked her to come and play in the studio.

“Play?” she echoed. “I’m never going to play again.”

“What perfect rot you are talking,” said Michael, in a damnatory generalization which was intended to cover not merely all she had been saying, but even all she had been doing almost since she first announced her intention of going to Vienna.

Stella burst into tears.

“Come on, let’s go to the studio,” said Michael. He felt that Stella’s tears were inappropriate to the dining-room. Indeed, only the fact that she was wearing this evening frock of oyster-gray satin, and was therefore not altogether the invulnerable and familiar and slightly boyish Stella imprinted on his mind, prevented him from being shocked to the point of complete emotional incapacity. It seemed less of an outrage to fondle however clumsily this forlorn creature in gray satin, even though he did find himself automatically and grotesquely saying to himself “Enter Tilburina stark mad in white satin and the Confidante stark mad in white muslin.”

“Come along, come along,” he begged her. “You must come to the studio.”

Michael went on presenting the studio with such earnestness that he himself began to endow it with a positively curative influence; but when at last Stella had reached the studio, not even caring apparently whether on the way the parlormaid saw her tears, and when she had plunged disconsolately down upon the divan, still weeping, Michael looked round at their haven with resentment. After all, it was merely an ungainly bleak whitewashed room, and Stella was crying more bitterly than before.

“Look here, I say, why don’t you tell me what you’re crying about? You can’t go on crying forever, you know,” Michael pointed out. “And when you’ve stopped crying, you’ll feel such an ass if you haven’t explained what it was all about.”

“I couldn’t possibly tell anybody,” said Stella, looking very fierce. Then suddenly she got up, and so surprising had been her breakdown that Michael scarcely stopped to think that her attitude was rather unusually dramatic.

“But I’m damned if I will give up playing,” she proclaimed; and, sitting down at the piano, forthwith she began to play into oblivion her weakness.

It was a very exciting piece she played, and Michael longed to ask her what it was called, but he was afraid to provoke in her any renewal of self-consciousness; so he enjoyed the fiery composition and Stella’s calm with only a faint regret that he would never know its name and would never be able to ask her to play it again. When she had finished, she swung round on the stool and asked him what had happened to Lily Haden.

“I don’t know⁠—really⁠—they’ve left Trelawny Road,” he said, feeling vaguely an unfair flank attack was being delivered.

“And you never think of her, I suppose?” demanded Stella.

“Well, no, I don’t very much.”

“Yet I can remember,” said Stella, “when you were absolutely miserable because she had been flirting with somebody else.”

“Yes, I was very miserable,” Michael admitted. “And you were rather contemptuous about it, I remember. You told me I ought to be more proud.”

“And don’t you realize,” Stella said, “that just because I did remember what I told you, I made my effort and began to play the piano again?”

Michael waited. He supposed that she would now take him into her confidence, but she swung round to the keyboard, and when she had finished playing she had become herself again, detached and cool and masterful. It was incredible that the wet ball of a handkerchief half hidden by a cushion could be her handkerchief.

Michael made up his mind that Stella’s unhappiness was due to a love-affair which had been wrecked either by circumstance or temperament, and he tried to persuade himself of his indignation against the unknown man. He was sensible of a desire to punch the fellow’s head. With the easy exaggerations of the nighttime he could picture himself fighting duels with punctilious Austrian noblemen. He went so far as mentally to indite a letter to Alan and Lonsdale requesting their secondary assistance. Then the memory of Lily began to dance before him. He forgot about Stella in speculations about Lily. Time had softened the trivial and shallow infidelity of which she had been guilty. Time with night for ally gave her slim form an ethereal charm. He had been reading this week of the great imaginative loves of the Middle Ages, and of that supple and golden-haired girl he began to weave an abstraction of passion like the Princess of Trebizond. He slept upon the evocation of her beauty just as he was setting forth upon a delicate and intangible pursuit. Next morning Michael suggested to Stella they should revisit Carlington Road.

“My god, to think we once lived here!” exclaimed Stella, as they stood outside Number 64. “To me it seems absolutely impossible, but then of course I was much more away from it than you ever were.”

Stella was so ferocious in her mockery of their childish haunts and habitations that Michael began to perceive her old serene contempt was become tinged with bitterness. This morning she was too straightly in possession of herself. It was illogical after last night.

“Well, thank heaven, everything does change,” she murmured. “And that ugly things become even more ugly.”

“Only for a time,” objected Michael. “In twenty years if we visit Carlington Road we shall think how innocent and intimate and pretty it all is.”

“I wasn’t thinking so much of Carlington Road,” said Stella. “I was really thinking of people.”

“Even they become beautiful again after a time,” argued Michael.

“It would take a very long time for some,” said Stella coldly.

Michael had rather dreaded his mother’s return, with Stella in this mood, and he was pleased when he found that his fears had been unjustifiable. Stella in fact was very gentle with her mother, as if she and not herself had suffered lately.

“I’m so glad you’re back, darling Stella, and so delighted to think you aren’t going to Petersburg tomorrow, because the man at Vienna whose name begins with that extraordinary letter.⁠ ⁠…”

“Oh, mother,” Stella laughed, “the letter was quite ordinary. It was only L.”

“But the name was dreadful, dear child. It always reminded one of furs. A most oppressive name. So that really you’ll be in London all this winter?”

“Yes, only I shan’t play much,” said Stella.

“Mrs. Carruthers is so anxious to meet you properly,” Mrs. Fane said. “And Mabel Carruthers is really very nice. Poor girl! I wish you could be friends with her. She’s interested in nothing her mother does.”

Michael was really amazed when Stella, without a shrug, without even a wink at him, promised simply to let Mrs. Carruthers “meet her properly,” and actually betrayed as much interest in Mabel Carruthers as to inquire how old she was.

Maurice arrived at Cheyne Walk, just before Michael went up for term, to say he had taken a most wonderful studio in Grosvenor Road. He was anxious that Michael should bring his sister to see it, but Stella would not go.

“Thanks very much, my dear,” she said to him, “but I’ve seen too much of the real thing. I’m in no mood just now for a sentimental imitation.”

“I think you ought to come,” said Michael. “It would be fun to see Maurice living in Grosvenor Road with all the Muses. Castleton will have such a time tidying up after them when he joins him next year.”

But Stella would not go.