Standard Ebooks

How to conquer complex drama formatting

Producing plays or structuring dramatic dialog sections can be daunting due to their intricate nature and unfamiliar formatting. Don’t panic! This comprehensive guide is designed to offer clear and concise explanations, along with practical examples, to help individuals navigate a wide range of situations with ease.

Table of Contents

  1. Splitting files

    1. Check your titles

    2. Add markers

    3. Make a template file

    4. Use commands and positional arguments

    5. Remove unwanted files

  2. Dramatis personae

    1. Semantics

    2. Typography

    3. Descriptions

    4. Example

  3. Introductory scene descriptions

  4. Personas

    1. Typography

    2. More than one

    3. Abbreviations

  5. Dialog

    1. Multiple paragraphs

    2. Prose and verse

    3. Stichomythia

  6. Stage directions

    1. Right-aligned and brackets

    2. Interrupting dialog

    3. Attached to personas

    4. Songs

    5. Parentheses

    6. Multiple paragraphs

    7. A stage direction for a stage direction

  1. Splitting files

    Complete dramatic works are divided into acts, scenes, and sometimes short plays. The se split-file tool automatically uses prose book file structuring, semantics, and naming conventions. These five easy steps will help you avoid some manual work.

    1. Check your titles

      Instead of dealing with chapters, you need to check that your titles for acts, scenes, or short plays are marked with <h2> elements. Headers are usually incorrect or missing in play transcriptions.

    2. Add markers

      Like novels, we add markers before the <h2> elements in the source file before splitting.

      perl -pi -e 's|<h2|<!--se:split--><h2|g' src/epub/text/body.xhtml

    3. Make a template file

      The se split-file tool defaults to a chapter template. To add the correct file semantics, we need to create the template file /src/epub/text/drama-template.xhtml. If you wish to split the work into acts or scenes, you can copy and paste the following code to your new file:

      <?xml version="1.0" encoding="utf-8"?> <html xmlns="http://www.w3.org/1999/xhtml" xmlns:epub="http://www.idpf.org/2007/ops" epub:prefix="z3998: http://www.daisy.org/z3998/2012/vocab/structure/, se: https://standardebooks.org/vocab/1.0" xml:lang="LANG"> <head> <title>NUMERAL</title> <link href="../css/core.css" rel="stylesheet" type="text/css"/> <link href="../css/local.css" rel="stylesheet" type="text/css"/> </head> <body epub:type="bodymatter z3998:fiction z3998:drama"> <section id="ID" epub:type="chapter z3998:scene"> TEXT </section> </body> </html>

      If you have a work that is a collection of short plays, you can use this code:

      <?xml version="1.0" encoding="utf-8"?> <html xmlns="http://www.w3.org/1999/xhtml" xmlns:epub="http://www.idpf.org/2007/ops" epub:prefix="z3998: http://www.daisy.org/z3998/2012/vocab/structure/, se: https://standardebooks.org/vocab/1.0" xml:lang="LANG"> <head> <title>NUMERAL</title> <link href="../css/core.css" rel="stylesheet" type="text/css"/> <link href="../css/local.css" rel="stylesheet" type="text/css"/> </head> <body epub:type="bodymatter z3998:fiction"> <article id="ID" epub:type="z3998:drama"> TEXT </article> </body> </html>

    4. Use commands and positional arguments

      Now it’s time for se split-file to do some heavy lifting. With the help of positional arguments, we can simultaneously change the file names and which file template to use when we split the source file. You can see what arguments are available by running se split-file -h.

      If you are splitting the text into acts, you can use:

      se split-file -f act-%n.xhtml -t src/epub/text/drama-template.xhtml src/epub/text/body.xhtml mv act* src/epub/text/

      If you are splitting the text into scenes, you can adjust commands to be:

      se split-file -f scene-%n.xhtml -t src/epub/text/drama-template.xhtml src/epub/text/body.xhtml mv scene* src/epub/text/

    5. Remove unwanted files

      Once we’re happy that the source file has been split correctly, we can remove body.xhtml and drama-template.xhtml.

      rm src/epub/text/body.xhtml src/epub/text/drama-template.xhtml

  2. Dramatis personae

    Semantics

    The <body> element has the semantic inflection of frontmatter, z3998:fiction, and z3998:drama; the <section> element has the semantic inflection of z3998:dramatis-personae.

