Endnotes

  1. Beautiful girl.

  2. Englishwoman!

  3. What are you doing there? That trunk is mine.

  4. Boarding-school.

  5. It is only Englishwomen who would attempt this kind of thing,⁠ … what courage those women have!

  6. They are ringing for evening prayers!

  7. And what do you say to it?

    Well⁠—many things.

  8. Tell me,⁠ … do you really feel yourself incapable?

  9. They are Labassecouriennes, coarse, frank, blunt, and just a little stubborn.

  10. That’s true.

  11. Young girl.

  12. That’s well.⁠ ⁠⁠⁠⁠… That’ll do.

  13. I have lied many times.

  14. Dear me, but this is difficult! I won’t do it. It’s too wearisome.

  15. Because, when you die⁠—you will burn in hell.

    Do you believe that?

    Certainly I believe it: everybody knows that; besides the priest told me so.

  16. To ensure your salvation on high, they would do well to burn you alive here below.

  17. So so.⁠ … That’s sufficient.

  18. So they say.

  19. Handsome, but rather a fine man than a good-looking fellow.

  20. Sky-blue sash.

  21. Someone has come for Miss Fanshawe!

  22. Listen!

  23. Listen, you dear old grumbler!

  24. Greenhorn.

  25. Not at all!

  26. I am his queen, but he is not my king.

  27. Serious men, intense and impassioned, don’t suit my taste.

  28. Give me your handsome fops and pretty rogues! Long live joy and pleasure! Away with serious love-making and strict propriety!

  29. I love my handsome Colonel,⁠ … I shall never care a bit for his rival. I would never be a middle-class wife, not I!

  30. Their future.

  31. Take care, my child!

  32. What a nuisance this Désirée is! What a little serpent!

  33. Désirée requires very careful looking after.

  34. This child has broken a bone.

  35. And let someone go at once for a cab.

  36. That will do better.

  37. Thank you, Madam; well done, very well done!⁠ … That is a very opportune self-possession, and worth a thousand fits of misplaced sensibility.

  38. Easy freedom of the goodwife.

  39. This poor Doctor John!⁠ … this dear young man! the best creature in the world.

  40. Look⁠ … how tidy this Miss Lucy is! You are fond of that alley, then, Miss?

  41. That’s right.

  42. A veritable British hypocrite from what you say⁠—a sort of monster, rough and harsh like an old corporal of grenadiers, and sour as a nun.

  43. The grey dress, the straw hat.

  44. What a tale!⁠ … No one has been there.

  45. The evening breeze,

  46. What a fine night!

  47. How fine is it? and how fresh the air!

  48. Good night, my dear, sleep well!

  49. Pious reading.

  50. This child is always a little feverish.

  51. Has Dr John seen her lately? He has not, has he?

  52. Spring green hat.

  53. There’s nothing the matter with the little monkey, is there?

  54. Not much.

  55. Still.

  56. Ah!⁠ … Then there is nothing behind it: no mystery, no love affair, for instance?

  57. Not more than there is on the palm of my hand.

  58. What a pity!⁠ … and I⁠—who was just beginning to form some ideas about all that.

  59. Well, you have got your labour for your pains.

  60. I know very well she has no principles, and perhaps no morals.

  61. Her behaviour in the school is always proper, and even filled with a certain dignity: it is always what it should be. Neither the pupils nor their parents look for anything more, nor, consequently, do I.

  62. Big arbour.

  63. Ah, well then! Two or three silver spoons and forks.

  64. Listen!

  65. Are you all a parcel of dolls then?⁠ … Have you no passions, no feeling? Is your flesh turned to snow and your blood to ice? I want to see some fire in it, some life, soul!

  66. Dressmaker.

  67. So sombre⁠—not gay.

  68. Grown women.

  69. As for Mademoiselle St. Pierre, she looks like an ancient coquette playing the simple maiden.

  70. That is it!⁠ … I know her: it is the Englishwoman. So much the worse, but English, and therefore prudish as she may be⁠—she shall get me out of this miss, or I’ll know why.

  71. God knows I detest them like the plague, ordinarily.

  72. To work, quickly!

  73. I have heard it all. That’s good enough. Once more!

  74. Again!⁠ … No sour looks! Don’t be bashful!

  75. At least she knows it.

  76. Well! What is it, miss?

    I am very hungry.

    What, you’re hungry! How about the collation?

  77. Ah! That’s true.

  78. Well, so be it.

  79. Is it not beautiful?

  80. Order! Silence!

  81. I draw a line there!

  82. Coxcomb.

  83. Dear friend⁠—pretty Englishwoman.

  84. School play.

  85. Courage, my friend! A little more self-possession⁠—steady yourself, M. Lucien, and all will go well.

  86. That, perhaps, is finer than your model,⁠ … but it is not the part.

  87. Handsome blonde⁠ … pretty brunette⁠ … this spended girl with jet-black hair.

  88. Keep quiet!⁠ … You shall not pass except it is over my dead body, and you shall not dance unless it is with the nun of the garden.

  89. Get out, and look sharp about it.

  90. It is himself.

  91. That is enough: I don’t want him.

  92. So,⁠ … you will be enthroned like a queen; tomorrow⁠—enthroned beside me? No doubt you are tasting in anticipation the delights of authority. There seems an indescribable radiance about you, you ambitious little woman.

  93. How severe you are, Sir!

  94. I took it for a warning.

  95. For example.

  96. Did I say that right?

  97. Give me your hand.

  98. Poor little woman!

  99. Father, I am a Protestant.

  100. What are you doing here?

  101. I am just amusing myself, sir.

    You are amusing yourself! and at what, if you please? But first, do me the favour of rising; take my arm, and let us go to the other side.

  102. These Englishwomen are peculiar!

  103. There, there! Be silent, and sit down.

  104. Just sit down, Miss, and don’t move⁠—do you hear?⁠—until someone comes for you, or till I give you permission.

  105. What a dull corner!⁠ … and what disagreeable pictures!

  106. Disagreeable.

  107. The life of a woman.

  108. Maiden.

  109. Wife.

  110. Young Mother.

  111. Widow.

  112. Angels.

  113. Truly! You are a poor thing.

  114. That does not matter.⁠ … A grand woman⁠—the stature of an empress, the figure of Juno, but a person I should not desire either for wife, daughter, or sister. But no matter. You must not cast another glance in that direction.

  115. For the good of the poor.

  116. Miss, you are sad.

    Sir, I have very good reason to be.

    You are heartsick and out of sorts.

  117. How busy Mademoiselle is!

  118. Giant-stride.

  119. One, two, three.

  120. My dear.

  121. Unsociable saint.

  122. Thank goodness!

  123. British bear.

  124. There is something for you.

  125. Are you purposefully insulting me?

  126. Won’t you?

  127. We can only be young once.

  128. I understand: we know what a “friend” means. Good-day, Miss!

  129. I see plainly that you despise me and my property.

  130. Garret.

  131. A sly air.

  132. There is someone for you in the salon.

  133. Poppy.

  134. About that big John.

  135. We two have waded in the brook
    From morning sun till dinner-time [noon],
    But seas between us broad have roared
    Since auld lang syne.

    And surely you’ll buy your flagon,
    And surely I’ll buy mine;
    And we’ll taste a cup of kindness yet
    For auld lang syne.

  136. With all my heart, my dear: I willingly give you permission. Since you have been in my house you have always worked admirably, with zeal and prudence: and you have a very good right to enjoy yourself. Go out as much as you wish. I am very pleased at your choice of acquaintance; it is modest, worthy, and commendable.

  137. There is⁠ … something very remarkable in the English character.

  138. I could not explain “how;” but, in a word, the English have ideas of their own about friendship, and love, and everything. But there is one thing, they don’t need watching.

  139. That is what I will do.

  140. Devotion⁠ … contemplativeness.

  141. What do you think of it?

  142. You alluring flirt!⁠ … you have a sad, submissive, pensive manner; but that is not your true character, I tell you: Savage! with heart aflame, and lightening hidden in your eyes!

    Yes; I have a heart aflame, and rightly!

  143. Dear friend, I forgive you.

  144. Well done!⁠ … See, the sun begins to shine! Say “mon ami,” then.

    Monsieur Paul, I forgive you.

  145. My God! my God!⁠ … What will become of me? Monsieur is going to kill me, I am sure; for he is terribly angry!

  146. From this minute!⁠—the class is prohibited. The first one who opens this door or passes this partition will be hung⁠—even if it were Madame Beck herself!

  147. Spectacles.

  148. Oh dear! I’m quite done-up!

  149. What do you want with me?

  150. Sir,⁠ … I want the impossible, things unheard of before.

  151. There!⁠ … I am widowed of my spectacles!

  152. A strong woman⁠—a terrible Englishwoman⁠—a virago.

  153. There’s Monsieur!

  154. Don’t move.

  155. You won’t have me for your neighbour,⁠ … You give yourself fine airs; you treat me as a pariah;⁠ … Good! I’ll settle this business!