    Typography

    Most plays have periods after each character description. Make sure to remove the ending periods of each list item, except for abbreviations. The letter case of various speakers can vary widely for stylistic purposes. Convert the speakers’ names and descriptions into sentence cases. Remove any bold, caps, or small-caps styling for personas.

    Descriptions

    Any descriptions are placed in <p> elements after the list of speakers and end with periods.

    Example

    <body epub:type="frontmatter z3998:fiction z3998:drama"> <section id="dramatis-personae" epub:type="z3998:dramatis-personae"> <h2 epub:type="title">Dramatis Personae</h2> <ul> <li> <p>Don Pedro, Prince of Arragon</p> </li> </li> <li> <p>Don John, his bastard brother</p> </li> ... <li> <p>Messengers, watch, attendants, <abbr class="eoc">etc.</abbr></p> </li> </ul> <p>Scene: Messina.</p> </section> </body>

  3. Introductory scene descriptions

    Speakers mentioned in scene descriptions are wrapped in <b epub:type="z3998:persona"> elements.

    <h3> <span epub:type="label">Scene</span> <span epub:type="ordinal z3998:roman">I</span> </h3> <p>London. The Queen’s apartments.</p>
    <h3> <span epub:type="label">Scene</span> <span epub:type="ordinal z3998:roman">I</span> </h3> <p>London. The <b epub:type="z3998:persona">Queen’s</b> apartments.</p>

  4. Personas

    Typography

    Names, titles, or other speakers are in title case and without ending periods.

    More than one

    Sometimes multiple speakers talk at the same time. The containing <tr> element has the together class. The speakers are all placed in a <td epub:type="z3998:persona"> element with <br/> elements in between the names.

    <tr class="together"> <td epub:type="z3998:persona">First Lord<br/> Second Lord</td> <td>Alcibiades banished!</td> </tr>

    Abbreviations

    Expand all abbreviated personas, whether its the speakers’ names or ordinals.

    <tr> <td epub:type="z3998:persona">1st Serv.</td> <td>...</td> </tr>
    <tr> <td epub:type="z3998:persona">First Servant</td> <td>...</td> </tr>

  5. Dialog

    Multiple paragraphs

    When there is more than one paragraph of dialog will you use <p> elements.

    <tr> <td epub:type="z3998:persona">Bianca</td> <td> <p>Now let me see if I can construe it:</p> <p>“<i xml:lang="la">Hic ibat Simois</i>,” I know you not, “<i xml:lang="la">hic est Sigeia tellus</i>,” I trust you not; “<i xml:lang="la">Hic steterat Priami</i>,” take heed he hear us not, “<i xml:lang="la">regia</i>,” presume not, “<i xml:lang="la">celsa senis</i>,” despair not.</p> </td> </tr>

    Prose and verse

    In certain complex plays, you may encounter a mix of prose and verse in a character’s speech. Verse is surrounded by <div epub:type="z3998:verse">.

    <tr> <td epub:type="z3998:persona">Costard</td> <td> <div epub:type="z3998:verse"> <p> <span>My sweet ounce of man’s flesh! my incony Jew! <i epub:type="z3998:stage-direction">Exit <b epub:type="z3998:persona">Moth</b>.</i></span> </p> </div> <p class="continued">Now will I look to his remuneration. Remuneration! O, that’s the Latin word for three farthings: three farthings⁠—remuneration.⁠—“What’s the price of this inkle?”⁠—“One penny.”⁠—“No, I’ll give you a remuneration:” why, it carries it. Remuneration! why, it is a fairer name than French crown. I will never buy and sell out of this word.</p> </td> </tr>

    Stichomythia

    Stichomythia is a technique used in drama where two speakers engage in a rapid or intense exchange of alternating dialog. Here is an example found in William Shakespeare’s A Midsummer Night’s Dream.

    Five sections of dialog use stichomythia. The second section of dialog continues where the first section has left off. This pattern continues and creates a staircase effect.

    This highlights moments of conflict, urgency, or intense emotion and conveys dynamic interactions between characters. Unfortunately, there is no great way to format this technique with clear, predictable structuring. The text displayed has no additional indents or margins.

  6. Stage directions

    Right-aligned and brackets

    Exit or exeunt stage directions are traditionally shown right-aligned and bracketed. These are formatted like other inline stage directions and placed at the end of the preceding dialog. Compare how the following page scan source is structured in HTML.