  156. All stand up, young ladies!

  157. Is that far enough away?

  158. Monsieur is responsible for it.

  159. You know very well that it is not so. It is you who have created this immense void: I had nothing to do with it.

  160. A drama of Williams Shackspire; the false god,⁠ … of those stupid pagans, the English.

  161. Obstinate character.

  162. Fury.

  163. Silence! this minute!

  164. Quick as gunpowder!

  165. Temper⁠ … heat.

  166. In the air.

  167. Doll-like colours, a nose more or less well formed.

  168. Embroidered collars.

  169. One more gewgaw.

  170. Knick-nacks.

  171. Gay fashions.

  172. We’ll pass the ribbon!

  173. Birthday.

  174. Silk dress.

  175. Enjoy a little pleasure.

  176. Good morning, my friends.

  177. Is that all?

  178. Map of the world.

  179. Long live England, History and Heroes! Down with France, Fiction and Fops!

  180. Then I shall not be here.

  181. So be it!

  182. I detest thee, my lad!

  183. God preserve you from it!

  184. Comfits.

  185. Cake.

  186. At present it’s an accomplished fact.

  187. How truly beautiful he is, Miss, that young doctor! What eyes⁠—what a look! See! My heart is quite touched by it!

  188. That brazen-face girl, that shameless creature.

  189. She only speaks truth.

  190. Ah! you think so?

    Why, of course.

  191. There is nothing to do with me: I don’t care about it.

  192. Demon-like pride.

  193. I see you from here.

  194. That commanding woman.

  195. Velvet paw.

  196. I advise you to get yourself invited.

  197. What’s that? You are playing tricks with me?

  198. It’s the pink dress!

  199. And Miss Lucy is as great a coquette as ten Parisian women.⁠ … Did ever any one see such an Englishwoman? Just look at her bonnet, her gloves, and her boots!

  200. Courage!⁠—as a matter of fact I am not sorry, perhaps I am even glad that you have beautified yourself for my poor holiday.

    But my dress is not beautiful, sir⁠—it is only neat.

    I like neatness.

  201. The woods and by-paths.

  202. Ham⁠ … sweets.

  203. Singy housewives.

  204. Give me your hand!

  205. Little sister.

  206. Yet I have been very severe, very exacting with you.

  207. Where is Miss Lucy?

  208. She is in bed.

  209. Medley.

  210. What do you want with me?

  211. And as for her felicitations, I laugh at them.

  212. Then, you must know my noble pupil, my Paul?

  213. She is a queer creature, isn’t she?

  214. Oh, the queer little hunchback!⁠ … And just imagine that she hates me because she thinks me in love with my cousin Paul; that little saint who dare not stir unless his confessor give him permission!

  215. Be it I, or be it another.

  216. A silly enough person in my opinion.

  217. Pure as a lily, according to what he says.

  218. Forget angels, hunchbacks, and especially Professors⁠—and good evening!

  219. Forget Professors.

  220. Great heavens!

  221. I know nothing of it.

  222. We are acting in the interests of truth. We don’t want to pain you.

  223. A scoffing and heartless creature.

  224. And you, Miss? you are neat and delicate, and fearfully hard-hearted to boot.

  225. I make my own bed and do the household work myself.

  226. And then?

  227. Is it not true?

  228. You little exacting creature!

  229. Too much sensibility and sympathy.

  230. Tell me then, little sister.

  231. Oh, that pains me!

  232. Mary, Queen of Heaven.

  233. O God, be merciful to me a sinner!

  234. A compound of wit and grace.

  235. How sweet is repose! How precious calm happiness!

  236. Dear little fiend!⁠ … sweet consoler!

  237. How pale you are! You must be very ill, Miss!

  238. Frolics.

  239. Where are they? Why don’t they come?

  240. Ladies and gentlemen,⁠ … where then is Justine Marie?

  241. There she is!⁠ … there is Justine Marie coming!

  242. The little one is going to help me⁠—is it not so?

  243. Why yes, I will help you with all my heart. You shall do whatever you please with me, godfather.

  244. Godfather.

  245. Abduction of a minor.

  246. My husband.

  247. Leave me!

  248. Get out!

  249. Woman!⁠ … Woman! get out this instant.

  250. Gently⁠—gently.

  251. Don’t be in a hurry.

  252. Here we are!

  253. Day-school for young ladies.⁠ … Manageress, Miss Lucy Snowe.