    The stage direction “Goes.” is right-aligned and is preceded by a left bracket.
    <tr> <td epub:type="z3998:persona">Festus</td> <td epub:type="z3998:verse"> <p> <span>Now will I prove thee liar for that word,</span> <br/> <span>And that the very vastest out of Hell.</span> <br/> <span>With perfect condemnation I abjure</span> <br/> <span>My soul; my nature doth abhor itself;</span> <br/> <span>I have a soul to spare! <i epub:type="z3998:stage-direction">Goes.</i></span> </p> </td> </tr>

    Interrupting dialog

    Occasionally, there is a stage direction row in the middle of the dialog. For the second half of the dialog, the first child of the row is an empty <td> element. Do not use the together class for this, as the interrupting stage direction usually doesn’t pertain to the speaker.

    <tr> <td epub:type="z3998:persona">Autolycus</td> <td>I understand the business, I hear it: to have an open ear, a quick eye, and a nimble hand, is necessary for a cut-purse; a good nose is requisite also, to smell out work for the other senses. I see this is the time that the unjust man doth thrive. What an exchange had this been without boot! What a boot is here with this exchange! Sure the gods do this year connive at us, and we may do any thing extempore. The prince himself is about a piece of iniquity, stealing away from his father with his clog at his heels: if I thought it were a piece of honesty to acquaint the king withal, I would not do’t: I hold it the more knavery to conceal it; and therein am I constant to my profession.</td> </tr> <tr> <td/> <td> <i epub:type="z3998:stage-direction">Re-enter <b epub:type="z3998:persona">Clown</b> and <b epub:type="z3998:persona">Shepherd</b>.</i> </td> </tr> <tr> <td/> <td>Aside, aside; here is more matter for a hot brain: every lane’s end, every shop, church, session, hanging, yields a careful man work.</td> </tr>

    Attached to personas

    Some stage directions are attached to the persona. These directions are placed in <td> elements with the dialog. For prose dialog, the stage direction is on the same line as the dialog. For verse dialog, the stage direction is in a separate paragraph before the dialog. The stage direction is not part of the meter; the meter sets specific line lengths and emphasis.

    The stage direction “entering” is attached to the persona “Festus”.
    <tr> <td epub:type="z3998:persona">Festus</td> <td> <p> <i epub:type="z3998:stage-direction">Entering.</i> </p> <div epub:type="z3998:verse"> <p> <span>It is I.</span> <br/> <span>I said we should be sure to meet thee here:</span> <br/> <span>For I have brought one who would speak with thee.</span> </p> </div> </td> </tr>

    Songs

    Some songs are given a title or just labeled as “Song”. Treat these as stage direction rows.

    <tr> <td/> <td> <i epub:type="z3998:stage-direction">Song.</i> </td> </tr> <tr> <td epub:type="z3998:persona">Amiens</td> <td> <blockquote epub:type="z3998:song"> <p> <span>Under the greenwood tree</span> <br/> <span>Who loves to lie with me,</span> <br/> <span>And turn his merry note</span> <br/> <span>Unto the sweet bird’s throat,</span> <br/> <span>Come hither, come hither, come hither:</span> <br/> <span>Here shall he see</span> <br/> <span>No enemy</span> <br/> <span>But winter and rough weather.</span> </p> </blockquote> </td> </tr>

    Parentheses

    If there are parentheses inside of stage direction, leave them as is.

    <tr> <td/> <td> <i epub:type="z3998:stage-direction">The neighbour (a woman) passes the hut, and listens to a call from within.</i> </td> </tr>

    Multiple paragraphs

    When a stage direction spans multiple paragraphs, each paragraph should be marked with <i epub:type="z3998:stage-direction">.

    <tr> <td/> <td> <p> <i epub:type="z3998:stage-direction">...</i> </p> <p> <i epub:type="z3998:stage-direction">...</i> </p> <p> <i epub:type="z3998:stage-direction">...</i> </p> </td> </tr>

    A stage direction for a stage direction

    If there is a stage direction for a stage direction, they should not be combined. Instead, each direction should be marked individually with <i epub:type="z3998:stage-direction">.

    <tr> <td/> <td> <i epub:type="z3998:stage-direction">Choristers, singing.</i> <i epub:type="z3998:stage-direction">Music.</i> </td> </tr>